Samuel Richardson

"Histoire du chevalier Grundisson" de Samuel Richardson. crivain anglais (1689-1761).

Samuel Richardson (1689–1761) was a highly regarded printer and influential novelist when he produced his final work of fiction, The History of Sir Charles Grandison (1753). Like his other novels, it was written in epistolary form, reflecting his lifelong interest in letter writing and the letter as a genre. Covering the period 1750–1754, many of these fully annotated letters are published from manuscript for the first time, or have been restored to their complete original form. Recording Richardson's relationships with leading cultural figures including Samuel Johnson, Colley Cibber and Elizabeth Carter, the volume reveals his support for other authors while struggling to complete his own 'story of a Good Man'. This publishing saga also incorporates Richardson's responses to the Irish piracy of his novel, and his exchanges with anonymous fans, including those who attacked the novel's tolerance for Catholicism and those who pleaded for a sequel.

Samuel Richardson (1689–1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history.

Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.

Samuel Richardson (1689–1761) was an established master printer when, at the age of 51, he published his first novel, Pamela, and immediately became one of the most influential and admired writers of his time. Not only were all Richardson's novels written in epistolary form: he was also a prolific letter-writer himself. This volume in the first ever full edition of Richardson's correspondence includes his letters to and from Aaron Hill, the poet, dramatist and entrepreneur (1685–1750). Hill was Richardson's earliest literary friend and advisor as he embarked on a new career as a novelist. This correspondence offers fascinating insight into the compositional processes not just of the two Pamela novels, but of Richardson's later novels Clarissa and The History of Sir Charles Grandison. The volume also contains Richardson's correspondence with Hill's three literary daughters, which forms an invaluable chapter in the history of women's writing and literary criticism.

Clarisse et Lovelace, ou Le suborneur: pantomime en 3 actes, melee de dialogues / imitee du roman de Richardson; par M. Henri (H.-L. Blanchard); mus. de MM. Henri de DreuilhDate de l'edition originale: 1816" Representation. Paris, Theatre du Cirque olympique. 1815-03-11]"Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Clarisse Harlove. precede de l'Eloge de Richardson. T2 / par Richardson; traduit sur l'edition originale par l'abbe Prevostpar DiderotDate de l'edition originale: 1846"Comprend: Eloge de Richardson"Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr