Richard Guy Wilson

These exceptional houses—distinguished by their classical style and artistic integrity—represent the highest level of design and craftsmanship, fashioned for historic taste. A return to classicism and traditional styles has been widely observed in the world of architecture and design, and the houses in this volume represent the finest examples of new design based on historical precedents. These stunning residences are graced with regional character, impeccable craftsmanship, and classic beauty. Collaborating with leading landscape designers, decorators, and artisans, architects Mark Ferguson and Oscar Shamamian have produced homes that—whether country estates, suburban houses, or city apartments—are exquisite examples of timeless design for those who are inspired by historic styles. With lush photography capturing the allure of these of exteriors, interiors, and details—as well as original drawings and plans—the book will appeal to architects, interior designers, and homeowners with an eye for fine design and anyone wishing to be inspired by the poetry of history. Recognized by Architectural Digest in 2010 as being among the most important and influential architecture firms at work today, this beautifully illustrated volume presents Ferguson & Shamamian's finest work, including new houses, apartments, alterations and additions, and unbuilt design plans. Each of the nineteen homes featured in the book will be presented in detail, with full color photography and project descriptions written by the architects themselves. Eleven unbuilt projects will be represented by drawings, and eleven alterations and additions will be included in an appendix.

The mansion along with its magnificent furnishings, art, gardens, and the owners' striving, hubris, and ultimate failure are the dramatis personae of this saga. Stanford White, the architect, wrote, "with the exception of Biltmore, I do not think there will be an estate equal to it in the country." An extravagant product of the desire for social acceptance, the portrait encompasses western mining and old versus new wealth, religious differences and the building of a church, art collecting, and the many people, from the architects, builders, and workers to the servants and staff who ran the house and gardens. Harbor Hill's story includes elements of farce and tragedy; in a sense it is an American portrait.