Stephanie Heit

An innovative roadmap to facing our past and present selves Honest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist—wise and nai¨ve, angry and resigned—along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others. In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place—all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet’s contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.

Stephanie Heit's hybrid memoir poem blasts the page electric and documents her experience of shock treatment. Using a powerful mélange of experimental forms, she traces her queer mad bodymind through breathlessness, damage, refusal, and memory loss as it shifts in and out of locked psychiatric wards and extreme bipolar states. Heit survives to give readers access to this somatic, visceral rendering of a bipolar life complete with sardonic humor, while showing us the dire need for new paradigms of mental health care outside closets, attics, prisons, and wards. Psych Murders adds a vital layer of lived experience of electroshocks and suicidal ideation to the growing body of literature of madness and mental health difference.

Poetry. Literary Nonfiction. Women's Studies. LGBTQIA Studies. Disability Studies. Movement Studies. Dance. '" I]n the slow gestures / of a person adjusting / to too much light' and with the faith of a chemist, Stephanie Heit sets fire inside her own dark and offers 'light someone not yet arrived/will understand.' THE COLOR SHE GAVE GRAVITY is a breathtaking (which is to say, life-giving) book that both stills and energizes by breaking and reforming the unseen bonds of DNA, language, geography, and history."--TC Tolbert "Stephanie Heit's THE COLOR SHE GAVE GRAVITY is a sonorous force field calling on tenderness, care, vigilance and abandon. An all-encompassing clarity saturates mind, spirit, movement and emotion. To locate the blind spot and unburden experience of the horizon's relentless pressure--this is what the text does tenfold, imparting and dispelling the inexplicable along peripheries and in intimately centered frames of movement: gorgeously evocative and intensely realized capacious psychic flows."--Brenda Iijima "Stephanie Heit has choreographed, in her first full-length poetry collection, a deeply engaging articulation of the interplay between mental illness and the creative instinct, history and destiny, and limitation and willful boundary. Here, we have an author brave enough to say 'I suffer' and talented enough to excavate the lyrical beauty of that suffering. THE COLOR SHE GAVE GRAVITY offers the reader a textured view of a graceful body torn between trying to remember and trying to forget."--Airea D. Matthews "In these fierce, moving poems, we witness a self as it seeks its right path through those landscapes we call world. We are taken along, wandering through urban streets or across beaches that once were lakes, sometimes dreamily, sometimes searingly awake, digging through stories and years. These poems enact one of our most potent human gifts: our ability to find ourselves tumbling, falling down, standing up--in proprioceptive relation to everything in our earthly realm."--Eleni Sikelianos THE COLOR SHE GAVE GRAVITY traces longing for connection between women. An ecopoetics of the bodymind, these poems take us inside a dance inside an imaginary city inside sculpted spaces inside the insomniac body inside sister grief inside she. The work emerges from a landscape of somatic engagement and by experiences of psychiatric systems and multiple hospitalizations. Cover Photo: "Crossing Visible," by Gwynneth VanLaven