Richard Holmes

Bill Bellamy was a young officer in the 8th King's Royal Irish Hussars from 1943 to 1955. He served in 7th Armoured Division in the North West Europe campaign, landing in Normandy on D+3, fought throughout the Battle for Normandy and into the Low Countries as a troop leader in Cromwell tanks, and was latterly a member of the initial occupying force in Berlin in May 1945. Against the rules, Bill kept diaries and notes of his experiences. His account is fresh and open, and his descriptions of battle are vivid. He witnessed many of his contemporaries killed in action, and this life-altering experience clearly informs his narrative. The accounts of tank fighting in the leafy Normandy bocage in the height of summer, or in the iron hard fields of Holland in winter, are graphic and compelling.

The reality of what it is to be a soldier, by Britain's foremost military historian.

From Hastings to Dunkirk, Agincourt to The Somme, Richard vividly recreates the atmosphere of these key battles in our history. There were other obvious considerations that favoured certain battles over others: battles that were particularly decisive, or ones that were well documented, or have battlefields that remain striking today.

Shelley: The Pursuit is the book with which Richard Holmes--the finest literary biographer of our day--made his name. Dispensing with the long-established Victorian picture of Shelley as a blandly ethereal character, Holmes projects a startling image of "a darker and more earthly, crueler and more capable figure." Expelled from college, disowned by his aristocratic father, driven from England, Shelley led a life marked from its beginning to its early end by a violent rejection of society; he embraced rebellion and disgrace without thought of the cost to himself or to others. Here we have the real Shelley--radical agitator, atheist, apostle of free love, but above all a brilliant and uncompromising poetic innovator, whose life and work have proved an essential inspiration to poets as varied as W. B. Yeats and Allen Ginsberg.

'Battlefields of the Second World War' is what every Richard Holmes fan has been waiting for. In this fascinating and brilliantly articulated study of the Second World War, he clarifies the complexities of four of its campaigns: El Alamein, Monte Cassino, Operation Market Garden (of which Arnhem formed a crucial part)and the RAF's bomber offensive against Germany. The book originates in his firm conviction that the sacrifices made by British service personnel are not properly understood. It uses eye-witness accounts to illuminate the horror, confusion and sheer enormity of war, and puts this in the context of the conflict's broader strategy. 'The name Richard Holmes is to military history what Made in Britain once was to maufactured goods. There is no shoddiness in materials or labour; reliability is the hallmark, not flashiness, John Bull the proud emblem'. 'The Times'

This title charts Wellington's military career from India to Europe, rediscovering the reasons Queen Victoria called him the greatest man the 19th century had produced. Combining historical analysis with a semi-biographical examination, it examines all facets of the Iron Duke.

Magnificent history of the common British soldier from 1700 to 1900 by one of Britainâ??s best-known and accomplished military writers and broadcasters. Red Coat is non-fiction Sharpe, filled with anecdote and humour as well as historical analysis.

With this collection of short and fascinating biographical pieces, the award-winning biographer of Coleridge and Shelley offers a fascinating glimpse into the mysterious art of biography. When researching, Richard Holmes has often become captivated by figures peripheral to his main subject, literary forays that he couldn't resist. These tales-the forbidden love of John Stuart Mill, the bizarre novel of Oscar Wilde's tragic grand-uncle, Scott and Zelda Fitzgerald's nightmarish yet cathartic final trip to Paris-are part of what comprises Sidetracks, a marvelously original that includes letters and travelogues, radio plays, essays, and minature biographies. This book is a rare literary feast and an exploration of the creative processes of one of our most preeminent biographers.

Winner of the 1989 Whitbread Prize for Book of the Year, this is the first volume of Holmes's seminal two-part examination of Samuel Taylor Coleridge, one of Britain's greatest poets. Coleridge: Early Visions is the first part of Holmes's classic biography of Coleridge that forever transformed our view of the poet of 'Kubla Khan' and his place in the Romantic Movement. Dismissed by much recent scholarship as an opium addict, plagiarist, political apostate and mystic charlatan, Richard Holmes's Coleridge leaps out of the page as a brilliant, animated and endlessly provoking figure who invades the imagination. This is an act of biographical recreation which brings back to life Coleridge's poetry and encyclopaedic thought, his creative energy and physical presence. He is vivid and unexpected. Holmes draws the reader into the labyrinthine complications of his subject's personality and literary power, and faces us with profound questions about the nature of creativity, the relations between sexuality and friendship, the shifting grounds of political and religious belief.

In this outstanding, eminently readable work of literary scholarship, Holmes explores the enigmatic friendship between Samuel Johnson and the poet Richard Savage, whom Johnson memorialized in Lives of the Poets. Synthesizing a wide array of contradictory historical sources, from Johnson's Life of Savage to Boswell's Life of Johnson, the correspondence of Johnson's contemporaries and modern scholarship, Holmes shows that Savage was a notorious and alluring figure when Johnson first arrived in London in 1737. . . . "Holmes enlivens his study with keen insights into the art of biography and evocative glimpses into the professional literary industry of 18th-century London: its oppositional politics, literary journals and Grub Street coffee houses bustling with impoverished writers."--Publishers Weekly "In the course of explaining how and why Johnson told his story as he did, Holmes provides a fairly full biography of Savage, the first book-length study since Clarence Tracy's The Artificial Bastard (1953). Holmes' book . . . is at once learned and a pleasure to read."--Library Journal

Richard Holmes knew he had become a true biographer the day his bank bounced a check that he had inadvertently dated 1772. Because for the acclaimed chronicler of Shelley and Coleridge, biography is a physical pursuit, an ardent and arduous retracing of footsteps that may have vanished centuries before. In this gripping book, Holmes takes us from France's Massif Central, where he followed the route taken by Robert Louis Stevenson and a sweet-natured donkey, to Mary Wollstonecraft's Revolutionary Paris, to the Italian villages where Percy Shelley tried to cast off the strictures of English morality and marriage. Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelations. "Deeply impressive . . . Footsteps is a singular event in the modern history of biography, and in itself a delightful reading experience."--Alfred Kazin "This exhilarating book, part biography, part autobiography, shows the biographer as sleuth and huntsman, tracking his subjects through space and time."--The Observer "A modern masterpiece . . . Holmes is] the most romantic of contemporary biographers and probably the most revolutionary in spirit and form."--Michael Holroyd, author of Bernard Shaw

This reissue of Richard Holmes's book on Samuel Johnson's friendship with the poet Richard Savage won the James Tait Black Prize for Biography.