Sayantani DasGupta

Saving the multiverse is no game in this New York Times bestseller When the Demon Queen shows up in her bedroom, smelling of acid and surrounded by evil-looking bees, twelve-year-old Kiranmala is uninterested. After all, it's been weeks since she last heard from her friends in the Kingdom Beyond, the alternate dimension where she was born as an Indian princess. But after a call to action over an interdimensional television station and a visit with some all-seeing birds, Kiran decides that she has to once again return to her homeland, where society is fraying, a terrible game show reigns supreme, and friends and foes alike are in danger. Everyone is running scared or imprisoned following the enactment of sudden and unfair rules of law. However, things are a lot less clear than the last time she was in the Kingdom Beyond. Kiran must once again solve riddles and battle her evil Serpent King father -- all while figuring out who her true friends are, and what it really means to be a hero.

Saving the multiverse is no game in this New York Times bestseller When the Demon Queen shows up in her bedroom, smelling of acid and surrounded by evil-looking bees, twelve-year-old Kiranmala is uninterested. After all, it's been weeks since she last heard from her friends in the Kingdom Beyond, the alternate dimension where she was born as an Indian princess. But after a call to action over an interdimensional television station and a visit with some all-seeing birds, Kiran decides that she has to once again return to her homeland, where society is fraying, a terrible game show reigns supreme, and friends and foes alike are in danger. Everyone is running scared or imprisoned following the enactment of sudden and unfair rules of law. However, things are a lot less clear than the last time she was in the Kingdom Beyond. Kiran must once again solve riddles and battle her evil Serpent King father -- all while figuring out who her true friends are, and what it really means to be a hero.

Møt Kiranmala, en ekte helt (hun bare vet det ikke ennå). 12-årsdagen til Kiranmala blir ikke helt som planlagt … Plutselig forsvinner foreldrene på mystisk vis, og slimete demoner jager henne gjennom huset. Ting blir ikke enklere av at to innmari kjekke prinser ringer på, og påstår at de har kommet for å redde henne. Brått blir Kiranmala tatt med til en verden full av magi, hester med vinger, levende kart … og en irriterende snakkende fugl. Hun må løse gåter, kjempe mot demoner – og ikke minst finne foreldrene sine.

From New York Times bestselling author comes a world packed with action and adventure, perfect for fans of Rick Riordan and Soman Chainani. MEET KIRANMALA: INTERDIMENSIONAL DEMON SLAYER(Only she doesn't know it yet.)On the morning of her 12th birthday, Kiranmala is just a regular sixth grader living in Parsippany, New Jersey...until her parents mysteriously vanish and a drooling rakkhosh demon slams through her kitchen, determined to eat her alive. Turns out there might be some truth to her parents' fantastical stories -- like how Kiranmala is a real Indian princess and how she comes from a secret place not of this world. To complicate matters, two crush-worthy princes ring her doorbell, insisting they've come to rescue her. Suddenly, Kiran is swept into another dimension full of magic, winged horses, moving maps, and annoying, talking birds. There she must solve riddles and battle demons all while avoiding the Serpent King of the underworld and the Rakkhoshi Queen in order to find her parents and basically save New Jersey, her entire world, and everything beyond it...

From New York Times bestselling author comes a world packed with action and adventure, perfect for fans of Rick Riordan and Soman Chainani. MEET KIRANMALA: INTERDIMENSIONAL DEMON SLAYER(Only she doesn't know it yet.)On the morning of her twelfth birthday, Kiranmala is just a regular sixth grader living in Parsippany, New Jersey . . . until her parents mysteriously vanish and a drooling rakkhosh demon slams through her kitchen, determined to eat her alive. Turns out there might be some truth to her parents' fantastical stories-like how Kiranmala is a real Indian princess and how she comes from a secret place not of this world. To complicate matters, two crush-worthy princes ring her doorbell, insisting they've come to rescue her. Suddenly, Kiran is swept into another dimension full of magic, winged horses, moving maps, and annoying, talking birds. There she must solve riddles and battle demons all while avoiding the Serpent King of the underworld and the Rakkhoshi Queen in order to find her parents and basically save New Jersey, her entire world, and everything beyond it . . .

Narrative medicine is a fresh discipline of health care that helps patients and health professionals to tell and listen to the complex and unique stories of illness. The Principles and Practice of Narrative Medicine expresses the collective experience and discoveries of the originators of the field. Arising at Columbia University in 2000 from roots in the humanities and patient-centered care, narrative medicine draws patients, doctors, nurses, therapists, and health activists together to re-imagine a health care based on trust and trustworthiness, humility, and mutual recognition. Over a decade of education and research has crystallized the goals and methods of narrative medicine, leading to increasingly powerful means to improve the care that patients receive. The methods described in this book harness creativity and insight to help the professionals in being with patients, not just to diagnose and treat them but to bear witness to what they undergo. Narrative medicine training in literary theory, philosophy, narrative ethics, and the creative arts increases clinicians' capacity to perceive the turmoil and suffering borne by patients and to help them to cohere or endure the chaos of illness. Narrative medicine has achieved an international reputation and reach. Many health care settings adopt methods of narrative medicine in teaching and practice. Through the Master of Science in Narrative Medicine graduate program and health professions school curricula at Columbia University, more and more clinicians and scholars have obtained the rigorous training necessary to practice and teach narrative medicine. This text is offered to all who seek the opportunity for disciplined training in narrative medicine. By clearly articulating our principles and practice, this book provides the standards of the field for those who want to join us in seeking authenticity, recognition, affiliation, and justice in a narrative health care.

In Fire Girl, her debut collection of essays, Sayantani Dasgupta examines her personal story against the history, religion, popular culture and mythology of South Asia and her current home in the American West. Praise for Fire Girl These are exquisite essays, filled with savory language spiced just right. Sayantani Dasgupta's generous intelligence and lively curiosity bring alive whole worlds-those of ancient stories and those of daily living, artfully considered. Cultures, languages, religions, landscapes, legacies-this is a writer who contains multitudes. -Peggy Shumaker, Author of Just Breathe Normally Sayantani Dasgupta writes with such keen intelligence and vivid clarity that we can't help be taken in. Lyrical, compassionate, and compelling, these beautiful essays transport us to another world. In Dasgupta's able hands, it is a world we come to recognize as our own. -Kim Barnes, Author of In the Kingdom of Men Sayantani Dasgupta brings together past and present as she considers childhood, violence, safety, family, monsters, goddesses, and the concept of home. These beautiful essays move between India and America, between selves and versions of selves, as Sayantani considers what is real and what is story or indeed, how the two are ever different. The range of landscapes and subjects is as breathtaking as the writing, showing us a powerful mind at work.-Bich Minh Nguyen, Author of Stealing Buddha's Dinner The oscillations in the essays are sometimes gentle vibrations, other times beating drums, encompassing the tension between the home and the world, the past and the present, the brain and the heart. The stories constantly go away and come back and we undulate with them, rippling between delight, sorrow, rage, wonder. -Aurvi Sharma, Winner of the 2015 Gulf Coast Prize in Nonfiction:

The 20 tales and nine poems in this anthology give the reader a fascinating insight into the oral literature and rich culture of Bengal, the region now comprising of West Bengal in India, and Bangladesh.