Rick Bass

The Brazos River and the Rio Grande: what lies between are physical and cultural geographies stretching south from the Texas Hill Country to the border of Mexico, west across the Trans-Pecos, and up through Northern New Mexico into Colorado. Photographer Jerod Foster and poet John Poch praise and wonder along these varied waterways and across the landscapes they host. The result is communion—a synergy of imagery in story and story in imagery, finding unexpected form, depths, and meaning much as rivers themselves are honed in the pull of gravity and texture.

Suit up with celebrated literary master Rick Bass as he writes, ala Buzz Bissinger (Friday Night Lights) and George Plimpton (Paper Lions), through the prism of battered semi-professional football and the refractions it casts on matters of race, masculinity, and yes, faith. The Montana writer Norman Maclean wrote, "In our family, there was no clear line between religion and fly fishing." Rick Bass, born and raised in Houston, knows that in Texas, there's no clear line between religion and football. In Wrecking Ball: Race, Friendship, God, and Football, award-winning writer Rick Bass chronicles three seasons on the field with the Texas Express, a semiprofessional team in the Dynamic Texas Football Association. This is unsung football. Light-years from the NFL, it has nowhere near the pomp of college football nor even of Texas high-school football, where hometown fans' civic identity is always on the line. In the hardscrabble world of spring-season semipro ball, there are no fans. Eventually even the players' families avoid these games. Most players are in their twenties, but some are older. Every year a few get to try out for the college game; others get scholarship money and a shot at another life. But for most, this is their last chance. Many--most--get hurt. One hundred and fifty-five pounds dripping wet and forty-five years past his playing career as a one-season walk-on at Utah State, Rick Bass came to Brenham, a flyspeck town outside of Houston, to write about the Express. But with a disastrous season unfolding and injuries, incarcerations, and plain boredom claiming players every week, Bass was induced to suit up and take the field. Suddenly the writer became part of the story in a tale reminiscent of George Plimpton and Paper Lion. Rick's experience on and off the field and his observations about the game, the terrible injuries, the expectations and pleasures of comradery, the overriding influence of the coach, and race, poverty, and, yes, religion on the field, are the unforgettable subjects of Wrecking Ball.

"Master craftsman" (Los Angeles Times) and beloved author Rick Bass explores ecological, social, and personal landscapes through this collection that brings together his best-loved essays and brand-new pieces For acclaimed writer and environmental activist Rick Bass, it can be wearying to dwell relentlessly upon the broken, the fragmented, the dead and dying and doomed to extinction. Activism is a necessary part of the environmental movement, but so is the time-honored celebration of the beauty that inspires us. Spanning his storied career, these new and selected essays attempt to take a brief step to the side, away from lamentation and prescription, to inhabit, as deeply as possible, the greater depths of the beauty in each moment. With Every Great Breath ranges from the extremely local--a long-form essay about the community affected by the largest Superfund site in U. S. history, in Libby, Montana--to the far-flung: the Gal pagos, Namibia, and Alaska. Throughout, Bass offers a portrait of our planet that is always alert to its wonders, even in the face of environmental crisis.

"Master craftsman" (Los Angeles Times) and beloved author Rick Bass explores ecological, social, and personal landscapes through this collection that brings together his best-loved essays and brand-new pieces For acclaimed writer and environmental activist Rick Bass, it can be wearying to dwell relentlessly upon the broken, the fragmented, the dead and dying and doomed to extinction. Activism is a necessary part of the environmental movement, but so is the time-honored celebration of the beauty that inspires us. Spanning his storied career, these new and selected essays attempt to take a brief step to the side, away from lamentation and prescription, and to inhabit, as deeply as possible, the greater depths of the beauty in each moment. With Every Great Breath ranges from the extremely local--a long-form essay about the community affected by the largest Superfund site in U. S. history, in Libby, Montana--to the far-flung: the Gal pagos, Namibia, and Alaska. Throughout, Bass offers a portrait of our planet that is always alert to its wonders, even in the face of environmental crisis.

Long considered one of the most gifted practitioners of the short story, Rick Bass is unsurpassed in his ability to perceive and portray the enduring truths of the human heart. Now, at last, we have the definitive collection of stories, new and old, from the writer Newsweek has called "an American classic." To read his fiction is to feel more alive -- connected, incandescently, to "the brief longshot of having been chosen for the human experience," as one of his characters puts it. These pages reveal men and women living with passion and tenderness at the outer limits of the senses, each attempting to triumph against fate. Bass provides searing insights into the complexity of family and romantic entanglements, and his lush and striking language draws us ineluctably into the lives of these engaging people and their vivid surroundings. The intricate stories collected in For A Little While -- brimming with magic and wonder, filled with hard-won empathy, marbled throughout with astonishing imagery -- have the power both to devastate and to uplift. Together they showcase an iconic American master at his peak.

