Riley Sager

Tere tulemast Bartholomew'sse... Sa ei pruugi siit iial lahkuda. Ei tohi külalisi vastu võtta. Ei tohi öösiti korterist ära olla. Ei tohi tülitada teisi elanikke, kes on kõik rikkad või kuulsad või mõlemat korraga. Need on ainsad reeglid Jules Larseni uuel töökohal korterihoidjana Bartholomew's, ühes Manhattani kõige prominentsemas ja salapärasemas majas. Süda murtud, näpud põhjas, satub Jules uuest hunnitust elukohast vaimustusse ja lepib nende tingimustega, olles valmis endist elu selja taha jätma. Kui Jules Bartholomew' elanike ja töötajatega lähemalt tuttavaks saab, hakkab talle meeldima teine korterihoidja Ingrid, kes meenutab talle ühtaegu lohutavalt ja häirivalt tema kaheksa aastat tagasi kadunud õde. Kui Ingrid tunnistab, et Bartholomew's pole kõik nii, nagu pealtnäha paistab, ja et hiilgava fassaadi taga peituv sünge ajalugu teda hirmutab, peab Jules seda tühipaljaks tondijutuks - kuni Ingrid järgmisel päeval kaob. Ingridi kadumise kohta tõtt otsides asub Jules tuhnima Bartholomew' sünges minevikus ja saladustes, mis majaseinte vahel varjul on. Avastus, et Ingrid pole esimene korterihoidja, kes on Bartholomew's kaduma läinud, peab Jules ajaga võidu jooksma ajaga, et paljastada mõrvar ja hoone varjatud minevik ning põgeneda Bartholomew'st enne, kui tema ajutine siinviibimine alaliseks muutub. "Tõmba koomale, "Rosemary laps", suurlinna paranoial on hõrgutavalt gootilik uus aadress." - Ruth Ware "Varjunime all kirjutav autor loob osavalt halvaendelisi sündmusi ja kõhedaid süzheekäike, lisades sekka sotsiaalkriitilisi elemente, ja üllatava lõpupöörde, mis tõstavad tema hirmuetüüdi tavalisest õudukast kõrgemale." - Wall Street Journal "Nii Sageri vanad austajad kui ka uued lugejad naudivad põnevikku, mis paneb südame kiiremini põksuma ning põimib majandusmuresid oskuslikult millegi palju süngemaga. Jules peab seinte sees ja ümbritsevas maailmas varitsevate deemonitega toime tulema, kui tahab üldse mingit tulevikku näha. Sest viimaks ei aita õudust eemal hoida ka kõigi uste lukustamine, kui õudus koos sinuga luku taga on." - New York Journal of Books

Meggi Kholt nenavidit voprosy o svoem detstve i knigu, napisannuju ee ottsom. Kniga ne daet ej pokoja uzhe dvadtsat pjat let, s tekh por kak semja Meggi pereekhala v viktorianskij osobnjak Bejnberri Kholl i vynuzhdena byla sbezhat ottuda tri nedeli spustja, posredi nochi, chtoby nikogda bolshe ne vozvraschatsja. V svoem romane otets Meggi opisal vse mrachnye i misticheskie sobytija, proizoshedshie v osobnjake, i kniga sdelala semju Kholt izvestnoj. No Meggi ne pomnit nichego iz svoego detstva i ne verit ni edinomu slovu v romane. Posle smerti ottsa Meggi nasleduet tot samyj osobnjak i khochet podgotovit ego k prodazhe. Teper prizraki proshlogo gotovy vyjti iz teni i rasskazat Meggi tajnu Bejnberri Kholl. No gotova li ona vstretitsja s sekretami, chto podzhidajut ee v stenakh starogo doma? I chto, esli chelovecheskie postupki okazhutsja strashnee ljubykh prividenij? Novyj triller ot avtora mirovykh bestsellerov "Zapri vse dveri", "Poslednie devushki", "Moja poslednjaja lozh". Juen i Dzhess Kholt kupili roskoshnyj trekhetazhnyj osobnjak Bejnberri Kholl po ochen vygodnoj tsene. Dom byl v neskolko zabroshennom sostojanii, no nichego kritichnogo. Srazu posle pereezda u Meggi Kholt, ikh pjatiletnej docheri, nachalis problemy so snom. Strannosti, kotorym ponachalu ne pridavali znachenija, vse mnozhilis, a potom vsplyla istorija o zhutkom ubijstve, proizoshedshem v Bejnberri Kholle... Glubokoj nochju semja Kholt bezhala iz osobnjaka - ne prozhiv tam i trekh nedel. Na etot sluchaj obratila vnimanie pressa, a spustja mesjats Juen Kholt podrobno opisal sobytija tekh dvadtsati dnej v dokumentalnom romane. "Dom uzhasov. Realnaja istorija" mgnovenno stal bestsellerom i proslavil semju, a takzhe sam Bejnberri Kholl, na vsju stranu. Dvadtsat pjat let spustja Meggi tak i ne znaet, chto na samom dele proizoshlo v osobnjake. Ona byla slishkom mala, chtoby chto-to zapomnit, a roditeli vsegda zapreschali govorit o sluchivshemsja. V odnom Meggi ne somnevaetsja: versii sobytij iz knigi verit nelzja, ved prizrakov ne suschestvuet. Posle smerti ottsa Meggi vmeste s ogromnym sostojaniem poluchaet v nasledstvo zloveschij Bejnberri Kholl. Teper ona nakonets-to mozhet razgadat ego sekrety. No vdrug steny starogo osobnjaka khranjat tajny strashnee ljubykh prizrakov? V svoem novom trillere Rajli Sejger obraschaetsja k raskhozhemu sjuzhetu o dome s prividenijami i sozdaet po-nastojaschemu pugajuschuju atmosferu, sokhranjaja pri etom psikhologicheskuju dostovernost. Perevodchik: Ardislamova A.

