Raymond White

“Brilliant.” —Robin Roberts, host of Good Morning America Following in the hoofprints of The Flying Horse, Pulitzer Prize nominee Sarah Maslin Nir and Raymond White Jr.’s The Jockey & Her Horse is the second title in the Once Upon a Horse series, inspired by the true story of the first Black female jockey, Cheryl White, who raced to the finish line on her horse, Jetolara—illustrated with black-and-white art by Laylie FrazierCheryl loves horses. She’s been studying thoroughbreds at her family’s horse racing stables since she was old enough to ride on the shoulders of her father, a famous horse trainer. Cheryl wants to be a jockey. One problem—she is a girl, and there has never been a Black female jockey in history! Jetolara is a young thoroughbred finding his place in the herd. When Cheryl literally falls onto his back, and Jeto sprints off across the pasture, Cheryl discovers that she doesn’t just want to be a jockey, she is a jockey—and she and Jeto were born to race. Together girl and horse make history and show everyone that once you learn to love yourself, the world is yours. Once Upon a Horse seriesThe Flying Horse (#1)The Jockey & Her Horse (#2), written with Raymond White Jr. The Star Horse (#3)

'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.

'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.