Simon Ings

Four writers. Four dictators. One world, changed out of all recognition. ENGINEERS OF HUMAN SOULS is an intimate and shocking shadow history of creative vanity in a time that turned writers - once the faithful servants of authority - into figures of political consequence. Maurice Barrès, who first wielded the politics of identity. Gabriele D'Annunzio, whose poetry became a blueprint for fascism. Maxim Gorky, dramatist of the working class and Stalin's cheerleader. The Maoist Ding Ling, whose stories exculpated the regime that kept her imprisoned. All four nursed extravagant visions of the future, and believed they were vital to its realisation. Each was lured to the centre of political action. Each established a dangerous and damaging relationship with a notorious dictator. And when writers and rulers find a use for each other, the consequences can be shattering for us all. These stories - of courage and compromise, vanity and malevolence - speak urgently to the uncontrollable power of words.

Four writers. Four dictators. One world, changed out of all recognition. ENGINEERS OF HUMAN SOULS is an intimate and shocking shadow history of creative vanity in a time that turned writers - once the faithful servants of authority - into figures of political consequence. Maurice Barrès, who first wielded the politics of identity. Gabriele D'Annunzio, whose poetry became a blueprint for fascism. Maxim Gorky, dramatist of the working class and Stalin's cheerleader. The Maoist Ding Ling, whose stories exculpated the regime that kept her imprisoned. All four nursed extravagant visions of the future, and believed they were vital to its realisation. Each was lured to the centre of political action. Each established a dangerous and damaging relationship with a notorious dictator. And when writers and rulers find a use for each other, the consequences can be shattering for us all. These stories - of courage and compromise, vanity and malevolence - speak urgently to the uncontrollable power of words.

An astronaut returns to Earth after a ten-year mission and finds a society that he barely recognizes. Stanislaw Lem's Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years—although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are “betrizated” to remove all aggression and violence—a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as “resuscitated Neanderthals,” and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem's depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

A chilling literary dystopia for those who love Iain Banks and JG Ballard. Conrad is desperate for an escape after a devastating accident changes his way of life. When his childhood friend, Michel, invites him to come and see the boat that he and his partner are refurbishing, Conrad sees his chance to leave it all behind. But rekindling their friendship unearths old fears and dangerous secrets, and Conrad is soon desperate to flee again. Through it all, Conrad becomes ever more entrenched in Augmented Reality - living in worlds dreamt up by other people. But as the floodwaters rise, and he hits the limits of imagined worlds, he is forced to confront the new realities before him - a flooded country and a horrific secret buried in his own past. A searing mix of literary horror, murder mystery and dystopia, Wolves is a fierce and uncompromising look at greed, technology and climate collapse - and the wolves at the centre of it all.

Nominated for the 2019 Kitschie Awards for best novel, Simon Ings' The Smoke is about love, loss and loneliness in an incomprehensible world.

Scientists throughout history, from Galileo to today's experts on climate change, have often had to contend with politics in their pursuit of knowledge. But in the Soviet Union, where the ruling elites embraced, patronized, and even fetishized science like never before, scientists lived their lives on a knife edge. The Soviet Union had the best-funded scientific establishment in history. Scientists were elevated as popular heroes and lavished with awards and privileges. But if their ideas or their field of study lost favor, they could be exiled, imprisoned, or murdered. And yet they persisted, making major contributions to twentieth-century science. Stalin and the Scientists tells the story of the hugely gifted scientists who worked in Russia from the years leading up to the Revolution through the death of the "Great Scientist" himself, Joseph Stalin. It weaves together the stories of scientists, politicians, and ideologues into an intimate and sometimes horrifying portrait of a state determined to remake the world. They often wreaked great harm. Stalin was himself an amateur botanist, and by falling under the sway of dangerous charlatans like Trofim Lysenko (who denied the existence of genes), and by relying on antiquated ideas of biology, he not only destroyed the lives of hundreds of brilliant scientists, he caused the death of millions through famine. But from atomic physics to management theory, and from radiation biology to neuroscience and psychology, these Soviet experts also discovered breakthroughs that forever changed agriculture, education, and medicine. A masterful book that deepens our understanding of Russian history, Stalin and the Scientists is a great achievement of research and storytelling, and a gripping look at what happens when science falls prey to politics.

LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION War-torn, unstable and virtually bankrupt, revolutionary Russia tried to light its way to the future with the fitful glow of science.

A chilling literary dystopia for those who love Iain Banks and J. G. Ballard.

