Richard Ettinghausen

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""The Unicorn: Studies In Muslim Iconography"" is a book written by Richard Ettinghausen that explores the symbolism and significance of the unicorn in Islamic art and culture. The book delves into the history of the unicorn in Islamic mythology and how it has been depicted in various forms of art, including textiles, ceramics, and manuscripts. The author also examines the cultural and religious contexts in which these depictions were created, providing insights into the beliefs and values of Muslim societies throughout history. Through detailed analysis and interpretation of these works of art, Ettinghausen sheds light on the complex and fascinating world of Muslim iconography and the role of the unicorn within it. This book is a valuable resource for scholars, students, and anyone interested in Islamic art and culture. Freer Gallery Of Art, Occasional Papers, V1, No. 3. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Arab Painting: Treasures of Asia is a comprehensive book that explores the rich history and culture of Arab painting. Written by Richard Ettinghausen, a renowned scholar in Islamic art, the book delves into the various styles, techniques, and themes that have influenced Arab painting over the centuries. The book is divided into several chapters, each focusing on a specific period or region of Arab painting. It begins with an introduction to the origins of Arab painting and its development in the early Islamic period. From there, it explores the different styles and techniques that emerged during the Abbasid, Fatimid, and Mamluk periods, as well as the influence of Persian and Chinese art on Arab painting. The book also features a section on the art of the Ottoman Empire, which was heavily influenced by Arab painting. It covers the various schools of Ottoman painting, including the Istanbul, Edirne, and Bursa schools. Throughout the book, Ettinghausen provides detailed analysis of individual paintings, highlighting their unique features and significance. He also discusses the cultural and historical context in which these paintings were created, providing readers with a deeper understanding of Arab painting as a whole. Overall, Arab Painting: Treasures of Asia is a must-read for anyone interested in Islamic art and culture. It provides a comprehensive overview of Arab painting, from its origins to its influence on other art forms, and is filled with stunning illustrations that bring the paintings to life. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Iranian and Islamic Art"" by Richard Ettinghausen is a comprehensive survey of the art of Iran and the Islamic world. The book covers the art and architecture of Iran from pre-Islamic times to the present day, as well as the art of the wider Islamic world, including Central Asia, India, and North Africa. The author provides a detailed analysis of the different styles and techniques used in Iranian and Islamic art, including calligraphy, painting, ceramics, metalwork, and textiles. The book also explores the religious and cultural contexts in which these art forms developed, and the role they played in shaping the identity and worldview of the Islamic world. With over 400 illustrations, including many in color, ""Iranian and Islamic Art"" is an essential reference for anyone interested in the art and culture of Iran and the Islamic world. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.