Sophocles

A muscular version of Sophocles' timeless masterpiece, offering a profound reflection on the nature of power, democracy and human rights. The war has ended, but with peace comes conflict. Antigone's brother Polyneices lies on the battlefield where he fell, his burial outlawed by Creon, the new king of Thebes. Should Antigone obey Creon, or must she follow her conscience and lay her beloved brother to rest? Owen McCafferty's version of Antigone was first performed by Prime Cut Productions at the Waterfront Studio Hall, Belfast, in October 2008 as part of the Ulster Bank Belfast Festival.

Sophocles' tragedies--from Antigone to Oedipus Tyrannus--are filled with highly wrought, vivid, and emotionally powerful poetry. Yet most translations sacrifice the poetry to convey only the sense of the lines as dramatic speech. This is the first book in English to present Sophocles exclusively as a poet, and the only volume to reveal the full force and beauty of his verse. With a fresh and consistent attention to structure, language, and rhythm across Sophocles' writings, Reginald Gibbons has translated a selection of odes from Sophocles' surviving plays as well as fragments from his lost works. What emerges is a genuinely new sense of a Sophocles who was as much poet as dramatist. Bringing the Greek poet and his world surprisingly close to us, these translations also restore a sense of the long continuity of poetry. Complete with an introduction, this edition reveals Sophocles' poetic brilliance as never before.

Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a central tragic figure, faced with a test of will and character, risking obloquy and death rather than compromise his or her principles: it is striking that Antigone and Electra both have a woman as their intransigent 'hero'. Antigone dies rather neglect her duty to her family, Oedipus' determination to save his city results in the horrific discovery that he has committed both incest and parricide, and Electra's unremitting anger at her mother and her lover keeps her in servitude and despair. These vivid translations combine elegance and modernity, and are remarkable for their lucidity and accuracy. Their sonorous diction, economy, and sensitivity to the varied metres and modes of the original musical delivery make them equally suitable for reading or theatrical peformance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Demonstrating Sophocles' aptitude for humanising figures from Greek myth and transforming simple fables into complex high tragedy, Electra and Other Plays is translated by David Raeburn with an introduction and notes by Pat Easterling. The plays collected in this volume show Sophocles' ability to create complex human characters struggling with profound moral issues. In Women of Trachis the agonizing death of the mighty Heracles is brought about by a tragic mistake made by his jealous wife Deianeira, as she attempts to regain his love. Set in the aftermath of the Trojan War, Ajax depicts a warrior driven into a homicidal rage that leads to his undoing, and Electra shows the grief-stricken children of the murdered Agamemnon and their plot to avenge him, while Philoctetes portrays the cunning Odysseus' attempt to convince a famed archer to rejoin the Greek expedition against Troy, undermined by the honesty of his young comrade Neoptolemus. David Raeburn's translation captures the rhythms of the original Greek, while remaining accessible to modern readers. Pat Easterling's general introduction discusses Athenian dramatic festivals, and the structure and tensions of the plays and their characters. This edition also includes a chronology, further reading, prefaces to each play and notes. Sophocles (496-405 BC) was born at Colonus, just outside Athens. His long life spanned the rise and decline of the Athenian Empire; he was a friend of Pericles, and though not an active politician he held several public offices, both military and civil. The leader of a literary circle and friend of Herodotus, Sophocles wrote over a hundred plays, drawing on a wide and varied range of themes, and winning the City Dionysia eighteen times; though only seven of his tragedies have survived, among them Antigone, Oedipus Rex, Ajax and Oedipus at Colonus. If you enjoyed Electra and Other Plays, you might like Sophocles' The Three Theban Plays, also available in Penguin Classics.

Disaster follows when Creon, King of Thebes, forbids Antigone to bury her brother whom he has declared a traitor

Thebes is under attack. In a bloody battle outside the city's gates, the sons of Oedipus fight to the death. King Creon issues an edict: Eteocles, who nobly defended Thebes against his brother and the invading army, is to be buried a hero; the body of his treacherous brother must be left to rot. Antigone and her uncle are locked in conflict. With no burial rites, Antigone knows that her brother Polynices' soul will be denied passage to the underworld and the gods will be offended. As the new king, Creon cannot ignore her actions - her defiance is a matter of national security.

This book brings two dramatic traditions into conversation while providing elegant, accurate, and exciting new versions of Sophocles' and Seneca's tragedies. Sophocles' Oedipus Tyrannus is the most famous of ancient tragedies and a literary masterpiece. It is not, however, the only classical dramatization of Oedipus' quest to discover his identity. Between four and five hundred years after Sophocles' play was first performed, Seneca composed a fine, but neglected and often disparaged Latin tragedy on the same subject, which, in some ways, comes closer to our common understanding of the Oedipus myth. Now, modern readers can compare the two versions, in new translations by Frederick Ahl. Balancing poetry and clarity, yet staying scrupulously close to the original texts, Ahl's English versions are designed to be both read and performed, and are alert to the literary and historical complexities of each. In approaching Sophocles anew, Ahl is careful to preserve the richly allusive nature and rhetorical power of the Greek, including the intricate use of language that gives the original its brilliant force. For Ahl, Seneca's tragedy is vastly and intriguingly different from that of Sophocles, and a poetic masterpiece in its own right. Seneca takes us inside the mind of Oedipus in ways that Sophocles does not, making his inner conflicts a major part of the drama itself in his soliloquies and asides. Two Faces of Oedipus opens with a wide-ranging introduction that examines the conflicting traditions of Oedipus in Greek literature, the different theatrical worlds of Sophocles and Seneca, and how cultural and political differences between Athenian democracy and Roman imperial rule affect the nature and conditions under which the two tragedies were composed.

For readers, actors, students, teachers, and theatrical directors, this new translation of one of the greatest plays in the history of the western world provides the best combination of contemporary, powerful language, along with superb background and notes on meaning, interpretation, and ancient beliefs, attitudes, and contexts.

Meineck and Woodruff's new annotated translations of Sophocles' Ajax , Women of Trachis , Electra , and Philoctetes combine the same standards of accuracy, concision, clarity, and powerful speech that have so often made their Theban Plays a source of epiphany in the classroom and of understanding in the theatre. Woodruff's Introduction offers a brisk and stimulating discussion of central themes in Sophoclean drama, the life of the playwright, staging issues, and each of the four featured plays.