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Sabine Baring-Gould

Kirjat ja teokset yhdessä paikassa: 457 kirjaa, julkaisuja vuosilta 1977–2026, suosituimpiin kuuluu The Collected Supernatural and Weird Fiction of Sabine Baring-Gould. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

Nimi esiintyy myös muodoissa: Sabine Baring Gould, Sabine Baring -Gould

457 kirjaa

Kirjojen julkaisuvuodet: 1977–2026.

Bladys of the Stewponey (1897). By: Sabine Baring-Gould: Published 1897. "Presumed original"

Bladys of the Stewponey (1897). By: Sabine Baring-Gould: Published 1897. "Presumed original"

Sabine Baring-Gould

Createspace Independent Publishing Platform
2018
nidottu
The Reverend Sabine Baring-Gould (28 January 1834 - 2 January 1924) of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1240 publications, though this list continues to grow. His family home, the manor house of Lew Trenchard, near Okehampton, Devon, has been preserved as he had it rebuilt and is now a hotel. He is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers" and "Now the Day Is Over". He also translated the carol "Gabriel's Message" from the Basque language to English. CAREER: Because the family spent much of his childhood travelling round Europe, most of his education was by private tutors. He only spent about two years in formal schooling, first at King's College School in London (then located in Somerset House) and then, for a few months, at Warwick Grammar School (now Warwick School). Here his time was ended by a bronchial disease of the kind that was to plague him throughout his long life. His father considered his ill-health as a good reason for another European tour. In 1852 he was admitted to Cambridge University, earning the degrees of Bachelor of Arts in 1857, then Master of Arts in 1860 from Clare College, Cambridge. In September 1853 he informed Nathaniel Woodard of his desire to be ordained. He taught for only ten days at one of Woodard's boys' boarding schools in Sussex, Lancing College, but then moved to another, Hurstpierpoint College, where he stayed from 1857 to 1864. While there he was responsible for several subjects, especially languages and science, and he also designed the ironwork of the bookcases in the boys' library, as well as painting the window jambs with scenes from the "Canterbury Tales" and the "Faery Queen". He took Holy Orders in 1864, and became the curate at Horbury Bridge, West Riding of Yorkshire. It was while acting as a curate that he met Grace Taylor, the daughter of a mill hand, then aged fourteen. In the next few years they fell in love. His vicar, John Sharp, arranged for Grace to live for two years with relatives in York to learn middle-class manners. Baring-Gould, meanwhile, relocated to become perpetual curate at Dalton, near Thirsk. He and Grace were married in 1868 at Wakefield. Their marriage lasted until her death 48 years later, and the couple had 15 children, all but one of whom lived to adulthood. When he buried his wife in 1916 he had carved on her tombstone the Latin motto Dimidium Animae Meae ("Half my Soul"). Baring-Gould became the rector of East Mersea in Essex in 1871 and spent ten years there. In 1872 his father died and he inherited the 3,000-acre (12 km2) family estates of Lew Trenchard in Devon, which included the gift of the living of Lew Trenchard parish. When the living became vacant in 1881, he was able to appoint himself to it, becoming parson as well as squire. He did a great deal of work restoring St Peter's Church, Lew Trenchard, and (from 1883 to 1914) thoroughly remodelled his home, Lew Trenchard Manor.
Urith

Urith

Sabine Baring-Gould

Hansebooks
2017
pokkari
Urith - A Tale of Dartmoor is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Mehalah: a story of the salt marshes . by: Sabine Baring-Gould (Classics)

Mehalah: a story of the salt marshes . by: Sabine Baring-Gould (Classics)

Sabine Baring-Gould

Createspace Independent Publishing Platform
2016
nidottu
Rev. Sabine Baring-Gould (28 January 1834 - 2 January 1924) of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist and eclectic scholar. His bibliography consists of more than 1240 publications, though this list continues to grow. His family home, the manor house of Lew Trenchard, near Okehampton, Devon, has been preserved as he had it rebuilt and is now a hotel. He is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers" and "Now the Day Is Over". He also translated the carol "Gabriel's Message" from the Basque language to English.
The Book of Were-Wolves

The Book of Were-Wolves

Sabine Baring-Gould; Stephen Graham Jones

SIMON SCHUSTER
2026
sidottu
Sabine Baring-Gould’s The Book of Were-Wolves has long prowled the edges of horror lore and been whispered about by devoted fans, but now, after decades, this ancient work reemerges in a stunning hardcover edition, introduced by modern horror master Stephen Graham Jones. The shadow manifested in your room. The figure in the trees. The howl carried across the moors. They all started here. When it first appeared in 1865, Sabine Baring-Gould’s The Book of Were-Wolves was the first serious study of a superstition as old as Arcadia and as vast as human fear itself. Moving through folklore, confession, and what would one day be called true crime, Baring-Gould traces stories of wolves in league with the devil, of men drifting into the shapes of bears, serpents, and hyenas, and of a boundary between human and beast so thin it dissolves in the moonlight. For generations, this strange volume has imprinted itself on the minds of horror writers, its rare editions passed quietly from hand to hand. Now, with a new introduction by Stephen Graham Jones, Baring-Gould’s dark and curious classic steps once more into the light—summoning ancient lore with it.