Sloane Crosley

Named a Best Book of the Year by Vogue, TIME, The Washington Post, The Boston Globe, Esquire, NPR, Elle, Library Journal, LitHub, Oprah Daily, Publishers Weekly, Chicago Public Library, Kirkus, Bookpage, The Independent, and New Statesman Disarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend. How do we live without the ones we love? After the pain and confusion of losing her closest friend to suicide, Sloane Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his death propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic. Sloane Crosley's search for truth is frank, wickedly funny, and gilded with resounding empathy. Upending the "grief memoir," Grief Is for People is a story of the struggle to hold on to the past without being consumed by it. A contemporary elegy, it rises to console and challenge our notions of mourning during these grief-stricken times.

When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell - does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”). Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post

A NEW YORK TIMES BESTSELLER A VOGUE, NEW STATESMAN AND TIME MAGAZINE BEST BOOK OF 2024 AN OPRAH PICK OF THE YEAR 2024 'Obviously, Grief Is for People is about grief, but Sloane Crosley can't help being funny' GABRIELLE ZEVIN 'A stunning investigation into the nature of loss' VOGUE 'I am a Crosley fan and, to my mind, this is her best book: subtle, brutal and, amazingly, funny, with twists that made me catch my breath' SUNDAY TIMES For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll brought on by the pandemic. Crosley's search for truth is frank, darkly funny, and gilded with a resounding empathy. Upending the 'grief memoir' in this deeply moving and surprisingly suspenseful portrait of friendship, Grief Is for People is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it is a book about loss packed with verve for life, rising precisely to console and challenge our notions of mourning during these grief-stricken times.

Named a Best Book of the Year by Vogue, TIME, The Washington Post, The Boston Globe, Esquire, NPR, Elle, Library Journal, LitHub, Oprah Daily, Publishers Weekly, Chicago Public Library, Kirkus, Bookpage, The Independent, and New Statesman Disarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend. How do we live without the ones we love? After the pain and confusion of losing her closest friend to suicide, Sloane Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his death propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic. Sloane Crosley's search for truth is frank, wickedly funny, and gilded with resounding empathy. Upending the "grief memoir," Grief Is for People is a story of the struggle to hold on to the past without being consumed by it. A contemporary elegy, it rises to console and challenge our notions of mourning during these grief-stricken times.

'The witty, improbably propulsive rom-com you didn't know you were waiting for' ELIF BATUMAN 'Razor sharp and very funny on the cult of modern dating' PANDORA SYKES 'So good. I couldn't stop reading it' NICK HORNBY 'Cult Classic makes an uproarious time of romantic carnage' RAVEN LEILANI 'A witty and fantastical story of dating and experimental psychology in New York City' PUBLISHERS WEEKLY (starred review) One night in New York City's Chinatown, Lola is at a dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. The next night, she runs into another ex. And then... another. The city has become awash with ghosts of heartbreaks past. What might have passed for coincidence becomes something far stranger when the recently engaged Lola must contend not only with the viability of her current relationship, but the fact that her best friend and her former boss - a magazine editor turned mystical guru - might have an unhealthy investment in its outcome. As memories of the past swirl and converge, Lola is forced to decide if she will surrender herself to the conspirings of one very contemporary cult. A smart, sharp and hugely entertaining tale of luck and love, Cult Classic asks: is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale?

Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance. A MOST ANTICIPATED BOOK of 2022 at Glamour, W, Nylon, Fortune, Literary Hub, The Millions, and more One night in New York City's Chinatown, a woman is at a reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into an ex-boyfriend. And then another. And . . . another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger. The recently engaged Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult. Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.

Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance. A BEST BOOK OF THE YEAR at the Washington Post, the BBC, Esquire, Harper's Bazaar, and more One night in New York City's Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And . . . another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger as the recently engaged Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie, as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult. Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.