Ne privodit gostej. Nochevat tolko v apartamentakh. Ne bespokoit drugikh zhiltsov. Tri prostykh pravila, kotorye Dzhuls Larsen dolzhna sobljudat, ved ee nanjali prismatrivat za kvartiroj v Bartolomju, odnom iz samykh tainstvennykh zdanij Mankhettena. Dlja Dzhuls, nedavno perenesshej tjazheloe rasstavanie, eta rabota - otlichnyj shans nachat zhizn s chistogo lista. Dzhuls zavodit znakomstvo s Ingrid, esche odnoj rabotajuschej po sosedstvu devushkoj. No kogda ta priznaetsja, chto v Bartolomju vse ne to, chem kazhetsja, i temnaja istorija, skrytaja pod ego sverkajuschim fasadom, nachinaet pugat ee, Dzhuls otmakhivaetsja ot nee kak ot bezobidnoj strashilki... Na sledujuschij den Ingrid ischezaet. V poiskakh pravdy ob ischeznovenii podrugi Dzhuls pogruzhaetsja v grjaznoe proshloe Bartolomju. Okazyvaetsja, Ingrid - ne pervaja propavshaja zdes devushka, i teper Dzhuls nuzhno kak mozhno skoree razoblachit ubijtsu i sbezhat iz Bartolomju.

THE INSTANT NEW YORK TIMES BESTSELLER - One of USA Today's Best Books of 2020 "A haunted house story--with a twist.... Sager] does not hold back"(Rolling Stone) in this chilling thriller from the author of Final Girls and Survive the Night. Every house has a story to tell and a secret to share. Twenty-five years ago, Maggie Holt and her parents moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal her father recounted in a memoir called House of Horrors. His story of supernatural happenings and malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity--and skepticism. Maggie was too young to remember any of the horrific events that supposedly took place, and as an adult she doesn't believe a word of her father's claims. Ghosts, after all, don't exist. When she inherits Baneberry Hall after his death and returns to renovate the place and sell it, her homecoming is anything but warm. The locals aren't thrilled that their small town has been made infamous, and human characters with starring roles in House of Horrors are waiting in the shadows. Even more unnerving is Baneberry Hall itself--a place where unsettling whispers of the past lurk around every corner. And as Maggie starts to experience strange occurrences ripped from the pages of her father's book, the truth she uncovers about the house's dark history will challenge everything she believes.

