Robert Williams

When Constance Sands Woulard died of breast cancer at age forty-seven, her sister, Katrina vowed to bring her story of hope and faith in God to light. Connie was a spiritual giant whose faith never diminished as she fought a brave battle until God called her home. Constance was a teacher whose students kept her joyous. She richly touched the lives of all who knew her: family, friends, neighbors, and co-workers. She even petitioned the courts of Heaven for favor, as she submitted to God's will. When she took her last breath on earth, she assured us that she received a fresh breath in the presence of Jesus. Her journey must be shared.

Escape to thought-provoking realms and explore awe-inspiring vistas with Michael Whelan's "Beyond Science Fiction" art book. Throughout a credentialed career spanning nearly 5 decades, Michael Whelan has successfully straddled the historically at-odds worlds of fine art and commercial illustration. HIs work represents a logic-defying blend of pop-culture-defining imagery and impassioned personal expression that resonates with sophisticated art collectors as well as with top professionals in genre media. Michael Whelan's significance as the architect of a unique genus of imaginative art that combines the detail-rich techniques of realist painting with the time-honored tradition of illustrating mankind's dreams and aspirations, is at the forefront of defining and establishing "Alternative Realism" as a contemporary art movement. In honor of Michael's retrospective exhibition at the Riverside Museum of Art, Baby Tattoo is publishing a collector's edition book in a popular 7"x10" graphic novel size that will visually explore the interconnected nature of Michael's work and will chronicle the significance of its place in history. Michael has won an unprecedented 15 Hugo Awards (SF's Oscar), 3 World Fantasy Awards, and 13 Chesleys from the Association of Science Fiction and Fantasy Artists. The readers of Locus Magazine (for SF insiders) have named him Best Professional Artist 30 times in their annual poll (including 2014) and the Spectrum Annual of the Best in Contemporary Fantastic Art named him a Grand Master in 2004. Other noteworthy awards include a Gold Medal from the Society of Illustrators, a Vargas Award, a Grumbacher Gold Medal, and the Solstice Award from the Science Fiction Writers of America.

'The most important art historian of his generation’ is how some scholars have described the late Michael Baxandall (1933-2007), Professor of the Classical Tradition at the Warburg Institute, University of London, and of the History of Art at the University of California, Berkeley. Baxandall’s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ’80s and ’90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall’s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today. This volume provides the most comprehensive assessment of Baxandall’s work to date, while drawing upon the archive of Baxandall papers recently deposited at the Cambridge University Library and the Warburg Institute.

Reproduction of the original: A Biographical Sketch of some of The Most Eminent Individuals which The Principality of Wales by Robert Williams

Reproduction of the original: A Biographical Sketch of some of The Most Eminent Individuals which The Principality of Wales by Robert Williams

Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.

The American Dream is under assault. This threat results not from a lack of means, but from an unwillingness to share. Total household wealth increased by half in the past generation, but barely one fifth of American households captured this new wealth. For the rest, the dream of owning a home, gaining a secure retirement, and ensuring a college education for their kids is disappearing. Worse still, the widening wealth divide largely tracks our racial fault lines. The Privileges of Wealth investigates the impact of the rising concentration of wealth. It describes how households accumulate wealth along three pathways: household saving, appreciation of assets, and family gifts and inheritances. In addition, federal wealth policies, in the form of assorted tax deductions and credits, act as a fourth pathway that favors wealthy households. For those with means, each pathway operates as a virtuous cycle enabling families to build wealth with increasing ease. For those without, these same pathways are experienced as vicious cycles. The issue of wealth privilege is even more pronounced when examining the racial wealth gap. Typically, White households own ten times the wealth of Black or Latino families. This chasm results from the durability and transferability of wealth across generations and serves as a persistent legacy of our history of racial enslavement, expropriation, and exclusion. Current policies favoring the wealthy are simply cementing these wealth disparities. This book explains how these sources of wealth privilege are systemic features of our economy and the basis of rising disparities. The arguments and evidence presented here offer a compelling case for how our current policies are undermining the American Dream for most Americans while fortifying a White plutocracy, with dire consequences for us all.

