Rebecca Solnit

In 1981, Rebecca Solnit rented a studio apartment in San Francisco, her home for the next twenty-five years. There she began the process of forging a voice in a society that preferred women to be silent. Liberated by West Coast activism, growing gay pride and punk rock, she broke through oppression and over time transformed into a writer and activist who speaks for the marginalised - galvanised to use her own voice for change. Recollections of My Non-Existence is the landmark memoir from a voice of a generation, and a rally cry for generations to come.

Hvem får taletid, og hvem har lov til at forme tidens fortællinger? #MeToo er en kamp om netop den grundlæggende magt. Hvis historie er det? samler feminist og forfatter Rebecca Solnits bedste essays om et af de største skred i feminismens historie siden 1970’erne. Rebecca Solnit (f. 1961) er historiker, aktivist og forfatter. Hun har skrevet nogle af de mest indflydelsesrige feministiske essays i nyere tid, heriblandt Alle spørgsmåls moder og Mænd forklarer mig ting, som har dannet grundlag for begrebet ‘mansplaining’. Bogen er en del af den serien Feministisk bibliotek, der samler fire af de mest markante feministiske stemmer fra de sidste 100 år og introducerer de vigtigste diskussioner om forholdet mellem køn, magt og historie.

Finalist for the National Book Critics Circle Award for NonfictionFinalist for the PEN/Jacqueline Bograd Weld Award for Biography "An exhilarating romp through Orwell's life and times and also through the life and times of roses." --Margaret Atwood "A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker." --Claire Messud, Harper's "Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way." --Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world "In the spring of 1936, a writer planted roses." So be-gins Rebecca Solnit's new book, a reflection on George Orwell's passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit's account of this overlooked aspect of Orwell's life journeys through his writing and his actions--from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit's celebrated ability to draw unexpected connections, readers are drawn onward from Orwell's own work as a writer and gardener to encounter photographer Tina Modotti's roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell's slave-owning ancestors in Jamaica, Jamaica Kincaid's examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit's portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

A reissue of this inspiring and heartbreaking memoir about family, empathy and the stories we tell about ourselves and others Gifts come in many guises. One summer, Rebecca Solnit was given three boxes of ripening apricots, fruit from a neglected tree that her mother, gradually succumbing to memory loss, could no longer tend to. In this courageous, heartbreaking memoir, Solnit draws from this unexpected inheritance, weaving her own story into fairy tales and the lives of others. Encompassing the Marquis de Sade and Mary Shelley, explorers and monsters, a library of water in Iceland, and the depths of the Grand Canyon, The Faraway Nearby is a meditation on family, empathy, and the art of storytelling from a writer of limitless talent and imagination.

'Radical, humane, witty' Alain de Botton 'Magisterial' Will Self, Guardian Explore historical, political and philosophical paths traced by walkers in this profound and diverting modern classic. What does it mean to be out walking in the world, whether in a landscape or a metropolis, on a pilgrimage or a protest march? In this first general history of walking, Rebecca Solnit draws together numerous stories to create a new way of looking at one of humanity's most fundamental and expressive acts. Arguing that walking as history means walking for pleasure and for political, aesthetic, and social meaning, Solnit homes in on the walkers whose everyday and extreme acts have shaped our culture, from the philosophers of ancient Greece to the poets of the Romantic Age, from the perambulations of the Surrealists to the ascents of mountaineers. With profiles of some of the most significant walkers in history and fiction - from Wordsworth to Gary Snyder, from Rousseau to Argentina's Mother of the Plaza de Mayo, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja - Wanderlust takes us on an unforgettable journey and shows how walking can affect the body, the imagination, and the world around us. 'One of those rare, quirky, rather lovable books that makes you look anew at something so familiar ... Solnit winningly traces the shifting cultural significance of putting one foot in front of another' Daily Telegraph

Londoners Reni Eddo-Lodge and Emma Watson are collaborating with author Rebecca Solnit and geographer Joshua Jelly-Schapiro to reimagine London's classic tube map. The new public history project 'City of London Women' will redraw Transport for London's classic underground map by naming each stop after a woman, non-binary person or a group. By consulting with artists, historians, community organizers and others through an open call, the project aims to identify remarkable female or non-binary Londoners who have had an impact on the city's history in some way. It will allocate them to each of the stations depicted on the London tube map according to their connections to a local area. Some of these people might be household names, others might be unsung heroes or figures from London's hidden histories. The names might be drawn from arts, civil society, business, politics, sport and so on. Attractively produced and packaged as a large poster map, this will be an ideal gift item that will find a place in museums and art stores as well as bookshops across London and beyond.

Shortlisted for the James Tait Black Prize for BiographyLonglisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