Post-cyberpunk SF that recalls the darkness of M. John Harrison and the wild visual imagination of China Mieville and Hannu Rajaniemi, HEADLONG felt ahead of the curve when first published and now serves to show just why Simon Ings has remained on the cutting edge of genre fiction. Surgically connected to their swarming robotic workers, architects Christopher and Joanne Yale are turning the moon into a paradise. But now, without warning, the machines have pulled the plug and are building a new, insane future away from the control of human minds.

A mysterious box that he cannot open is all that might save Adam's autistic son as they are plunged into a world of old corruptions and new terrors. In PAINKILLERS, Simon Ings deftly teases out his knotted story that, with its many conventional elements, could have run a risk of overfamiliarity: sinister Oriental Triad gangsters, their even more sinister wives, a speedy Hong Kong with its ruthless Brit yuppies and its nightlife ridden with drugs, strange sex and violence. Shooting back and forth between a glamorous Hong Kong, in 1990, and a straitened London, in 1998, Ings sustains suspense by dropping hints but never telling enough. Adam Wyatt and his wife Eva run a small café near Southwark Market. They bicker a lot, Adam drinks and visits to their autistic son Justin tend to go awry. But underneath Adam's drinking are secrets from their previous life in Hong Kong, when he worked for the Independent Commission Against Corruption and got in with some very dubious local society types; one of whom includes 'Call me Jimmy' Yao Sau-Lan, 'a big nasty man, in a big nasty suit', whose father just happened to kill Eva's grandfather. When Jimmy's widow and sons come calling, Adam knows he's in trouble.

Simon Ings has written a surreal adventure probing the very fabric of existence, tearing it open to reveal a sometimes horrifying world within. It is a work that will delight any fan of China Mieville. Only a fool would question the strange magics that maintain the cool haven of the City of the Iron Fish in the middle of an inferno of scorching heat and splintered rock, for the well-watered streets of the city hide secrets in their shadows. Thomas Kemp is just such a fool ... And embarks on a journey that will take him to the limits of reality. It may kill him, worse, that may not be enough. Especially as it is his only friend, Blythe, who may discover the secret of the city's isolation.

An ambitious SF novel that is at once post-cyberpunk and post-modern. Complex, multi-layered, it combines hard science, tarot and images of late 20th-century Europe to make something utterly original. And introduces a memorable new heroine to the genre ... Malise has a problem. She's come downwell to Earth, but years of space combat have ruined her: her muscles have wasted away, her past is a confused torture of events and her brain is wired to addictive military hardware that's illegal on Earth. But with an AI mining probe returning to Earth, having bred and grown until it is hundreds of miles across, Malise is in the firing line again. The probe is indestructible and it is insatiable for more metals. No one knows how to stop it. Malise doesn't know she has a blueprint for humanity's survival wired into her head.

25 May, 1928: Over the frozen seas of the Arctic, an airship falls out the sky. Among the survivors is a young scientist on the verge of a discovery that will redefine physics.3 October 1996: Through the dusty industrial towns of India's Great Trunk Road, a disgraced and disfigured female detective starts tracking a criminal syndicate whose tentacles spread from forgery to smuggling to piracy. Her life has been ruined, but she will have her revenge.26 December 2004: On the island of Bali a tsunami washes up a rusting container. Locked within this aluminium tomb, the mummified remains of a shipping magnate missing for 29 years and a hand-written journal of his last days.13 December 2011: Off the coast of Sri Lanka, a tramp steamer is seized by pirates. The captain has his wife and son aboard, and their survival depends on following the pirates' every demand. But what can they possibly want with his worn-out ship and its cargo of junk? We know what they want. We know the ship was carrying a Dead Water cargo. And we know Dead Water is the key to everything. We could spin a thousand stories from this toxic Cold War secret but there's only one of them that can really make a difference. And this is it.

Winner of the O2 X Award'Dynamic'-- Daily Telegraph 'Dazzling'-- Guardian 'Ambitious and virtuoso'-- Financial Times 'Unforgettable'-- The Times 'Ingenious... shimmering'-- New StatesmanOn July 21, 1969 two astronauts set foot on the moon; far below, in ravaged Mozambique, a young revolutionary - hailed as the saviour of his country - is murdered by a package bomb. From these two unconnected events, Simon Ings weaves a great and glittering web that entangles four lives: Anthony Burden, a mathematical genius destroyed by the beauty of numbers; Saul Cogan, transformed from prankster idealist to trafficker in the poor and dispossessed; and Stacey Chavez, ex-teenage celebrity and mediocre performance artist, hungry for fame and starved of love. All are haunted by Nick Jinks, a man who sows disaster wherever he treads. As the twentieth century unravels, Burden, Cogan, Chavez and Jinks are powerless to escape the connections that bind them. This is not fate, but its opposite: the weight of numbers.