Serhiy Zhadan

An introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation “This collection of Ukrainian writer Serhiy Zhadan’s poems will likely cement his reputation as the unflinching witness to the turbulent social and political travails of his nation. With an acerbic tone that will seem familiar to admirers of Franz Wright or Charles Bukowski, Zhadan’s no-nonsense verses are sure to strike more than a few nerves.”—World Literature Today “A startling collection of verse.”—Askold Melnyczuk, Times Literary Supplement “Everyone can find something, if they only look carefully,” reads one of the memorable lines from this first collection of poems in English by the world-renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where “every year there’s less and less air.” Yet despite the grimness of these portraits, Zhadan’s poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people “will never let it be / like it was before.”

A unique work of fiction from the troubled streets of Ukraine, giving invaluable testimony to the new history unfolding in the nation’s post-independence years “Serhiy Zhadan is one of the most important creators of European culture at work today. His novels, poems, and songs touch millions.”—Timothy Snyder, author of On Tyranny “One of the most astounding novels to come out of modern Ukraine. Mesopotamia is seductive, twisted, brilliant, and fierce.”—Gary Shteyngart, author of Little Failure and Absurdistan This captivating book is Serhiy Zhadan’s ode to Kharkiv, the traditionally Russian-speaking city in Eastern Ukraine where he makes his home. A leader among Ukrainian post-independence authors, Zhadan employs both prose and poetry to address the disillusionment, complications, and complexities that have marked Ukrainian life in the decades following the Soviet Union’s collapse. His novel provides an extraordinary depiction of the lives of working-class Ukrainians struggling against an implacable fate: the road forward seems blocked at every turn by demagogic forces and remnants of the Russian past. Zhadan’s nine interconnected stories and accompanying poems are set in a city both representative and unusual, and his characters are simultaneously familiar and strange. Following a kind of magical-realist logic, his stories expose the grit and burden of stalled lives, the universal desire for intimacy, and a wistful realization of the off-kilter and even perverse nature of love.

"Trainspotting set against a grim post-Soviet backdrop." -- Newsweek World Literature Today's Recommended Summer Reads 2016 A city-dwelling executive heads home to take over his brother's gas station after his mysterious disappearance, but all he finds at home are mysteries and ghosts. The bleak industrial landscape of now-war-torn eastern Ukraine sets the stage for Voroshilovgrad, the Soviet era name of the Ukranian city of Luhansk, mixing magical realism and exhilarating road novel in poetic, powerful, and expressive prose. Serhiy Zhadan, one of the key figureheads in contemporary Ukrainian literature and the most famous poet in the country, has become the voice of Ukraine's "Euro-Maidan" movement. He lives in Kharkiv, Ukraine.

In 1993, tragic turbulence takes over Ukraine in the post-communist spin-off. As if in somnambulism, Soviet war veterans and upstart businessmen listen to an American preacher of whose type there were plenty at the time in the post-Soviet territory. In Kharkiv, the young communist headquarters is now an advertising agency, and a youth radio station brings Western music, with Depeche Mode in the lead, into homes of ordinary people. In the middle of this craze three friends, an anti-Semitic Jew Dogg Pavlov, an unfortunate entrepreneur Vasia the Communist and the narrator Zhadan, nineteen years of age and unemployed, seek to find their old pal Sasha Carburetor to tell him that his step-father shot himself dead. Characters confront elements of their reality, and, tainted with traumatic survival fever, embark on a sad, dramatic and a bit grotesque adventure.

In 1993, tragic turbulence takes over Ukraine in the post-communist spin-off. As if in somnambulism, Soviet war veterans and upstart businessmen listen to an American preacher of whose type there were plenty at the time in the post-Soviet territory. In Kharkiv, the young communist headquarters is now an advertising agency, and a youth radio station brings Western music, with Depeche Mode in the lead, into homes of ordinary people. In the middle of this craze three friends, an anti-Semitic Jew Dogg Pavlov, an unfortunate entrepreneur Vasia the Communist and the narrator Zhadan, nineteen years of age and unemployed, seek to find their old pal Sasha Carburetor to tell him that his step-father shot himself dead. Characters confront elements of their reality, and, tainted with traumatic survival fever, embark on a sad, dramatic and a bit grotesque adventure.

Podiji romanu vidbuvajutsja u sichni 2015 roku na Donbasi. Golovnij geroj Pasha, vchitel odnijeji zi shkil, sposterigaje, jak linija frontu neukhilno nablizhajetsja do jogo domu. I vin zmushenij tsju liniju peretnuti. A schob povernutis nazad jomu potribno viznachitis, na chijemu botsi jogo dim. "Internat" - tse refleksija na podiji dvorichnoji davnini. Kljuchovim tut je aktsent na osobistosti golovnogo geroja, "ljudini bez rushnitsi", tsivilnogo. A takozh na jogo pobuti poblizu prifrontovikh teritorij. Roman pro te, jak tsej pobut peretinajetsja iz viborom i usvidomlennjam "pogani" - "khoroshi", "svij" - "chuzhij. Pevnoju miroju Zhadana mozhna sogodni nazvati golosom Skhodu. Pravdivim, boljuchim, vidvertim. Ale chi vdastsja jomu skazati "Internatom" pro vazhlive dostatno golosno virishuvati chitacham.