'Clever, twisty, and altogether spine-chilling. . . . [A] deliciously terrifying story. . . . You'll want to read this one after dark, ideally with the wind whistling in the eaves and a window banging somewhere just out of reach. But keep the light switch handy. You just might need it' Ruth Ware, Book of the MonthWhat was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into a rambling Victorian estate called Baneberry Hall. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a memoir called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon. Now, Maggie has inherited Baneberry Hall after her father's death. She was too young to remember any of the events mentioned in her father's book. But she doesn't believe a word of it. Ghosts, after all, don't exist. But when she returns to Baneberry Hall to prepare it for sale, her homecoming is anything but warm. People from the pages of her father's book lurk in the shadows, and locals aren't thrilled that their small town has been made infamous. Even more unnerving is Baneberry Hall itself - a place that hints of dark deeds and unexplained happenings. As the days pass, Maggie begins to believe that what her father wrote was more fact than fiction. That, either way, someone - or something - doesn't want her here. And that she might be in danger all over again . . . THE INSTANT NEW YORK TIMES BESTSELLEROne of . . . Huff Post's "10 Of The Most Anticipated Book Releases Of June 2020" - Good Housekeeping's "The 35 Best Books of 2020 to Add to Your Reading List" - Travel + Leisure's "20 Most Anticipated Summer 2020 Books" - PopSugar's 17 Most Anticipated Summer Thrillers - Working Mother's "The 20 Most Anticipated Books of 2020" - Newsweek's 20 most anticipated summer reads - Publishers Weekly's "Summer Reads 2020" - BookPage's "2020 Most Anticipated Thrillers and Mysteries" - Today.com's "16 highly anticipated summer reads" - The Star Tribune's "Great Escapes" summer reads - BookPage's "Private Eye July" - USA Today's"Summer reading guide: 20 new books you won't want to miss" - CrimeReads "10 New Books Coming Out This Week" - Buzzfeed "17 New Thrillers That Will Keep Your Summer Exciting" - The Everygirl "30 Books That Should Be on Your Summer Reading List."

"Dve pravdy i odna lozh". V letnem lagere "Solovej" devochki igrali v etu igru kazhdyj den. Emma, samaja mladshaja, s vostorgom smotrela na svoikh sosedok, s kotorymi ona delila malenkij derevjannyj kottedzh. No odnazhdy rannim utrom Natali, Ellison i Vivian tikhonko ushli iz kottedzha, chtoby nikogda ne vernutsja. Ikh iskali sotni ljudej, no bezuspeshno. Teper, pjatnadtsat let spustja, Emma stala mnogoobeschajuschej khudozhnitsej. Ona pishet masshtabnye polotna, gde temnye listja i uzlovatye vetvi spletajutsja v mrachnye uzory. No tolko Emma znaet, o chem na samom dele ee kartiny: na kazhdoj iz nikh pod suchjami i listvoj skryvajutsja tri belye figury - tri devochki, ischeznuvshie navsegda. Emma ne mozhet zabyt o proshlom, no i proshloe vspominaet o nej: vnezapno ee priglashajut v tot samyj lager - teper kak prepodavatelnitsu zhivopisi. Strashas i odnovremenno nadejas raskryt starye sekrety, Emma prinimaet priglashenie. Udastsja li ej razgadat tajnu, kotoraja okazalas ne pod silu politsejskim? Chto ona uznaet ob ischeznovenii devochek i o samoj sebe?

They've offered you a luxury apartment, rent free. THE CATCH: you may not live long enough to enjoy it... No visitors. No nights spent away from the apartment. No disturbing the other residents. These are the only rules for Jules Larson's new job as apartment sitter for an elusive resident of the Bartholomew, one of Manhattan's most high-profile private buildings and home to the rich and famous. Recently heartbroken and practically homeless, Jules readily accepts the terms, ready to leave her past life behind. Out of place among the extremely wealthy, Jules finds herself pulled toward other apartment sitter Ingrid. But Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her. Jules brushes it off as a harmless ghost story - but the next day, her new friend has vanished. And then Jules discovers that Ingrid is not the first temporary resident to go missing... Welcome to the Bartholomew... You may never leave. From the New York Times bestselling author of FINAL GIRLS and LAST TIME I LIED: 'the author delivers the kind of unpredictable conclusion that all thriller readers crave - utterly shocking yet craftily foreshadowed...' New York Times Book Review

THE INSTANT NEW YORK TIMES BESTSELLER - One of USA Today's Best Books of 2020 "A haunted house story--with a twist.... Sager] does not hold back"(Rolling Stone) in this chilling thriller from the author of Final Girls and Survive the Night. Every house has a story to tell and a secret to share. Twenty-five years ago, Maggie Holt and her parents moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal her father recounted in a memoir called House of Horrors. His story of supernatural happenings and malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity--and skepticism. Maggie was too young to remember any of the horrific events that supposedly took place, and as an adult she doesn't believe a word of her father's claims. Ghosts, after all, don't exist. When she inherits Baneberry Hall after his death and returns to renovate the place and sell it, her homecoming is anything but warm. The locals aren't thrilled that their small town has been made infamous, and human characters with starring roles in House of Horrors are waiting in the shadows. Even more unnerving is Baneberry Hall itself--a place where unsettling whispers of the past lurk around every corner. And as Maggie starts to experience strange occurrences ripped from the pages of her father's book, the truth she uncovers about the house's dark history will challenge everything she believes.

