Robert Cohen

Acclaimed, award-winning novelist Robert Cohen delivers a bold, provocative exploration of the panic of midlife, following two men plateaued on either side of their forties and the unexpected consequences of changing course. Teddy Hastings is a New England middle school principal desperate for transcendence. Unmoored by his brother’s death and a health scare of his own, he tries to broaden his ordinary life and winds up unemployed and on the wrong side of the law. Meanwhile, Oren Pierce, a perpetual grad student from New York, abandons, somewhat to his own surprise, his search for the extraordinary and begins settling into the humble existence that Teddy seeks to escape. What comforts Oren alarms Teddy, and their paths overlap as Teddy’s quest for the unknown and unfamiliar experience takes him on a rash trip to Africa, leaving Oren to assume the trappings of his life, including Teddy’s wife Gail. Amateur Barbarians showcases a writer at the peak of his powers, tracing domestic ambivalence, the comic perils of introspection and desire, and the terror of an unlived life with Cohen’s signature wit and uncanny perception, proving yet again why he was touted by The New York Times Book Review as the “heir to Saul Bellow and Philip Roth.”

‘Robert Cohen’s book, Acting Power, follows the tradition of his other book, Acting One, and has been the veritable bible for acting teachers for the last quarter century.’ – David Krasner, Emerson College‘This book, above all else, is an attempt to explore the qualities of acting power.... to suggest to you, the actor, an approach toward not merely good acting but powerful acting. Great actors display the power to frighten – and the power to seduce – and can shift between the one and the other like a violinist can her notes.’ – From the PrefaceThe first edition of Acting Power was a groundbreaking work of acting theory which applied sociological and psychological principles to actor training. The book went on to influence a generation of theatre and performance studies students and academics, and was translated into five languages. This carefully revised 21st Century Edition (re)considers, in the context of today’s field: questions such as ‘should actors act from the inside or the outside?’ and ‘should the actor live the role or present the role?’; contemporary research into communication theory, cybernetics, and cognitive science; brilliantly illuminating and witty exercises for solo study and classroom use, and a through-line of useful references to classic plays; penetrating observations about the actor’s art by more than 75 distinguished professional actors and directors. Cohen’s elegant and rigorous updates emphasise the continuing relevance of his uniquely integrated and life-affirming approach to this field. The new edition draws on his extraordinarily rich career as teacher, scholar, director, translator and dramaturg. It is a recipe for thrilling theatre in any genre.

This book describes the development of Man's thinking about the role of the liver from 350 BC to the present time. It considers both culinary and religious uses of the liver and describes the author's contacts with distinquished scientists who have helped shape his thinking. It also discusses certain aspects of how the liver normally functions but it is not a text book of liver disease. The topics covered, including the mathematics which can be ignored] can be followed by anyone who has studied science at senior school level.

Northstar, now in a new edition, motivates students to succeed in their academic as well as personal language goals. For each of the five levels, the two strands - Reading and Writing and Listening and Speaking - provide a fully integrated approach for students and teachers. What is Special about the New Edition? New Themes and Updated Content - presented in a variety of genres and in authentic materials - challenge and engage students intellectually. Enhanced Focus on Academic Skills, more purposeful integration of critical thinking, and an enhanced focus on academic skills such as inferencing, synthesizing, notetaking, and test taking help students develop strategies for success in the classroom and on standardized tests. A structured approach gives students opportunities for more extended and creative oral practice, for example, presentations, simulations, debates, speeches, public service announcements and more. A New Design with full color pages, more photos, illustrations, and graphic organizers fosters student engagement and makes the content come alive. MyNorthStarLab, the easy-to-use online companion of the NorthStar series, saves time and improves student results. Saves Time With automatically graded exercises for every unit of each book, instructors no longer have to create or grade homework. This gives them more time to prepare classroom lessons. Instructors can choose exercises and set due dates with just a few clicks. Homework for an entire semester can be set up in less than an hour. Improves Results Students have more opportunities to practice English in more ways - from video exercises and audio discussion boards to vocabulary games and academic practice. These new exercises help students learn more English, more quickly. Immediate feedback on their performance allows students to come to class better prepared. If students do not pass a section of a unit test, they automatically receive new exercises targeting areas that need improvement. The MyNorthStarLab Access Code card is also available on its own, without the Student Book.

Used to teach beginning acting on more campuses than any other text, Acting One covers the basic elements of realistic acting in twenty-eight lessons – all based on experiential exercises. The text covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.

The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Molière, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.

The Depression era saw the first mass student movement in American history. The crusade, led in large part by young Communists, was both an anti-war campaign and a movement championing a broader and more egalitarian vision of the welfare state than that of the New Dealers. The movement arose from a massive political awakening on campus, caused by the economic crisis of the 1930s and the escalating international tensions and threat of world war wrought by fascism. This book makes an important contribution to the emerging portrait of political life in the 1930s.