Rick Bass's Fortunate Son is a literary tour of the Lone Star State by a native Texan of exceptional talent. The essays encompass a Texas that is both lost and found, past and present. The stories reach from Galveston Bay to the Hill Country outside Austin, and from Houston in the 1960s to today. They are bound together by a deep love and a keen eye for the land and its people and by an appreciation for what is given, a ruefulness for what is lost, and a commitment to save what can be saved." This is a journalist's Texas scrapbook, then: a firefighting story, a musical pilgrimage, a ramble in Texas's tiniest public wilderness (one of only five in the entire state). Fishing with my father and uncle on a lake that is partly in Texas and partly in Louisiana; flying around the borders of Texas--usually defined by water, a resource that will vanish in much of the state within our lifetime; hanging out at my parents' cattle farm down near Goliad; reading the work of Texans before me."--from the Introduction

The Masters Review presents its ninth volume, a showcase of today's best emerging writers. Endorsed and selected by award-winning author, Rick Bass, The Masters Review continues its mission of championing new writers by publishing these ten excellent stories.by Cole Meyer (Editor), Dara Kell (Contributor), Leeyee Lim (Contributor), Jack Foraker (Contributor), Barbara Litkowski (Contributor), Charisse Kubr (Contributor), Rachel Markels Webber (Contributor), Stefani Nellen (Contributor), Paola Ferrante (Contributor), Emma Choi (Contributor), Stephanie Pushaw (Contributor)

Music is fundamental to human existence; it is embedded in our evolution and encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have devised explanations that Richard Manning, a lifelong journalist, finds hollow, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy. American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people--poor, working people--built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, in an unparalleled burst of invention. Use this book to follow where Manning's guitar leads. Ultimately, it sings the American body electric.

From his bid to become Eudora Welty's lawn boy to the time George Plimpton offered to punch him in the nose, lineage has always been important to Rick Bass. Now at a turning point--in his midfifties, with his long marriage dissolved and his grown daughters out of the house--Bass strikes out on a journey of thanksgiving. His aim: to make a memorable meal for each of his mentors, to express his gratitude for the way they have shaped not only his writing but his life. The result, an odyssey to some of America's most iconic writers, is also a record of self-transformation as Bass seeks to recapture the fire that drove him as a young man. Along the way we join in escapades involving smuggled contraband, an exploding grill, a trail of blood through Heathrow airport, an episode of dog-watching with Amy Hempel in Central Park, and a near run-in with plague-ridden prairie dogs on the way to see Lorrie Moore, as well as heartwarming and bittersweet final meals with the late Peter Matthiessen, John Berger, and Denis Johnson. Poignant, funny, and wistful, The Traveling Feast is a guide to living well and an unforgettable adventure that nourishes and renews the spirit.

Available again, an acclaimed collection from an American master that USA Today called “Powerful . . . lyrical, vivid, engaging.” Originally published twenty-five years ago, Platte River is one of the early collections that established Rick Bass’s reputation as a master of the short form and one of the best writers of his generation. It contains three novellas of contemporary America, each informed by the mysteries of nature and the heart. Set along borders, both physical and immaterial, all of the novellas combine a spare but radiant naturalism with an outsize aspiration to folklore or myth. In the title story, a former pro linebacker living a simple, isolated life in the Canadian woods just across the border from Montana struggles with his artist girlfriend’s desire to escape. Invited by his best friend from their college football days to give a talk at the school where the friend now teaches, he flies to northern Michigan. In the class the next morning, after a night fishing party on the Platte River, what he learns brings acceptance, and a kind of salvation. In “Mahatma Joe,” a despairing evangelist living in a valley that was once so wild the people would go naked when the Chinook winds blew, announcing winter’s end, throws his fervor into planting a garden along the river, bringing purpose to the young woman who had camped there. “Field Events,” the most comic of the stories, begins when two athlete brothers spy an enormous, muscled man swimming in the river, hauling a canoe loaded with cast iron. Their plan to train him in the discus meets with complications, when the giant and their older sister find in each other the missing part that neither could articulate.

