Rebecca Carroll

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers. The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class. Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today’s literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author’s note. The new contributors carry the torch of the original interviewees’ lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing—they are about life, relationships, joy, gratitude, wellness, and self-preservation. I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers. The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class. Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today’s literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author’s note. The new contributors carry the torch of the original interviewees’ lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing—they are about life, relationships, joy, gratitude, wellness, and self-preservation. I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

An Esquire Best Book of 2021 A "gorgeous and powerful" (The New York Times Book Review) memoir from cultural critic Rebecca Carroll recounting her painful struggle to overcome a completely white childhood to forge her identity as a Black woman in America. Rebecca Carroll grew up the only Black person in her rural New Hampshire town. Adopted at birth by artistic parents who believed in peace, love, and zero population growth, her early childhood was loving and idyllic--and yet she couldn't articulate the deep sense of isolation she increasingly felt as she grew older. Everything changed when she met her birth mother, a young white woman, who consistently undermined Carroll's sense of her Blackness and self-esteem. Carroll's childhood became harrowing, and her memoir explores the tension between the aching desire for her birth mother's acceptance, the loyalty she feels toward her adoptive parents, and the search for her racial identity. As an adult, Carroll forged a path from city to city, struggling along the way with difficult boyfriends, depression, eating disorders, and excessive drinking. Ultimately, through the support of her chosen Black family, she was able to heal. "Generous, intimate, searching, and formidable" (The Boston Globe), Surviving the White Gaze is a timely examination of racism and racial identity in America today.

On the ninetieth anniversary of Booker T. Washington s death comes a passionate, provocative dialogue on his complicated legacy, including the complete text of his classic autobiography, "Up from Slavery." Booker T. Washington was born a slave in 1858, yet roughly forty years later he had established the Tuskegee Institute. Befriended by a U. S. president and corporate titans, beloved and reviled by the black community, Washington was one of the most influential voices on the postslavery scene. But Washington s message of gradual accommodation was accepted by some and rejected by others, and, almost a century after his death, he is still one of the most controversial and misunderstood characters in American history. "Uncle Tom or New Negro?" does much more than provide yet another critical edition of Washington s memoirs. Instead, Carroll has interviewed an outstanding array of African American luminaries including Julianne Malveaux, cultural critics Debra Dickerson and John McWhorter, and Pulitzer Prize winning journalist and radio talk-show host Karen Hunter, among others. In a dazzling collection bursting with invigorating and varying perspectives, (e.g. What would Booker T. think of Sean Combs or Russell Simmons? Was Washington a tragic buffoon or a giver of hope to those on the margins of the margins ?) this cutting-edge book allows you to reach your own conclusions about a controversial and perhaps ultimately enigmatic figure."