INSTANT NEW YORK TIMES BESTSELLER "Looking for a suspense novel that will keep you up until way past midnight? Look no further than Lock Every Door, by Riley Sager."--Stephen King No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears. Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's sordid past and into the secrets kept within its walls. What she discovers pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.

Ny psykologisk thriller av författaren till bästsäljaren De sista flickorna »Andlöst spännande!«| A. J. Finn, författare till årets stora succéthriller Kvinnan i fönstret»En bitvis ruskig historia om det förflutna och nuet, där både den mörka skogen och den djupa sjön visar sig härbärgera fler hemligheter än någon har trott.« | Lotta Olsson, DN Två sanningar och en lögn. De fyra flickorna lekte ofta den leken i den lilla stugan vid Camp Nightingale. Vivian, Natalie, Allison och nybörjaren Emma Davis, yngst i gänget. Men leken tog slut den natt då Emma såg sina vänner smyga ut i mörkret. Vivian, som försiktigt stänger dörren med ett hyschande finger över munnen, är den sista som Emma - eller någon - ser av dem. Det är länge sedan nu. Emma är en stigande stjärna på New Yorks konstscen. Hennes mörka förflutna har hon förvandlat till tavlor, fyllda av svarta löv och ärrade träd, som täcker spök- lika och dystra figurer i vita klänningar. När Franscesca Harris-White, ägare av Camp Nightingale, ser målningarna ber hon Emma att återvända till lägret, denna gång som bildlärare. Emma ser en chans att till sist ta reda på vad som hänt hennes vänner. Vad hon inte vet är att en säkerhetskamera är installerad i stugan där hon bor, samma stuga som hennes vänner försvann från femton år tidigare. Och att ju närmare sanningen hon kommer, desto närmare kommer hon också döden. RILEY SAGER är en pseudonym vars debut De sista flickorna hyllades av en unison kritikerkår. Två sanningar och en lögn är en ny och helt fristående thriller.» Hade mig som fastnaglad från första sidan till den omtumlande upplösningen. En fantastisk thriller.« | Megan Miranda, författare till The Perfect Stranger »Helt klart en av årets bästa thrillers! Betyg: 5 av 5.« | Johannas deckarhörna Om De sista flickorna:»2017 års första stora thriller har anlänt.« | Stephen King »Fantastisk läsning!« | Karin Slaughter

Ny psykologisk thriller av författaren till bästsäljaren De sista flickorna»Andlöst spännande. Vass som en skalpell. Fick min puls att rusa.« A. J. Finn, författare till årets stora succéthriller Kvinnan i fönstret»Hade mig som fastnaglad från första sidan till den omtumlande upplösningen. En fantastisk thriller.« Megan Miranda, författare till The Perfect StrangerTvå sanningar och en lögn. De fyra flickorna lekte ofta den leken i den lilla stugan vid Camp Nightingale. Vivian, Natalie, Allison och nybörjaren Emma Davis, yngst i gänget. Men leken tog slut den natt då Emma såg sina vänner smyga ut i mörkret. Vivian, som försiktigt stänger dörren med ett hyschande finger över munnen, är den sista som Emma - eller någon - ser av dem. Det är länge sedan nu. Emma är en stigande stjärna på New Yorks konstscen. Hennes mörka förflutna har hon förvandlat till tavlor, fyllda av svarta löv och ärrade träd, som täcker spöklika och dystra figurer i vita klänningar. När Franscesca Harris-White, ägare av Camp Nightingale, ser målningarna ber hon Emma att återvända till lägret, denna gång som bildlärare. Emma ser en chans att till sist ta reda på vad som hänt hennes vänner. Vad hon inte vet är att en säkerhetskamera är installerad i stugan där hon bor, samma stuga som hennes vänner försvann från femton år tidigare. Och att ju närmare sanningen hon kommer, desto närmare kommer hon också döden. RILEY SAGER är en pseudonym vars debut De sista flickorna hyllades av en unison kritikerkår. Två sanningar och en lögn är en ny och helt fristående thriller. Om De sista flickorna:»2017 års första stora thriller har anlänt.« | Stephen King»Fantastisk läsning!« | Karin Slaughter

Have you ever played two truths and a lie? It was Emma's first summer away from home. She thinks sheâ??s laying old ghosts to rest but really sheâ??s returning to the scene of a crime. The gripping new thriller from the bestselling author of Finale Girls - perfect for fans of A.

