Robert Menasse

A highly inventive novel of ideas written in the rich European tradition, The Capital transports readers to the cobblestoned streets of twenty-first-century Brussels. Chosen as the European Union's symbolic capital in 1958, this elusive setting has never been examined so intricately in literature. Translated with zest, pace and wit (Spectator) by Jamie Bulloch, Robert Menasse's The Capital plays out the effects of a fiercely nationalistic "union." Recalling the Balzacian conceit of assembling a vast parade of characters whose lives conspire to form a driving central plot, Menasse adapts this technique with modern sensibility to reveal the hastily assembled capital in all of its eccentricities. We meet, among others, Fenia Xenopoulou, a Greek Cypriot recently "promoted" to the Directorate-General for Culture. When tasked with revamping the boring image of the European Commission with the Big Jubilee Project, she endorses her Austrian assistant Martin Sussman's idea to proclaim Auschwitz as its birthplace--of course, to the horror of the other nation states. Meanwhile, Inspector mile Brunfaut attempts to solve a gritty murder being suppressed at the highest level; Matek, a Polish hitman who regrets having never become a priest, scrambles after taking out the wrong man; and outraged pig farmers protest trade restrictions as a brave escapee squeals through the streets. These narratives and more are masterfully woven, revealing the absurdities--and real dangers--of a fracturing Europe. A tour de force from one of Austria's most esteemed novelists, The Capital is a mordantly funny and piercingly urgent saga of the European Union, and an aerial feat of sublime world literature.

THE PRIZE-WINNING SATIRICAL BESTSELLER - MORE THAN 500,000 COPIES SOLD WORLDWIDE"I enjoyed The Capital so much . . . A major book" New York Times"First-class satire" Guardian"A deliciously vicious and timely satire" Financial Times"Mischievous yet profound" Economist"Thoroughly entertaining" Spectator"[A] polyphonic EU satire" The TimesA "HOUSE OF CARDS" FOR THE EU The Capital is a brilliantly entertaining satire, a crime story, a comedy of manners . . . and a wild pig chase. This is the tale of a continent, a city and its inhabitants as they navigate their way through the confusing tangle of 21st-century life. *************************************Brussels. A hive of tragic heroes, manipulative losers, involuntary accomplices. No wonder the European Commission is keen to improve its image. The fiftieth anniversary of the European Commission approaches, and the Directorate-General for Culture is tasked with organising an appropriate celebration. When Fenia Xenopoulou's assistant comes up with a plan to put Auschwitz at the very centre of the jubilee, she is delighted. But she has neglected to take the other E. U. institutions into account. Meanwhile the city is on the lookout for a runaway pig. And what about the farmers who take to the streets to protest against restrictions blocking the export of pigs to China?**************************************See what the critics are saying about The Capital:"Omniscient" New York Times"An exceptional work" Kirkus Reviews"Deliciously witty" Metro"Elegant . . . brilliantly constructed" Die Zeit "Robert Menasse is pioneering the genre of Eurolit" Financial Times WINNER OF THE GERMAN BOOK PRIZETranslated from the German by Jamie Bulloch

In 2010, Robert Menasse journeyed to Brussels to begin work on a novel centered on the European Union. His extended stay resulted in a completely different book—Enraged Citizens, European Peace and Democratic Deficits, a work of nonfiction examining the history of the European project and the evolving politics of nation-states. Spanning from the beginning of the transnational idea with 1951’s Montanunion—the European Coal and Steel Community—to the current financial crisis, Menasse focuses on the institutional structures and forces both advancing and obstructing the European project. Given the internal tensions among the European Commission, Parliament, and Council, Menasse argues that current problems that are frequently misunderstood as resulting from the financial crisis are, in fact, political. Along the way, he makes the bold claim that either the Europe of nation-states will perish—or the project of transcending the nation-states will. A provocative book, Enraged Citizens, European Peace and Democratic Deficits deftly analyzes the financial and bureaucratic structures of the European Union and sheds much-needed light on the state of the debt crisis. Menasse brings his considerable literary expertise to the unraveling of the real state of the Union, along the way weaving an intriguing tale of one continent’s efforts to become a truly postnational democracy.

Die Geschichte der Liebe ist eine Geschichte von Befreiungskämpfen Programmatisch ist in Robert Menasses Roman schon der erste Satz, und die Ouvertüre^hat so manchen Kritiker in Ehrfurcht und Schrecken versetzt. Teuflisch brennt die Erkenntnis, daß einem das Zölibat zweierlei erspart: die Langeweile und den Schmerz. Dem 53jährigen Nathan wird nichts erspart. "Warum kann ich nicht genießen? Mein Vater hat es sich immer gut gehen lassen." Auf der Suche nach der verlorenen Lust der Nach-68er-Generation kreuzen viele Frauen seinen Weg. Freundinnen, eine Ehe, noch eine Ehe, viele Geliebte - nichts erfüllt ihn. Nathan befindet sich auf dem Weg der Unlust, und die erfüllt sich. In einem der "unterhaltsten Unterhaltungsromane der letzten Jahre" (Die Zeit) zeichnet Robert Menasse das Porträt einer Generation, der Nach-68er-Gesellschaft. Es ist kein Liebesroman im klassischen Sinne, in dem Mann und Frau zueinanderfinden, sondern ein Roman über die Liebe in den Zeiten sexueller Befreiung.