Simone de Beauvoir

Vintage Feminism: classic feminist texts in short formWITH AN INTRODUCTION BY NATALIE HAYNESWhen this book was first published in 1949 it was to outrage and scandal.

TRANSLATED BY CONSTANCE BORDE AND SHEILA MALOVANY-CHEVALLIERANNOTATED AND INTRODUCED BY MARTINE REID'Everyone who cares about freedom and justice for women should read The Second Sex' GuardianSimone de Beauvoir famously wrote, 'One is not born, but rather becomes, woman'.

The philosopher's writings on, and engagement with, twentieth century feminism By turns surprising and revelatory, this sixth volume in the Beauvoir Series presents newly discovered writings and lectures while providing new translations and contexts for Simone de Beauvoir's more familiar writings. Spanning Beauvoir's career from the 1940s through 1986, the pieces explain the paradoxes in her political and feminist stances, including her famous 1972 announcement of a "conversion to feminism" after decades of activism on behalf of women. Feminist Writings documents and contextualizes Beauvoir's thinking, writing, public statements, and activities in the services of causes like French divorce law reform and the rights of women in the Iranian Revolution. In addition, the volume provides new insights into Beauvoir's complex thinking and illuminates her historic role in linking the movements for sexual freedom, sexual equality, homosexual rights, and women's rights in France.

Simone de Beauvoir and Jean-Paul Sartre formed one of the most famous literary couples of the twentieth century. Their relationship took on the quality of legend and served as a model of openness and honesty for countless men and women. Sartre was revered during his lifetime as a paradigm of the modern philosophe and intellectual, but since de Beauvoir’s death in 1986, her literary reputation has threatened to eclipse Sartre’s. Her work The Second Sex is, by any standard, one of the most important and influential books of the twentieth century. When these private and revealing letters were published in France in 1990, they caused a storm of controversy. Here de Beauvoir tells Sartre everything, tracing the extraordinary complications of their triangular love life. These letters reveal de Beauvoir not only as manipulative and dependent, but also as vulnerable, passionate, jealous, and committed. This reissue of a New York Times Notable Book will inspire philosophers, writers, and lovers of literature for decades to come.

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.

"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?" Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars. Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

The essential masterwork that has provoked and inspired generations of men and women. "From Eve's apple to Virginia Woolf's room of her own, Beauvoir's treatise remains an essential rallying point, urging self-sufficiency and offering the fruit of knowledge." --Vogue This unabridged edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir's pioneering and impressive text remains as pertinent today as when it was first published, and will continue to provoke and inspire generations of men and women to come.

'One is not born, but rather becomes, woman'First published in Paris in 1949, The Second Sex by Simone de Beavoir was a groundbreaking, risqué book that became a runaway success.

Det frisinnete kjæresteparet Francoise og Pierre, møter den unge kvinnen Xaviére. Et trekantforhold innledes mellom dem, og sjalusi oppstår. Romanen gir et tidsbilde av Paris på slutten av 1930-tallet, med krigstrussel, bohemliv og personlige, politiske og kunstneriske dilemmaer som viktige stikkord.

EN LETT OG ROLIG DØD Forteller om en mor og hennes to døtre i en krisesituasjon: morens dødsleie. Skal morens liv forlenges for enhver pris? Skal de fortelle henne hvor syk hun er? Hvordan skal hennes siste dager gjøres så lette som mulig? Dette er spørsmål som før eller siden angår de fleste mennesker, og som Simone de Beauvoir behandler på en innsiktsfull og følsom måte.

"Sade ha intentado convertir su destino psicofisiol gico en una elecci n moral. Y de ese acto, mediante el cual asum a la responsabilidad de su apartamiento, pretendi hacer un ejemplo y un llamado: es all donde su aventura asume tan amplia significaci n humana. Podemos, sin renegar de la individualidad, satisfacer nuestras aspiraciones a lo universal? O es solamente mediante el sacrificio de nuestras diferencias que logramos integrarnos en la colectividad? Este problema nosata e a todos. En el caso de Sade, las diferencias son llevadas hasta el esc ndalo y la magnitud de su tarea literaria nos revela con cuanto apasionamiento ansiaba ser aceptado por la comunidad humana. El conflicto que ning n individuo puede eludir sin mentirse, se presenta en l en su forma m s pat tica. Aqu reside la paradoja y en cierto modo el triunfo de Sade: en el hecho de que, por haberse obstinado en sus singularidades, nos ayuda a definir el drama humano en su generalidad."