»En vindlande skräckthriller som kommer att hålla dig fängslad, skräckslagen, med nerverna på helspänn fram till sista sidan.« Bustle »Det är en närmast felfri thriller som Riley Sager skrivit.« DastFör att överleva en mördare behöver du en mördares instinkt. Först var de tre. Media kallar dem De sista flickorna - Quincy, Sam, Lisa - den ökända gruppering som ingen vill ingå i. De är de ensamma överlevarna från tre skilda, skräckfilmsliknande massmord, förenade av det trauma de gått igenom. Sen var de två. Men när Lisa dör under mystiska omständigheter och Sam dyker upp oannonserad vid hennes dörr måste Quincy erkänna för sig själv att hon egentligen inte vet någonting alls om de två andra Sista flickorna. Kan hon lita på dem? Ska det sluta med att bara en av dem är kvar? En sak vet Quincy: Det är hon som står på tur att bli nästa offer. RILEY SAGER är en pseudonym vars debut De sista flickorna hyllades av en unison kritikerkår. »En uppfriskande ny röst inom den psykologiska spänningsgenren.« Kirkus Reviews

THE INSTANT NEW YORK TIMES BESTSELLER From the author of Survive the Night and Final Girls comes a tense and twisty thriller about a summer camp that's impossible to forget--no matter how hard you try. Two Truths and a Lie. Vivian, Natalie, Allison, and Emma played it all the time in their cabin at Camp Nightingale. But the games ended the night Emma sleepily watched the others sneak out into the darkness. The last she--or anyone--saw of the teenagers was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.... Fifteen years later, Emma is a rising star in the New York art scene, turning her past into paintings--massive canvases filled with dark leaves and gnarled branches over ghostly shapes in white dresses. When the paintings catch the attention of the wealthy owner of Camp Nightingale, she implores Emma to come back to the newly reopened camp as a painting instructor. Despite her guilt and anxiety--or maybe because of them--Emma agrees to revisit her past. Nightingale looks the same as it did all those years ago, haunted by a midnight-dark lake and familiar faces. Emma is even assigned to the same cabin she slept in as a teenager, although the security camera pointed at her door is a disturbing new addition. As cryptic clues about the camp's origins begin to surface, Emma attempts to find out what really happened to her friends. But her closure could come at a deadly price.

»En vindlande skräckthriller som kommer att hålla dig fängslad, skräckslagen, med nerverna på helspänn fram till sista sidan.« | Bustle»Det är en närmast felfri thriller som Riley Sager skrivit.« | Dast»Läskig som fan.« | BookRiotFör att överleva en mördare behöver du en mördares instinkt. Först var de tre. Media kallar dem De sista flickorna - Quincy, Sam, Lisa - den ökända gruppering som ingen vill ingå i. De är de ensamma överlevarna från tre skilda, skräckfilmsliknande massmord, förenade av det trauma de gått igenom. Sen var de två. Men när Lisa dör under mystiska omständigheter och Sam dyker upp oannonserad vid hennes dörr måste Quincy erkänna för sig själv att hon egentligen inte vet någonting alls om de två andra Sista flickorna. Kan hon lita på dem? Ska det sluta med att bara en av dem är kvar? En sak vet Quincy: Det är hon som står på tur att bli nästa offer. RILEY SAGER är en pseudonym vars skräckthriller De sista flickorna redan har hyllats av en unison kritikerkår.» En uppfriskande ny röst inom den psykologiska spänningsgenren.« | Kirkus Reviews

Each girl survived an unthinkable horror. Now someone wants them dead... They were the victims of separate massacres. Grouped together by the press, and dubbed the Final Girls, they are treated like something fresh out of a slasher movie. When something terrible happens to Lisa, put-together Quincy and volatile Sam finally meet.

THE NATIONAL AND INTERNATIONAL BESTSELLER "If you liked Gone Girl, you'll like this."--Stephen King Ten years ago, six friends went on vacation. One made it out alive.... In that instant, college student Quincy Carpenter became a member of a very exclusive club--a group of survivors the press dubbed "The Final Girls" Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who endured the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape the massacre at Pine Cottage. Despite the media's attempts, the three girls have never met. Now, Quincy is doing well--maybe even great, thanks to her Xanax prescription. She has a caring almost-fianc ; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life. Her mind won't let her recall the events of that night; the past is in the past...until the first Final Girl is found dead in her bathtub and the second Final Girl appears on Quincy's doorstep. Blowing through Quincy's life like a hurricane, Sam seems intent on making her relive the trauma of her ordeal. When disturbing details about Lisa's death emerge, Quincy desperately tries to unravel Sam's truths from her lies while evading both the police and bloodthirsty reporters. Quincy knows that in order to survive she has to remember what really happened at Pine Cottage. Because the only thing worse than being a Final Girl is being a dead one. WINNER OF THE 2018 INTERNATIONAL THRILLER WRITERS AWARD FOR BEST HARDCOVER NOVEL