Stephanie Hemelryk Donald

Choice Outstanding Academic Title 2018The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for the child journeying far from home. In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Little Moth and Le Havre. Surveying fictional and documentary film from the post-war years until today, the author shows how the child is a guide to themes of place, self and being in world cinema.

Choice Outstanding Academic Title 2018 The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for the child journeying far from home. In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Little Moth and Le Havre. Surveying fictional and documentary film from the post-war years until today, the author shows how the child is a guide to themes of place, self and being in world cinema.

We usually associate contemporary urban life with movement and speed. But what about those instances when the forms of mobility associated with globalized cities - the flow of capital, people, labor and information - freeze, or decelerate? How can we assess the value of interruption in a city? What does valuing stillness mean in regards to the forward march of globalization? When does inertia presage decay - and when does it promise immanence and rebirth? Bringing together original contributions by international specialists from the fields of architecture, photography, film, sociology and cultural analysis, this cutting-edge book considers the poetics and politics of inertia in cities ranging from Amsterdam, Berlin, Beirut and Paris, to Beijing, New York, Sydney and Tokyo. Chapters explore what happens when photography, film, mixed media works, architecture and design intervene in public spaces and urban communities to disrupt speed and growth, both intellectually and/or practically; and question the degree to which mobility is aspirational or imaginary, absolute or transient. Together, they encourage a re-assessment of what it means to be urban in an unevenly globalizing world, to live in cities built around mythologies of perpetual progress.

This magnificently produced atlas provides a unique visual survey of the profound economic, political, and social changes taking place in China, as well as their implications for the world at large. China has the world's fastest-growing economy and is the second-largest trading nation. With its pro-entrepreneurial outlook and population of 1.3 billion, it offers unique opportunities for domestic and overseas investors. This dynamic volume provides an abundance of information on China's new wealth, growing unemployment, mass migration to the cities, and trade disputes. The book is completely revised and updated: vivid full-color maps convey a wealth of information quickly and efficiently. It offers comprehensive information on China's population, employment, agriculture, industry, and economics.

This unique textbook is a manageable introduction to all the theories and approaches that make up media studies, giving students an informed, balanced and global view of media today. Exploring the evolution of media internationally, this book offers theory and evidence in its discussion of past and present modes of media. Divided into four parts, readers are offered insight into critical theories and topics such as ‘Social and Global Change,’ ‘the Influence of Media,’ ‘Intercultural Communication’ and ‘News as a Form of Knowledge.’ Written by leading experts within media studies, Balnaves, Donald and Shoesmith lend their wealth of knowledge to the student reader through this text, guiding them through the progression of cultural and media studies. Genuinely global and cutting-edge, this leading textbook is the ideal learning resource for lecturers of media studies and undergraduate and postgraduate students seeking gain a thorough understanding of worldwide media, past and present.

This unique textbook is a manageable introduction to all the theories and approaches that make up media studies, giving students an informed, balanced and global view of media today. Exploring the evolution of media internationally, this book offers theory and evidence in its discussion of past and present modes of media. Divided into four parts, readers are offered insight into critical theories and topics such as ‘Social and Global Change,’ ‘the Influence of Media,’ ‘Intercultural Communication’ and ‘News as a Form of Knowledge.’ Written by leading experts within media studies, Balnaves, Donald and Shoesmith lend their wealth of knowledge to the student reader through this text, guiding them through the progression of cultural and media studies. Genuinely global and cutting-edge, this leading textbook is the ideal learning resource for lecturers of media studies and undergraduate and postgraduate students seeking gain a thorough understanding of worldwide media, past and present.

Comparing the major Pacific Rim cities of Sydney, Hong Kong and Shanghai, this book examines world city branding. Whilst all three cities compete on the world's stage for events, tourists and investment, they are also at the centre of distinct film traditions and their identities are thus strongly connected with a cinematic impression. Using an interdisciplinary approach, this book not only analyses the city branding of these cities from the more widely researched perspectives of tourism, marketing and regional development, but also draws in cultural studies and psychology approaches which offer fresh and useful insights to place branding and marketing in general. The authors compare and contrast qualitative and quantitative original data as well as critically analyzing current texts and debates on city branding. In conclusion, they argue that city branding should contribute not only to regional development and identity, but also to sustainable economic well-being and public happiness.

Contributing to the growing debates on children and media worldwide, Little Friends explores the pervasive presence of film culture in the lives of children in China. The book also introduces the work of the little-known Children's Film Studio and the Film Course, a reform-period attempt by Chinese filmmakers and policy leaders to control the media to which schoolchildren were exposed. Stephanie Donald uses expansive firsthand interviews, children's drawings, and film history to tell a compelling cinematic story before it is forgotten in the onrush of globalized culture. She is especially careful to bring in the interests and experiences of children themselves. The book follows the trajectory of contemporary media analysis in privileging the use as well as the content of media. The author's "turn" to the end-user enriches her discussion of media literacy, cultural competencies, and—perhaps especially in the Chinese case—consideration of the desired uses of media in relation to state priorities and social expectations. This is a trend that belongs to an era of digital experimentation and commercial development; in interactive television, streamed news and entertainment, and the multiple, unintended uses of Internet and mobile technologies. Notwithstanding the contemporary context, Donald's arguments consider a range of media deployment that, although not especially new in technological terms, offer new insights into a formalized Chinese media system for children. Scholars and students of Asian and children's film and education will find this unique work a fascinating window into Chinese culture and society and a provocative exploration of media culture.

Cinema produces an imaginary space where audiences can make themselves visible in public, share ideas and criticisms, and establish their identity as part of a transitory but nonetheless satisfying cultural body. Public Secrets, Public Spaces explores the possibility of symbolic public space in the context of Chinese cinema. Focusing especially on women, children, and the dispossessed, Stephanie Donald looks at the ways public space is constructed and occupied, both in the Chinese cultural sphere and in the world of international audiences. Drawing on the debate over civil society, the author argues that traditional concepts of public sphere and civil society are unlikely to apply to contemporary China, yet there may be common elements that do move across and between cultural and political boundaries. Civility is one such element, built up of culturally specific virtues and relationships that form the public secrets of social survival. Public secrets are the unstated common-sense knowledges of everyday life, extraordinary to those who are not initiated into the routines of a particular cultural place and space. In traditional societies public secrets are organized through observable ritual, while in modern societies they are embedded in the cultural discourse of the routine and the everyday. As we see in this provocative book, film offers a rich medium for unearthing these secrets.