Robert Phillips

This magnificent summation of the short stories of Shirley Ann Grau, winner of the Pulitzer Prize for her novel The Keepers of the House, gathers together eighteen gems ranking with the finest of Eudora Welty and Flannery O'Connor. Grau possesses a range representing a master course in the craft of this most demanding art form. Her reader's banquet offers character sketches of Chekovian poignance and insight, a hilarious love story, excursions into the gothic and hauntingly apocalyptic, the elegiac and experimental, and stories that feel like compressed novels in their lapidary polish, depth, and emotional weight. Grau belongs in the company of the great southern short story writers, and the author's own choices of her best work remind readers of the unmatched capacity of the brief fictional form to depict character epiphany and such timeless themes as redemption and rebirth, the struggle between power and love, and the persistence of the past.

Robert Phillips is a prominent member of America's neglected "transition generation" of poets-those born in the late 1930s and early 1940s. His work has been included in many anthologies and textbooks. He gathers for his seventh full-length collection his best poems of the past six years, from dramatic monologues to personal lyrics. While most are free-verse, there are also sonnets, a villanelle, a ballade, an abecedarian, found poems, prose poems, haiku, and clerihews. Divided into three sections-"Fire and Obsession," "A Little Light Music," and "Rituals"-this new volume reveals Phillips's playfulness and good humor, his high intelligence, and his musicality.

Robert Phillips is a prominent member of America's neglected "transition generation" of poets-those born in the late 1930s and early 1940s. His work has been included in many anthologies and textbooks. He gathers for his seventh full-length collection his best poems of the past six years, from dramatic monologues to personal lyrics. While most are free-verse, there are also sonnets, a villanelle, a ballade, an abecedarian, found poems, prose poems, haiku, and clerihews. Divided into three sections-"Fire and Obsession," "A Little Light Music," and "Rituals"-this new volume reveals Phillips's playfulness and good humor, his high intelligence, and his musicality.

Robert Phillips is a prominent figure in what has been called America's neglected "transition generation"-poets born in the late 1930s and early 1940s. Spinach Days is his sixth full-length collection, following his critically acclaimed Breakdown Lane (Johns Hopkins, 1994), named a Notable Book of the Year by the New York Times. In content and in its various use of forms, Spinach Days is Phillips' most innovative book yet. There are long narratives and short lyrics, villanelles and somonkas, haiku and found poems, free verse and eclogues, on subjects ranging from St. Francis to the Holocaust, from Jung's concept of the anima to a particular bit of American folklore on the gangster John Dillinger. Throughout, the poet's memory is the cohesive force, mixing events of childhood with adulthood, rural life with big-city life, love with loss, and humorous events with tragic ones. Phillips reveals himself to be a master of closure, and he writes as one who delights in the liveliness of language and wordplay.

This work includes insightful interviews with eigth masters of contemporary fiction and poetry featuring previously uncollected interviews with William Goyen, Philip Larkin, Joyce Carol Oates, Karl Shapiro, William Jay Smith, Elizabeth Spencer, William Styron, and Marya Zaturenska. Taken from a passage by Henry James, the title speaks to the ""madness"" that drives our greatest works of creativity. Robert Phillips questions his interviewees about their work methods, daily lives, influences, sources of inspiration, relationship to other literary figures, response to critics, choice of genre, and reasons for writing.

Robert Phillips is a prominent figure in what has been called America's neglected "transition generation"-poets born in the late 1930s and early 1940s. Spinach Days is his sixth full-length collection, following his critically acclaimed Breakdown Lane (Johns Hopkins, 1994), named a Notable Book of the Year by the New York Times. In content and in its various use of forms, Spinach Days is Phillips' most innovative book yet. There are long narratives and short lyrics, villanelles and somonkas, haiku and found poems, free verse and eclogues, on subjects ranging from St. Francis to the Holocaust, from Jung's concept of the anima to a particular bit of American folklore on the gangster John Dillinger. Throughout, the poet's memory is the cohesive force, mixing events of childhood with adulthood, rural life with big-city life, love with loss, and humorous events with tragic ones. Phillips reveals himself to be a master of closure, and he writes as one who delights in the liveliness of language and wordplay.

A chilling anthology of ghost stories by twenty-seven distinguished twentieth-century authors features tales of hauntings, spectres, and phantoms by Isak Dinesen, Joyce Carol Oates, Gabriel Garcfa Mrquez, William Trevor, Franz Kafka, Henry James, and other notables. Original.