”Att vara en ung kvinna är att ställas inför sin egen utplåning på ett oändligt antal sätt eller att fly från den eller vetskapen om den, eller allt detta på en gång. ’En vacker kvinnas död är obestridligen det mest poetiska ämnet i världen’, sa Edgar Allan Poe, som knappast kan ha sett det ur kvinnornas perspektiv, de kvinnor som hellre vill leva. Jag försökte undvika att vara ämnet för någon annans poesi och att bli dödad, jag försökte hitta en egen poetik, utan kartor, utan vägvisare, utan särskilt mycket att gå efter.” Rebecca Solnits självbiografiska essä "Hågkomster av min icke-existens" handlar om hennes liv i San Francisco och de upplevelser och erfarenheter som förvandlade henne från en ung och osäker nittonåring till en inflytelserik radikal röst. Det är alltså Solnits väg till bildkonsten, litteraturen, aktivismen och – inte minst – feminismen vi får följa. Men boken är också en undersökning av hur vardagliga förändringar nästan omärkligt kan påverka våra liv och sammanhang i grunden. Den svarta stadsdel där Solnit lyckades hitta en billig lägenhet gentrifierades i takt med att hon fick upp ögonen för gentrifieringens och exkluderingens destruktiva mekanismer. Hon fick också och högst konkret lära sig hur utsatt och isolerad en kvinna kan vara i ett samhälle som konsekvent förminskar och förnedrar kvinnor, som om kvinnor per definition saknar betydelse. Solnit låter – som så ofta i författarskapet – olika teman flätas in i varandra och viktiga sammanhang framträda lite i taget, via iakttagelser, minnesbilder och associationer. Men "Hågkomster av min icke-existens" kastar dessutom ett intressant ljus över själva arbetsmetoden, Solnits mångsidiga och improvisatoriska form av berättande. Rebecca Solnit, född 1961 och bosatt i San Francisco, är författare, journalist och politisk aktivist. Daidalos har av Solnit tidigare publicerat "Gå vilse. En fälthandbok" (2012), "Det avlägset nära" (2014), "Män förklarar saker för mig" (2015), "Wanderlust" (2017), "Alla frågors moder" (2017) och "Kalla dem vid deras rätta namn" (2019).

Rebecca Solnit retells 'Cinderella'. A Fairy Tale Revolution is here to remix and revive our favourite stories. 'She looked like a girl who was evening, and an evening that had become a girl...'In the kitchen, in her rags, Cinderella, longs to go to the ball. After all, there is nothing worse than not being invited to the party. Enter her fairy godmother... But that is where the familiar story ends. Cinderella's transformation turns out to be much less about ballgowns, glass slippers and carriages, and much more about finding her truest self. Finally free from the kitchen cinders, who will she turn out to be?*Recommended for ages 6 and up*

Spanning nearly three thousand years of history--from the ancient Secession of the Plebs to the 2017 protests of the Confederate Soldiers Monument in Durham, from Sojourner Truth to Naoto Matsumura--these posters pay tribute to the long-standing human legacy of revolution, creative activism, and grassroots organizing. In this book, contemporary artists imagine and interpret often-overlooked events and figures in movements for racial justice, women's rights, queer liberation, labor organizing, and environmental conservation. The second edition of Celebrate People's History includes one hundred new posters printed in duotone, presenting these essential moments as a visual tour through decades and across continents. Featured artists include Miriam Klein Stahl, Swoon, Cristy C. Road, Bishakh Som, Sabrina Jones, Nicole Schulman, Christopher Cardinale, Eric Drooker, Klutch, Carrie Moyer, Laura Whitehorn, Dan Berger, Ricardo Levins Morales, Chris Stain, and more.

In times of crisis, when institutions of power are laid bare, people turn to one another. Pandemic Solidarity collects firsthand experiences from around the world of people creating their own narratives of solidarity and mutual aid in the time of the global crisis of Covid-19. The world’s media was quick to weave a narrative of selfish individualism, full of empty supermarket shelves and con-men. However, if you scratch the surface, you find a different story of community and self-sacrifice. Looking at eighteen countries and regions, including India, Rojava, Taiwan, South Africa, Iraq and North America, the personal accounts in the book weave together to create a larger picture, revealing a universality of experience - a housewife in Istanbul supports her neighbour in the same way as a teacher in Argentina, a punk in Portland, and a disability activist in South Korea does. Moving beyond the present, these stories reveal what an alternative society could look like, and reflect the skills and relationships we already have to create that society, challenging institutions of power that have already shown their fragility.

In times of crisis, when institutions of power are laid bare, people turn to one another. Pandemic Solidarity collects firsthand experiences from around the world of people creating their own narratives of solidarity and mutual aid in the time of the global crisis of Covid-19. The world’s media was quick to weave a narrative of selfish individualism, full of empty supermarket shelves and con-men. However, if you scratch the surface, you find a different story of community and self-sacrifice. Looking at eighteen countries and regions, including India, Rojava, Taiwan, South Africa, Iraq and North America, the personal accounts in the book weave together to create a larger picture, revealing a universality of experience - a housewife in Istanbul supports her neighbour in the same way as a teacher in Argentina, a punk in Portland, and a disability activist in South Korea does. Moving beyond the present, these stories reveal what an alternative society could look like, and reflect the skills and relationships we already have to create that society, challenging institutions of power that have already shown their fragility.

In 1981, Rebecca Solnit rented a studio apartment in San Francisco that would be her home for the next twenty-five years. There, she began to come to terms with the epidemic of violence against women around her, the street harassment that unsettled her, and the authority figures that routinely disbelieved her. That violence weighed on her as she faced the task of having a voice in a society that preferred women to shut up or go away. Set in the era of punk, of growing gay pride, of counter culture and West Coast activism, during the latter years of second wave feminism, Recollections of My Non-Existence is the foundational story of an emerging artist struggling against patriarchal violence and scorn. Recalling the experience of living with fear, which Solnit contends is the normal state of women, she considers how oppression impacts on creativity and recounts the struggle to find a voice and have it be heard. Place and the growing culture of activism liberated her, as did the magical world of literature and books. And over time, the clamour of voices against violence to women coalesced in the current feminist upheaval, a movement in which Solnit was a widely audible participant. Here is an electric account of the pauses and gains of feminism in the past forty years; and an extraordinary portrait of an artist, by a seminal American writer.