Seamus Deane

Seamus Deane was one of the most vital and versatile authors of our time. Small World presents an unmatched survey of Irish writing, and of writing about Irish issues, from 1798 to the present day. Elegant, polemical, and incisive, it addresses the political, aesthetic, and cultural dimensions of several notable literary and historical moments, and monuments, from the island's past and present. The style of Swift; the continuing influence of Edmund Burke's political thought in the USA; the echoing debates about national character; aspects of Joyce's and of Elizabeth Bowen's relation to modernism; memories of Seamus Heaney; analysis of the representation of Northern Ireland in Anna Burns's fiction – these topics constitute only a partial list of the themes addressed by a volume that should be mandatory reading for all those who care about Ireland and its history. The writings included here, from one of Irish literature's most renowned critics, have individually had a piercing impact, but they are now collectively amplified by being gathered together here for the first time between one set of covers. Small World: Ireland, 1798–2018 is an indispensable collection from one of the most important voices in Irish literature and culture.

This is the story of a haunted Irish childhood. The setting is Derry in the Northern Ireland of the 40s and 50s, fraught with political hatred, family secrets and lethal intrigue. As a young boy tries to make sense of life, poverty and violence shift and obscure the facts; meanwhile his night-time reading of Irish legends weaves enchantment through reality. Claustrophobic but lyrically charged, breathtakingly sad but vibrant and unforgettable, this is one of the finest books about growing up – in Ireland or anywhere – that has ever been written. See also: The Green Road by Anne Enright

This intriguing collection of essays is dominated by the figure of Edmund Burke and by accounts of the ways in which he and some of those he influenced understood the revolutionary changes that produced the modern world. The issues of liberty and empire, faction and revolution, universality, equality, authority, sectarian vice and democratic virtue are central here. Dominating them all is the question of how traditional feeling and affection can be retained within the revolutionary and colonial worlds that emerged at the close of the eighteenth century. The answers to these questions emerge from the different interpretations of the American and French Revolutions that were to be so influential for generations after Burke. In addition, he posed the colonial question in Ireland before it was posed more generally. Was liberty compatible with colonial rule? Ultimately, Burke secured his position by his condemnation of colonial as well as revolutionary violence. But in the works of Burke's contemporaries, especially deTocqueville and Acton, colonial atrocity is condoned or supported while revolutionary violence is condemned out of hand. This, it is argued here, is constitutive of the European anti-revolutionary position which Burke helped to create but to which he nevertheless remains alien.

This book is a special issue of Modern Language Quarterly.

This book traces the emergence of a self-consciously national tradition in Irish writing from the era of the French Revolution and, specifically, from Edmund Burke's counter-revolutionary writings. From Gerald Griffin's The Collegians, to Bram Stoker's Dracula, from James Hardiman's Irish Minstrelsy to Synge, Yeats, and Joyce, Irish writing is dominated by a number of inherited issuesthose of national character, of conflict between discipline and excess, of division between the languages of economics and sensibility, of modernity and backwardness. Almost all the activities of Irish print cultureits novels, songs, historical analyses, typefaces, poemstake place within the limits imposed by this complex inheritance. In the process, Ireland created a national literature that was also a colonial one. This was and is an achievement that is only now being fully recognised.

A New York Times Notable BookWinner of the Guardian Fiction PrizeWinner of the Irish Times Fiction Award and International Award "A swift and masterful transformation of family griefs and political violence into something at once rhapsodic and heartbreaking. If Issac Babel had been born in Derry, he might have written this sudden, brilliant book."--Seamus Heaney Hugely acclaimed in Great Britain, where it was awarded the Guardian Fiction Prize and short-listed for the Booker, Seamus Deane's first novel is a mesmerizing story of childhood set against the violence of Northern Ireland in the 1940s and 1950s. The boy narrator grows up haunted by a truth he both wants and does not want to discover. The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it." Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

The Indian subcontinent has produced some of the world's greatest writers, and a body of literature unsurpassed in its sustained imagination, impassioned lyricism and sparkling tragi-comedy.