Sarah Ruden

An intimate and human portrait of Perpetua, a third-century woman author who was idealized as a Christian martyr On March 7, 203, in the monumental amphitheater at Carthage, Vibia Perpetua was one of five Christians who met their deaths after refusing to venerate the Roman emperor Septimius Severus and his son. Perpetua stood out from the other four, and in fact from all the other martyrs of her era and before: she was an aristocratic married woman with an infant son, and she is the first female prose author whose work survives. Offering a probing new translation of Perpetua’s extraordinary prison diary and situating the life behind that diary within the turbulent late Roman Empire, Sarah Ruden tells the story of Perpetua’s remarkable feat of self-invention as a martyr. As she builds on Perpetua’s own words and integrates them into their religious and historical contexts, Ruden shines a light on Perpetua’s disarming candidness, her brashness, and her naïvété. In contrast to traditional portrayals of the saint as a brave but submissive young woman, Ruden’s narrative reveals a complex individual who flaunts a vivid public persona as a martyr while at the same time navigating the emotions of a mother, daughter, sister, and friend approaching death.

A biography of Vergil, Rome’s greatest poet, by the acclaimed translator of the Aeneid “Ms. Ruden has converted the writer of the Aeneid from a noble and stodgy ‘ancient’ into our contemporary . . . persuasively re-imagined [as] a sympathetic, three-dimensional figure. . . . The existence of the Aeneid is cause for gratitude. So is Ms. Ruden’s sensitive, celebratory portrait of its maker.”—Willard Spiegelman, Wall Street Journal The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became the world’s first media celebrity, a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed. Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings to make careful deductions to reconstruct his life. Through her intimate knowledge of Vergil’s work, she brings to life a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Acclaimed translator Sarah Ruden shares a fresh, myth-busting reading of Sylvia Plath's poems, revealing the full range and towering ambition of a great American poet. One of our leading interpreters of ancient literature, acclaimed translator Sarah Ruden (the Aeneid) has long had a passion for Sylvia Plath's poetry. In this profound reconsideration of Plath's genius, Ruden argues that Plath is more than a consummate mythmaker; the poet herself takes on the role of the classical hero: striving, suffering, descending to an underworld that threatens meaninglessness and despair, and returning to speak the previously unspoken. For the first time, a writer and a woman becomes that hero. For Ruden, this achievement, like the deep learning and driving ambition that fueled it, has been overshadowed by the sensational and tragic details of Plath's life, especially her ill-starred marriage to British poet Ted Hughes and her suicide at the age of thirty. Ruden offers a much-needed corrective through close readings of 6 poems "Mushrooms""You're""The Babysitters""The Applicant""Ariel""Edge"that reveal how Plath persisted in the face of illness to produce works of disquieting beauty and uncanny power. Devoted fans will find many new insights here, while readers looking to discover Plath's poetry for the first time will find no better introduction to her work.

A biography of Vergil, Rome’s greatest poet, by the acclaimed translator of the Aeneid “Ms. Ruden has converted the writer of the Aeneid from a noble and stodgy ‘ancient’ into our contemporary . . . persuasively re-imagined [as] a sympathetic, three-dimensional figure. . . . The existence of the Aeneid is cause for gratitude. So is Ms. Ruden’s sensitive, celebratory portrait of its maker.”—Willard Spiegelman, Wall Street Journal The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became the world’s first media celebrity, a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed. Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings to make careful deductions to reconstruct his life. Through her intimate knowledge of Vergil’s work, she brings to life a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Food – how it’s grown, how it’s shared – makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind’s first task: “The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed” (Gen. 2:8). The desire to get one’s hands dirty raising one’s own food, then, doesn’t just come from modern romanticism, but is built into human nature. The title, “The Welcome Table,” comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible’s closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited – a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come. Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Köder, Carl Juste, André Chung, Ángel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

In this dazzling reconsideration of the language of the Old and New Testaments, acclaimed scholar and translator of classical literature Sarah Ruden argues that the Bible's modern translations often lack the clarity and vitality of the originals. Singling out the most famous passages, such as the Genesis creation story, the Ten Commandments, the Lord's Prayer, and the Beatitudes, Ruden reexamines and retranslates from the Hebrew and Greek, illuminating what has been misunderstood and obscured in standard English translations. By showing how the original texts more clearly reveal our cherished values, Ruden gives us an unprecedented understanding of what this extraordinary document was for its earliest readers and what it can still be for us today.

Can beauty save the world? These days criticism of art--whether visual, musical, or literary--is often marked by a suspicion of beauty. What happened to the belief that the creativity of the artist reflects the creativity of the Maker of heaven and earth, and that art can therefore be a channel for divine truth? Anyone who has joined with others to sing Bach’s Saint Matthew Passion or stood before a painting by Raphael or Chagall can attest to this. At such moments, art binds people together. This issue of Plough focuses on art that leads to such community: through theater, painting, music, and the objects and architecture of everyday life. And while art fosters community, building community is itself a work of creativity. Also in this issue: original poetry by Cozine Welch Jr.; reviews of new books by Eliza Griswold, Alissa Quart, Eugene Vodolazkin, and Nathan Englander; and art by Denis Brown, JR, Valérie Jardin, Isaiah King, Isaiah Tanenbaum, George Makary, Oriol Malet, Alex Nwokolo, Ashik and Jenelle Mohan, Raphael, Aaron Douglas, Winslow Homer, Vincent van Gogh, Wassily Kandinsky, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

In Paul Among the People, Sarah Ruden explores the writings of the evangelist Paul in the context of his time and culture, to recover his original message of freedom and love while overturning the common--and fundamental--misconception that Paul represented a puritanical, hysterically homophobic, misogynist, or reactionary vision. By setting famous and controversial words of Paul against ancient Greek and Roman literature, Ruden reveals a radical message of human freedom and dignity at the heart of Paul's preaching. Her training in the Classics allows her to capture the stark contrast between Paul's Christianity and the violence, exploitation, and dehumanization permeating the Roman Empire in his era. In contrast to later distortions, the vision of Christian life Ruden finds in Paul is centered on equality before God and the need for people to love one another. A remarkable work of scholarship, synthesis, and understanding, Paul Among the People recaptures the moral urgency and revolutionary spirit that made Christianity such a shock to the ancient world and laid the foundation of the culture in which we live today.