On the Road meets Tuesdays with Morrie in this pilgrimage by "an American classic" (Newsweek) to thank his most important mentors through memorable meals and conversations"Some years later, George Plimpton offered to punch me in the nose," recounts Rick Bass, remembering fondly a conversation with the famed Paris Review editor in his office, in which Plimpton, who had been slugged by Archie Moore, offered to connect Bass to a "hoary genealogy" that would include Ali and Frazier. Lineage has always been important to Bass. Before the punch-that-could-have-been, there was his failed bid to become Eudora Welty's lawn boy, and his first meal with Jim Harrison, during which he could barely bring himself to speak. That supper would eventually inspire this book, Rick's years-long pilgrimage to thank his heroes, and to pass on their legacy of mentorship to the next generation. The poignancy of this journey of thanksgiving is intensified by the place in life at which Bass finds himself. He is nearing sixty, his daughters are now grown, and his wife of more than two decades, who accompanied him on that long-ago dinner with Jim Harrison, has called an end to their marriage. In the wake of this loss, Bass sets out, accompanied by two young writers, to recapture the fire, the hunger, that has faded from his life. The Traveling Feast is a book about meeting one's debts in two directions--sending gratitude to the old exemplars, and a few contemporaries, from Peter Matthiessen to David Sedaris and John Berger to Lorrie Moore, while paying it forward to the next generation of writers, believing in and supporting them as Bass was by his own heroes. Each chapter in this fruitful journey recalls the meeting, the meal, and the history--the writer of the past and of the now. From the disastrous pecan tart to the illegally transported elk meat to the photo op gone awry are many resonant moments. What emerges is a guide not only to writing well but to living well, to sucking out all the marrow of life, in Thoreau's immortal phrase. The Traveling Feast is a chronicling of the old ways, a cross-continent pilgrimage to show gratitude for a legacy of American literature and the writers who made it.

'Bass is, hands down, a master of the short form, creating in a few pages a natural world of mythic proportions' NEW YORK TIMES BOOK REVIEW 'A rallying cry against our modern, urban existence... a celebration of being wild' THE TIMES 'A rich collection of stories by a major American writer' ANNIE PROULX Rick Bass is unsurpassed in his ability to perceive and portray the enduring truths of the human heart. To read his fiction is to feel more alive, and to be captivated by his expression of the vastness of human experience, and the awesome beauty of the natural world. The men and women in these stories live with intensity and tenderness, struggling against their fate at the moment of recognition. The stories collected here - brimming with magic and wonder, filled with hard-won empathy, marbled throughout with astonishing imagery - have the power both to devastate and uplift.

"An extraordinary exploration and meditation . . . Bass] transports us along on this wonder-filled tour, full of hardness and hope, into an otherworldly place that mirrors our own." --National Geographic TravelerBlack rhinos are not actually black. They are, however, giant animals with tiny eyes, feet the diameter of laundry baskets, and horns that are prized for both their aesthetic and medicinal qualities. Until recently, these creatures were perched on the edge of extinction, their numbers dwindling as they succumbed to poachers and the ravages of civil war. Now their numbers are rising, thanks to a groundbreaking new conservation method from the Save the Rhino Trust: make sure that rhinos are worth more alive than dead. Rick Bass, who has long worn the uneasy mantle of both activist and hunter, traveled to Namibia to find black rhinos. The tale of his journey provides a deeper understanding of these amazing animals and of just what needs to be done to protect them." Bass provides a singularly thoughtful portrait of a unique animal, and a meditation on mankind's relationship to both it and the natural world as a whole." --Minneapolis Star Tribune

Last year Rick Bass traveled to Rwanda, roaming from the bustle of Kigali to the breathtaking volcanic preserves of the last few mountain gorillas. Now he offers an extraordinary portrait of what can be found in that country today--heartbreaking evidence of the genocide that occurred there a generation ago, dazzling natural beauty, and young people who have emerged from tragedy with a blazingly optimistic spirit and a profound artistic voice. In My Home There Is No More Sorrow is an enchanting, harrowing narrative achievement--an unforgettable exploration of history and human nature from one of our greatest essayists.

