Simon Price

A Rough Trade Book of the Year A Guardian Music Book of the Year 'Beautifully written and meticulously researched' Classic Pop'[An] all-encompassing repository of Cure wisdom' Record CollectorThe Cure are indisputable titans of alternative rock. Recognisable as much for their iconic aesthetic, videos and artwork as for the lyrical and musical genius of Robert Smith, The Cure's work remains hugely influential on contemporary pop culture. It reverberates through fans of all generations worldwide and through genres ranging from emo to goth, industrial to indie rock. In this fully updated edition of Curepedia, Simon Price sifts through the facts, the myths and the tall tales around The Cure, their recording history and epic tours, to deliver a uniquely kaleidoscopic portrait of the legendary band and a book that has been praised as the definitive document and account of their remarkable career.'An extraordinary piece of work' Elis James'A pleasure to study and absorb - highly recommended' Tim Burgess

A complete and truly unique biography of Robert Smith and company, The Cure, chronicling their 40+ year history with hundreds of entries in A to Z fashion. Definitive and deeply researched, Curepedia will surprise and inform fans everywhere as they await The Cure's highly anticipated next album release. The Cure remain, 40 plus years into their career, one of the biggest rock bands in the world. With 12 studio albums, tours that pack stadiums all over the world--including their recent sold out series across North America in Spring/Summer 2023--they were the first alternative band to be inducted into the Rock and Roll Hall of Fame, in 2019 by Trent Reznor. Their influence is heard in bands as wide ranging as Twilight Sad to Interpol to My Chemical Romance. Amidst the record-setting Shows of a Lost World Tour winding down, acclaimed music journalist Simon Price has crafted a first of its kind history of this band that will satisfy legion of fans eagerly awaiting The Cure's new album. Curepedia is a career-spanning and in-depth biography of Robert Smith and company, chronicling their 40 plus year history with hundreds of entries organized in an A-to-Z fashion. Presented in a two-color format, with four-color endpapers designed by long-time Cure collaborator Andy Vella, Curepedia is a full-scale look at the long list of members, current and past, unknown facts, tours, descriptions of every album, song, films, as well as entries on the image of the band, their influence, their style, and their enduring legacy. This beautifully packaged book, celebrating one of the most enduring and beloved rock bands, Curepedia will be the perfect introduction for new fans, and a must-have for the obsessive as well.

A ROUGH TRADE BOOK OF THE YEAR 2023A GUARDIAN MUSIC BOOK OF THE YEAR 2023The Cure are arguably the biggest alternative rock band in the world. Between 1985 and 2000 every album they released went to at least Gold in the UK, the US or both. In America they have earned four Platinum albums, and they are estimated to have sold 30 million albums worldwide. Their iconic status as elder statesmen of Alternative Rock remains undiminished - if anything, their tireless touring has ensured that it has grown with every passing year - and lead singer Robert Smith is an endlessly fascinating figure to successive generations of fans. The Cure's influence reverberates through genres including Emo, Goth, Industrial and Indie Rock. The book is an encyclopaedic A-Z of The Cure examining and riffing on miscellaneous trivia, biographies of the band members past and present, summaries of each album and selected songs, details of the band's various tours and films, and essays on broader topics such as their image, their politics and their influences. Playful, eccentric and irreverent - true to the spirit of the band itself - CUREPEDIA is a comprehensive biography of one of the biggest alternative rock bands in the world. The hardback edition features interior pages printed in red and black ink, a ribbon marker, and bespoke C-U-R-E letter endpapers specially designed by Andy Vella - celebrated artist and collaborator (as part of Parched Art) with The Cure on their album artwork for four decades.

An innovative and intriguing look at the foundations of Western civilization from two leading historians; the first volume in the Penguin History of Europe The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In The Birth of Classical Europe, the latest entry in the much-acclaimed Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, The Birth of Classical Europe provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

'The Penguin History of Europe series ... is one of contemporary publishing's great projects' New StatesmanTo an extraordinary extent we continue to live in the shadow of the classical world. At every level from languages to calendars to political systems, we are the descendants of a 'classical Europe', using frames of reference created by ancient Mediterranean cultures. As this consistently fresh and surprising new book makes clear, however, this was no less true for the inhabitants of those classical civilizations themselves, whose myths, history, and buildings were an elaborate engagement with an already old and revered past filled with great leaders and writers, emigrations and battles. Indeed, much of the reason we know so much about the classical past is the obsessive importance it held for so many generations of Greeks and Romans, who interpreted and reinterpreted their changing casts of heroes and villains. Figures such as Alexander the Great and Augustus Caesar loom large in our imaginations today, but they were themselves fascinated by what had preceded them. The Birth of Classical Europe is therefore both an authoritative history, and also a fascinating attempt to show how our own changing values and interests have shaped our feelings about an era which is by some measures very remote but by others startlingly close.

This is a book about the religious life of the Greeks from the eighth century BC to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price does not describe some abstract and self-contained system of religion or myths but examines local practices and ideas in the light of general Greek ideas, relating them for example, to gender roles and to cultural and political life (including Attic tragedy and the trial of Socrates). He also lays emphasis on the reactions to Greek religions of ancient thinkers - Greek, Roman, Jewish and Christian. The evidence drawn on is of all kinds: literary texts, which are translated throughout; inscriptions, including an appendix of newly translated Greek inscriptions; and archaeology, which is highlighted in the numerous illustrations.

This is a book about the religious life of the Greeks from the eighth century BC to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price does not describe some abstract and self-contained system of religion or myths but examines local practices and ideas in the light of general Greek ideas, relating them for example, to gender roles and to cultural and political life (including Attic tragedy and the trial of Socrates). He also lays emphasis on the reactions to Greek religions of ancient thinkers - Greek, Roman, Jewish and Christian. The evidence drawn on is of all kinds: literary texts, which are translated throughout; inscriptions, including an appendix of newly translated Greek inscriptions; and archaeology, which is highlighted in the numerous illustrations.

This book offers a radical new survey of more than a thousand years of religious life at Rome. It sets religion in its full cultural context, between the primitive hamlet of the eighth century BC and the cosmopolitan, multicultural society of the first centuries of the Christian era. The narrative account is structured around a series of broad themes: how to interpret the Romans’ own theories of their religious system and its origins; the relationship of religion and the changing politics of Rome; the religious importance of the layout and monuments of the city itself; changing ideas of religious identity and community; religious innovation - and, ultimately, revolution. The companion volume, Religions of Rome: A Sourcebook, sets out a wide range of documents richly illustrating the religious life in the Roman world.