Provocative insights into Beauvoir's philosophical and personal development during wartime Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to a scandalous text that threatened to overturn traditional views of Beauvoir’s life and work. Beauvoir's clandestine affair with Jacques Bost and sexual relationships with various young women challenge the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre. At the same time, her account of completing her novel She Came to Stay at a time when Sartre had just begun Being and Nothingness questions the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy. Wartime Diary also traces Beauvoir's philosophical transformation as she broke from the prewar solipsism of She Came to Stay in favor of the postwar political engagement of The Second Sex. Beauvoir's emerging existentialist ethics reflect the dramatic collective experiences of refugees fleeing German invasion and life under Nazi occupation. The evolution of her thought also reveals the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity. This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.

"Ich habe in diesem Buch drei Frauen sprechen lassen, die sich aus ausweglosen Situationen mit Worten zu befreien versuchten: Diese Geschichten haben keine Moral; Lektionen werden nicht erteilt; ich wollte etwas ganz anderes. Man lebt nur ein Leben, aber durch intensives Mit-Erleben, Nach-Erleben gelingt es einem manchmal, in die Haut eines anderen zu schlüpfen. Ich wollte meine Leser an den Erfahrungen teilnehmen lassen, die ich auf diese Weise gemacht habe. Ich fühle mich mit allen Frauen verbunden, die ihr Leben auf sich nehmen und für ein glückliches Leben kämpfen." (Aus dem Inhalt)

Simone de Beauvoirs Buch über das Alter ragt durch die einzigartige Fülle des ausgebreiteten Materials wie durch die Vielfalt neuer Einsichten und Perspektiven unter allen wissenschaftlichen und philosophischen Abhandlungen dieses Themas heraus.

Mit Fosca, dem ungewöhnlichen Helden des Romans, dem auf geheimnisvolle Weise Unsterblichkeit verliehen ist, erleben wir sechs Jahrhunderte europäischer Geschichte in blutvollen Gestalten und abenteuerlichen Ereignissen. Foscas wechselvolle Schicksale lassen in ihm die tragische Erkenntnis reifen, daß die Sehnsüchte der Menschen ewig erfüllbar und ihre Hoffnung immer vergeblich sind.

" La femme a toujours été, sinon l’esclave de l’homme, du moins sa vassale ; les deux sexes ne se sont jamais partagé le monde à égalité ; et aujourd’hui encore, bien que sa condition soit en train d’évoluer, la femme est lourdement handicapée. En presque aucun pays son statut légal n’est identique à celui de l’homme et souvent il la désavantage considérablement. "Agrégée de philosophie, unie à Jean-Paul Sartre par un long compagnonnage affectif et intellectuel, Simone de Beauvoir (1908-1986) publie son premier roman, L’Invitée, à l’âge de trente-cinq ans. Paru en 1949, Le Deuxième Sexe, dont on trouvera ici quelques pages marquantes, fit d’elle l’une des grandes figures du féminisme du XXe siècle et lui assura une renommée internationale qui marqua durablement sa carrière d’écrivain.

"Man fødes ikke som kvinne, man blir det," sier den franske filosofen og feministen Simone de Beauvoir (1908-1986). Det annet kjønn er Beauvoirs banebrytende verk, også kalt "feminismens bibel". Men hva slags feminisme? "Hunkjønnet er hunkjønn på grunn av en viss mangel på egenskaper," skrev Aristoteles. Fra Platon, via Thomas Aquinas og til mer moderne tenkere som Hegel, er forestillingen om kvinnen som "Den andre" blitt ført videre. Er kvinnen "annethet"? Er hun en gåte? Simone de Beauvoir tilbakeviser slike mytiske forestillinger ved å ta for seg kvinner og kvinnelighet i myter, historie, filosofi og litteratur, husarbeid, forelskelse, ekteskap, barn og visjoner om fremtidig frihet. For Simone de Beauvoir er menneskelig frihet knyttet til transcendens; livet får mening gjennom handling. Som artsvesen er enhver kvinne og mann både immanent og transcendent. Men for kvinner er handlingens vei ofte sperret, og ikke minst skyldes dette oppdragelsen. Hennes biologiske skjebne har knyttet henne til morsrollen og husarbeidet. Hun stenges inne i gjentakelsen og immanensen, mens mannen "virkeliggjør seg selv". Hans rolle er utadrettet og skapende: "han overskrider nåtiden, han åpner fremtiden. "Hun vinge-stekkes, og så beklager man seg over at hun ikke kan fly! Men kvinnen er ikke bare objekt, hun er selv subjekt. Og kvinnerollen er ingen stivnet realitet, den er en rolle i stadig tilblivelse, hvis muligheter stadig må diskuteres. Ifølge Beauvoir må kroppen forstås som en situasjon; biologisk forskjell kan ikke rettferdiggjøre sosiale normer. Innledende essay av Toril Moi.