Late in 1959, the Brown siblings - Maxine, Bonnie, and Jim Ed - were enjoying unprecedented international success, rivalled only by their long-time friend Elvis Presley. They had a bona fide megahit on their hands, which topped both the country and pop charts and gave rise to the polished sound of the multibillion-dollar country music industry we know today. Mesmerized by the Browns' haunting harmonies, the Beatles even tried to learn their secret. Their unique harmony, however, was only achievable through shared blood, and the trio's perfect pitch was honed by a childhood spent listening for the elusive pulse and tone of an impeccably tempered blade at their parent's Arkansas sawmill. But the Browns' celebrity couldn't survive the world changing around them, and the bonds of family began to fray along with the fame. Heartbreakingly, the novel jumps between the Browns' promising past and the present, which finds Maxine - once supremely confident and ravenous in her pursuit of applause - ailing and alone. As her world increasingly narrows, her hunger for just one more chance to secure her legacy only grows, as does her need for human connection.

With contributions from Robert G. Barrier, Robert Beuka, Thomas Ærvold Bjerre, Jean W. Cash, Robert Donahoo, Richard Gaughran, Gary Hawkins, Darlin' Neal, Keith Perry, Katherine Powell, John A. Staunton, and Jay Watson Larry Brown is noted for his subjects--rural life, poverty, war, and the working class--and his spare, gritty style. Brown's oeuvre spans several genres and includes acclaimed novels (Dirty Work, Joe, Father and Son, The Rabbit Factory, and A Miracle of Catfish), short story collections (Facing the Music, Big Bad Love), memoir (On Fire), and essay collections (Billy Ray's Farm). At the time of his death, Brown (1951-2004) was considered to be one of the finest exemplars of minimalist, raw writing of the contemporary South. Larry Brown and the Blue-Collar South considers the writer's full body of work, placing it in the contexts of southern literature, Mississippi writing, and literary work about the working class. Collectively, the essays explore such subjects as Brown's treatment of class politics, race and racism, the aftereffects of the Vietnam War on American culture, the evolution of the South from a plantation-based economy to a postindustrial one, and male-female relations. The role of Brown's mentors--Ellen Douglas and Barry Hannah--in shaping his work is discussed, as is Brown's connection to such writers as Harry Crews and Dorothy Allison. The volume is one of the first critical studies of a writer whose depth and influence mark him as one of the most well-regarded Mississippi authors. Jean W. Cash is professor of English at James Madison University. She is the author of Flannery O'Connor: A Life. Keith Perry is associate professor of English at Dalton State College and the author of The Kingfish in Fiction: Huey P. Long and the Modern American Novel. Rick Bass is the author of novels and collections of nonfiction and short stories, most recently The Lives of Rocks: Stories.

In this searching memoir, Rick Bass describes how he first fell in love with theWest -- as a landscape, an idea, and a way of life. Bass grew up in the suburban sprawl of Houston, attended college in Utah, and spent eight years working as a geologist in Mississippi before packing up and heading west in pursuit of something visceral and true. He found it in the remote Yaak Valley of northwestern Montana, where despite extensive logging, not a single species has gone extinct since the last Ice Age. Bass has lived in the Yaak ever since, a place of mountains, outlaws, and continual rebirth that transformed him into the writer, hunter, and activist that he is today. The West Bass found is also home to deep-rooted philosophical conflicts that set neighbor against neighbor -- disputes that Bass has joined reluctantly, but necessarily, to defend and preserve the wilderness that he loves.

A New York Times Book Review Editors' Choice A Rocky Mountain News Best Book of the Year Finalist for the Story Prize At once expertly crafted and undeniably moving, these ten stories deftly explore our immutable connection with nature. The centerpiece of the collection is the arresting title story, in which a woman alone in her mountain cabin confronts a terminal illness. In the equally remarkable "Her First Elk," the same character recalls her most memorable and significant hunting experience. Set in locations ranging from Montana to Texas to Mississippi, the remaining stories further illuminate the consequences of our attitudes toward the environment and each other. This masterly collection lays bare the essentials of life with unparalleled passion and grace..

The Diezmo tells the incredible story of the Mier Expedition, one of the most absurd and tragic military adventures in the history of Texas -- a country and a state, as Rick Bass writes, that was "born in blood." In the early days of the Republic of Texas, two young men, wild for glory, impulsively volunteer for an expedition Sam Houston has ordered to patrol the Mexican border. But their dreams of triumph soon fade into prayers for survival, and all that is on their minds is getting home and having a cool drink of water. After being captured in a raid on the Mexican village of Mier, escaping, and being recaptured, the men of the expedition are punished with the terrible diezmo, in which one man in ten is randomly chosen to die. The survivors end up in the most dreaded prison in Mexico. There they become pawns in an international chess game to decide the fate of Texas, and with their hopes of release all but extinguished, they make one desperate, last-ditch effort to escape. A great crossover book with appeal for high school students. It will also interest readers of westerns and historical fiction.