Named a Most Anticipated Book of 2018 by Entertainment Weekly, Glamour, Buzzfeed, Elle, Cosmopolitan, The Millions, InStyle, Bustle, BookRiot, and Southern LivingSloane Crosley returns to the form that made her a household name in really quite a lot of households: Essays From the New York Times-bestselling author Sloane Crosley comes Look Alive Out There--a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There'd Be Cake and How Did You Get This Number know Sloane Crosley's life as a series of relatable but madcap misadventures. In Look Alive Out There, whether it's scaling active volcanoes, crashing shivas, playing herself on Gossip Girl, befriending swingers, or staring down the barrel of the fertility gun, Crosley continues to rise to the occasion with unmatchable nerve and electric one-liners. And as her subjects become more serious, her essays deliver not just laughs but lasting emotional heft and insight. Crosley has taken up the gauntlets thrown by her predecessors--Dorothy Parker, Nora Ephron, David Sedaris--and crafted something rare, affecting, and true. Look Alive Out There arrives on the tenth anniversary of I Was Told There'd be Cake, and Crosley's essays have managed to grow simultaneously more sophisticated and even funnier. And yet she's still very much herself, and it's great to have her back--and not a moment too soon (or late, for that matter).

Sad Stuff on The Street by Sloane Crosley and Greg Larson, and designed by Todd Oldham, is a sometimes humorous, yet often sad tribute to the untold stories of detritus found on the streets of cities around the world. Featuring photographs and short essays from Lin-Manuel Miranda, Amy Sedaris, Salman Rushdie, Miranda July, Michael Chabon, Ben Gibbard, Jesse Eisenberg, and by other sad stuff spotters across the globe, this collection chronicles the cast-offs of our daily lives and speculates on their origin and on their demise. Genuine sadness, however, is no laughing matter. Therefore, 100% of proceeds will go to NAMI, the National Alliance on Mental Illness. NAMI is the nation's largest grassroots mental health organization dedicated to building better lives for the millions of Americans affected by mental illness. This project came about in early 2011, when a man (San Francisco resident Greg Larson) and a woman (New York resident Sloane Crosley) broke up after a year of dating. But both of them harbored an actual desire to stay friends. So they kept communication alive by sending each other photos of so-sad-it's-funny objects they spotted on their respective streets. Eventually they decided to share their habit with the world and sadstuffonthestreet.com was born. For the past six years, humanity's single shoes, abandoned toys, and outdated television sets have found a home online. Sloane Crosley is a New York Times bestselling author and contributing editor at Vanity Fair.

National Bestseller "Endlessly entertaining." --Time Kezia, Nathaniel, and Victor are reunited at the extravagant wedding of a college friend. Now at the tail end of their twenties, they arrive absorbed in their own lives, but soon slip back into old roles: Victor loves Kezia. Kezia loves Nathaniel. Nathaniel loves Nathaniel. During the reception, an inebriated Victor passes out in the mother of the groom's bedroom. He's woken with a jovial slap to the face, as she dangles a story about a missing necklace before him, one that she has never even told her son. Her tale sets in motion a madcap adventure that leads Victor, Kezia, and Nathaniel from Miami to New York and L. A., and ultimately across France, to the estate of Guy de Maupassant, author of the classic short story "The Necklace." Heartfelt, suspenseful, and told with Sloane Crosley's inimitable spark and wit, The Clasp is a story of friends struggling to fit together now that their lives haven't gone as planned and learning to separate the real from the fake.

'Glitters with wit and wisdom' Guardian'A thing of pure joy' Stylist'I couldn't put it down' GraziaBack in college, Victor loved Kezia, Kezia loved Nathaniel and Nathaniel loved himself.

The hilarious New York Times bestselling literary essay collection from Sloane Crosley, the author of I Was Told There'd Be Cake and The Clasp. Sloane Crosley, the brilliantly funny "fountain of observations" (Boston Globe), now takes readers from a bear-infested wedding in Alaska to a run-in with clowns in Portugal in a new collection of essays about the messiest and most unexpected dilemmas life has to offer. "How sure-footed and observant Sloane Crosley is. How perfectly, relentlessly funny." -- David Sedaris

From getting locked out of her flat twice on the same day and being fired for baking a giant cookie in the shape of her boss's head, to playing bridesmaid for a friend she'd long forgotten, Sloane Crosley can do no right, despite the best of intentions. With sharp, original and irresistible storytelling that confounds expectations at every turn, Crosley recounts her victories and catastrophes, finding uproarious comedy and genuine insights in the most unpredictable places.

A debut compilation of literary essays offers a revealing and humorous look at human fallibility and the vagaries of modern urban life as the author details the despoiling of an exhibit at the Natural History Museum, the provocation of her first boss, siccing the cops on her mysterious neighbor, and other offbeat situations. Original.