The American Dream is under assault. This threat results not from a lack of means, but from an unwillingness to share. Total household wealth increased by half in the past generation, but barely one fifth of American households captured this new wealth. For the rest, the dream of owning a home, gaining a secure retirement, and ensuring a college education for their kids is disappearing. Worse still, the widening wealth divide largely tracks our racial fault lines. The Privileges of Wealth investigates the impact of the rising concentration of wealth. It describes how households accumulate wealth along three pathways: household saving, appreciation of assets, and family gifts and inheritances. In addition, federal wealth policies, in the form of assorted tax deductions and credits, act as a fourth pathway that favors wealthy households. For those with means, each pathway operates as a virtuous cycle enabling families to build wealth with increasing ease. For those without, these same pathways are experienced as vicious cycles. The issue of wealth privilege is even more pronounced when examining the racial wealth gap. Typically, White households own ten times the wealth of Black or Latino families. This chasm results from the durability and transferability of wealth across generations and serves as a persistent legacy of our history of racial enslavement, expropriation, and exclusion. Current policies favoring the wealthy are simply cementing these wealth disparities. This book explains how these sources of wealth privilege are systemic features of our economy and the basis of rising disparities. The arguments and evidence presented here offer a compelling case for how our current policies are undermining the American Dream for most Americans while fortifying a White plutocracy, with dire consequences for us all.

This blowout issue not only includes work by all eight Zap artists (plus a collaboration with cartoonist Aline Kominsky), but also three double-page jams by the group. Plus: Zap s first-and-only color section, featuring comics by R. Crumb and Gilbert Shelton (his final Zap Wonder Wart-hog episode, no less). Paul Mavrides provides an alternately embellished version of Gilbert Shelton s and his Fabulous Furry Freak Brothers episode, Phineas Becomes a Suicide Bomber (originally inked in the Complete Zap by Shelton). Front cover by R. Crumb. Back cover by Moscoso."

'The most important art historian of his generation’ is how some scholars have described the late Michael Baxandall (1933-2007), Professor of the Classical Tradition at the Warburg Institute, University of London, and of the History of Art at the University of California, Berkeley. Baxandall’s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ’80s and ’90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall’s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today. This volume provides the most comprehensive assessment of Baxandall’s work to date, while drawing upon the archive of Baxandall papers recently deposited at the Cambridge University Library and the Warburg Institute.

Harriet Norton won't stop crying. Her parents, Ann and Thomas, are being driven close to insanity and only one thing will help. Mysteriously, their infant daughter will only calm when she's under the ancient trees of Bleasdale forest. The Nortons sell their town-house and set up home in an isolated barn. Secluded deep in the forest, they are finally approaching peace - until one night a group of men comes through the trees, ready to upend their lives and threaten everything they've built. Into the Trees is the story of four dispossessed people, drawn to the forest in search of something they lack and finding their lives intertwining in ways they could never have imagined. In hugely evocative and lyrical writing, Robert Williams lays bare their emotional lives, set against the intense and mysterious backdrop of the forest. Compelling and haunting, Into the Trees is a magisterial novel.

Professor Bob Williams examines the essential elements that give ecosystems their durability. These key characteristics are: self-regulating cycles of key materials, a plentiful and durable energy source, an ability to adjust to changing circumstances, and the capacity for resiliency in the face of unpredictable disruptions. In separate chapters, each of these natural attributes are applied to our economy and 20 polices are recommended to shift our economy toward each of these objectives. The policies include marketable waste emission permits, a "carbon" tax, split-rate property taxation, environmental assurance bonds, a revamped home mortgage deduction, and an inheritance tax. These policies function to implement the principle of full-cost pricing in order to ensure market incentives that encourage environmentally temperate behaviour and decisions. This book will be of interest to students of Ecology and Economics, at undergraduate and postgraduate level alike, as well as anyone seeking an understanding of key ecological concepts that are critical to fully appreciating the role of natural capital in our economic affairs

The police were involved over the trouble. They had to be. 'I was just playing,' I told them, but that wasn't enough. They wanted to know what I understood by 'intent'. Donald Bailey is sixteen. He can't forget the trouble that happened when he was eight, when the police were called. His mother can't forget either and even leaving their home town doesn't help. Then Donald befriends Jake, who is eight years old and terrifyingly vulnerable. As he tries to protect him, Donald fails to see the most obvious danger. And that the trouble might be closer than he thinks... Following Robert Williams's prize-winning debut Luke and Jon, How the Trouble Started is a dark, gripping novel about childhood, morality and the loneliness of children and adults. Told with Robert Williams's characteristic warmth, humanity and deceptively light touch, it is a story about how our best and worst intentions can lead us astray, and the moments we can never leave behind.