Richard Harding Davis

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.

Author and journalist Richard Harding Davis, one of the most popular newspaper writers and novelists at the turn of the 20th century, may well be the source of the image of the dashing war correspondent. He represented the growing power of the press as the mass media's influence was expanding, and this controversial 1898 book is an early example of the manipulative power of the press. Dispatched by William Randolph Hearst to cover the guerilla war in Cuba for Hearst's newspaper the New York Journal, Davis filed vibrant, dramatic reports that may have brought the United States into the conflict, launching the Spanish-American War. Gathered in this book, and illustrated by Frederic Remington, is Davis's account of war-torn Cuba: muscular, adventurous prose about a dangerous time and place filled with a passion that infected his readers and may have changed the course of international affairs. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

A romance of America's nascent imperial power recounting the adventures of Robert Clay, a mining engineer and sometime mercenary, and Hope Langham, the daughter of a wealthy American industrialist, as they become caught up in a coup in Olancho, a fictional Latin American republic. When the coup, organized by corrupt politicians and generals, threatens the American-owned Valencia Mining Company, Clay organizes his workers and the handful of Americans visiting the mine into a counter-coup force. Written on the eve of the Spanish-American War, Soldiers of Fortune casts the young American as the dashing, hypermasculine hero of the new military and economic imperium. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

ALICE: Hello, Central. Hello, Central. (Impatiently) Wake up Wake up Is that you, Central? Give me the station agent at Bedford Junction-quick. What? I CAN'T speak louder. Well, you MUST hear me. Give me the station agent at Bedford Junction. No, there's always a man there all night. Hurry, please, hurry. (There is a pause, during which the sound of the file grows louder. Alice listens apprehensively.) Hello, are you the station agent? Good Listen I am Miss Gardner, James K. Gardner's daughter. Yes, James K. Gardner, the president of the road. This is his house. My mother and I are here alone. There are three men trying to break in. Yes, burglars, of course. My mother is very ill. If they frighten her the shock might-might be very serious. Wake up the crew, and send the wrecking train here-at once. Send-the-crew-of-the- wrecking train here-quick. What? Then fire up an engine and get it here as fast as you can. VOICE: (calling from second story) Alice ALICE: (at telephone) Yes, you have. The up-track's clear until "52" comes along. That's not until-