Ryunosuke Akutagawa

Ever since his death in 1927, Ryunosuke Akutagawa has been hailed as one of the greatest short story writers in world literature. Most famous for his story Rashomon and the Kurosawa movie it inspired, Akutagawa’s wide range of fiction is beautifully displayed in this newly reissued collection of his stories. With characteristic lyricism and great style, the stories here capture the strange world of Akutagawa, from the slow, gentle death of a haiku master (“Withered Fields”) to a vicious, marauding gang and their bloody fight with samurai (“The Robbers”), and the sly tale told from a dog’s perspective of his escape from home (“The Dog, Shiro”). Throughout these stories, Akutagawa captures the often confused spirit of a Japan undergoing great change and confronting modernity at the turn of the last century. But these stories remain timeless classics, and any reader, whether a fan of Akutagawa or someone discovering him for the first time, will find wonderful delight in these unusual stories. Previously published in a Liveright edition as Exotic Japanese Stories.

The Kappa is a creature from Japanese folklore described as a scaly, child-sized being with a face like a tiger and a sharp, pointed beak. In the hands of Ryunosuke Akutagawa, one man's journey to 'Kappaland' becomes the vehicle for a critique of Japanese life and customs in the tradition of Swift and Kafka.

Ryünosuke Akutagawa (1892-1927) is one of Japan’s foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. ‘Rashömon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Ryünosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashömon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Mit dem Sammelband "Rashomon", 1917 veröffentlicht, setzte sich Akutagawa als Schriftsteller durch. Bis zu seinem Freitod 1927 verfaßte er neben Essays und Lyrik etwa 150 Kurzgeschichten, Erzählungen und Novellen, mit denen er die japanische Literatur nachhaltig beeinflußt hat; die besten sind in diesem Band versammelt. Vielfalt der Themen, Motive und Techniken, stilistische Brillanz und psychologische Vertiefung kennzeichnen die Prosa des inzwischen weltberühmten Schriftstellers. "Von den Erzählungen Akutagawas geht ebenso eine große Faszination wie Irritation aus. Der bedeutendste japanische Literaturpreis trägt zu Recht Akutagawas Namen." Ludger Lütkehaus in Neue Zürcher Zeitung

Writing at the beginning of the twentieth century, Ryunosuke Akutagawa created disturbing stories out of Japan's cultural upheaval. Whether his fictions are set centuries past or close to the present, Akutagawa was a modernist, writing in polished, superbly nuanced prose subtly exposing human needs and flaws. "In a Grove," which was the basis for Kurosawa's classic film Rashomon, tells the chilling story of the killing of a samurai through the testimony of witnesses, including the spirit of the murdered man. The fable-like "Yam Gruel" is an account of desire and humiliation, but one in which the reader's sympathy is thoroughly unsettled. And in "The Martyr," a beloved orphan raised by Jesuit priests is exiled when he refuses to admit that he made a local girl pregnant. He regains their love and respect only at the price of his life. All six tales in the collection show Akutagawa as a master storyteller and an exciting voice of modern Japanese literature.