Stephanie Phillips

Compelled to OBLIVION, driven to ENTROPY, all life in our cosmos can only end in one place: COMPLETE ANNIHILATION! For the first time in 70 years, the limitless fury of EC Comics rages back to life to shred the very fabric of the universe itself—and wrench bizarre tales of time and space into our dimensional plane! Our guides across this riveting introduction to a cosmic maelstrom of strange extraterrestrial entities, malevolent scientists, and terrifying technological catastrophe? Learn to fear the void with the irradiated imaginations of writers Corinna Bechko (Invisible Republic, The Space Between), Christopher Cantwell (Thanos), Chris Condon (That Texas Blood), Matt Kindt (BRZRKR, Mind MGMT), Stephanie Phillips (Phoenix), Ben H. Winters (The Last Policeman), and more as they collide with the wondrously destructive visions of artists Jonathan Case (Green River Killer), Kano (Gotham Central), David Lapham (Stray Bullets), Alison Sampson (Department of Truth), Artyom Topilin (I Hate This Place), Caitlin Yarsky (Black Hammer: Reborn) and many more! The unpredictable return of EC Comics continues here with the quantum comics event of the millennium! Galaxies will collapse. Space-time will be distorted. And your very will to exist, too, shall be broken. . . . Just remember: It's all in the name of SCIENCE! Collecting Cruel Universe #1–5.

Welcome back to the Grave-Digger's cemetery on the edge of the endless, black ABYSS that awaits us all. . . . Some sooner than others! Every tombstone tells a tale. . . . These are your EPITAPHS FROM THE ABYSS! From the immortal EC Comics, prepare yourselves for all-new stories of fatalistic spectacle—told with wanton disregard for moral standards or public decency by masters of splatter de spectacular: Chris Condon (That Texas Blood), Charlie Adlard (The Walking Dead), Joshua Hale Fialkov (Echoes), Stephanie Phillips (Harley Quinn), Andrea Sorrentino (Gideon Falls), Alexandre Tefenkgi (The Good Asian), Kano (Gotham Central), Leomacs (Rogues) Matt Kindt (BRZRKR), and many more surprise guests inscribing moribund epitaphs in so much funerary stone! Collecting Epitaphs from the Abyss #5-8.

THE MOST NOTORIOUS NAME IN TERROR IS BACK—WITH A VENGEANCE! From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns with its first ALL-NEW series in nearly 70 years! In our seminal first collection of Epitaphs From the Abyss, witness shocking tales of torment and tension in the immortal EC tradition—as wrenched from the grave by the vile intentions of acclaimed writers Brian Azzarello (Batman: Damned, 100 Bullets), Jason Aaron (Scalped, Thor: God of Thunder, TMNT), Chris Condon (That Texas Blood, Night People), J. Holtham (Hulu's The Handmaid's Tale), and Stephanie Phillips (Harley Quinn, Grim), and realized into bloody reality by "all-slaughter" artists Jorge Fornes (Rorschach, Danger Street), Phil Hester (Family Tree), Peter Krause (Irredeemable), Charlie Adlard (The Walking Dead), Klaus Janson (The Dark Knight Returns, Daredevil) and many more! What the Comics Code Authority couldn't kill has only made it stronger . . . EC COMICS LIVES AGAIN IN EPITAPHS FROM THE ABYSS! Collecting Epitaphs from the Abyss #1–4.

Soldiers stranded in the snowy Alps. The wicked games of a familiar firefighter. A couple struggling through the most difficult year. The Silver Coin passes from one pocket of time to the next. Whoever finds it may feel it’s their lucky day. But it can purchase only ruin. Eisner-winning artist MICHAEL WALSH (STAR WARS, BLACK HAMMER/JUSTICE LEAGUE) teams with a new lineup of all-star collaborators, as JAMES TYNION IV (DEPARTMENT OF TRUTH, BATMAN), STEPHANIE PHILLIPS (HARLEY QUINN, THE BUTCHER OF PARIS), JOHNNIE CHRISTMAS (TARTARUS, FIREBUG) and PORNSAK PICHETSHOTE (THE GOOD ASIAN, INFIDEL) join the critically-acclaimed ongoing horror anthology for mature readers. Collects THE SILVER COIN #11-15.

NEW DSTLRY GRAPHIC NOVEL from Stephanie Phillips, the acclaimed writer of LIFE, Harley Quinn, and Grim, and Marc Laming, the amazing artist of Star Wars, Red Sonja, and more From 1768 to 1771, the HMS Endeavour, commanded by the famous Lieutenant James Cook, sailed on a voyage of discovery around Tahiti, New Zealand, and Australia. It didn't end well. Now, a modern-day tourism company is offering a "luxury" trip aboard a near-accurate recreation of the ship, Endeavour. For a hefty fee, elite passengers can experience history with all the modern comforts. The vacation of a lifetime...until the unthinkable happens, and seven children are stuck aboard the ship, alone and adrift at sea. Rough seas and rations are the least of their worries as they quickly realize the real enemy is each other. The Mass Market Hardcover features the complete three-issue series. For fans of LORD OF THE FLIES and YELLOWJACKETS. Cover art not final.

A Brand-New Day for Spider-Gwen Gwen Stacy isn't from this Earth, but she's here to stay -- so it's time to make herself at home A new costume, a new home life -- heck, she's even starting a new band Unfortunately for Gwen, new threats are also heading her way, starting with one that just might be her own fault Follow the Ghost-Spider as she settles into Earth-616 to stay COLLECTING: All-New Spider-Gwen: The Ghost Spider (2025) #1-5, Spider-Gwen: The Ghost-Spider (2024) 15 (B story)

A reclamation of rock'n'roll for the Black artists who tore up and re-wrote its rules, by musician, arts and culture journalist and die-hard alternative music superfan, Stephanie Phillips. We Were Here promises to rip up our received history of rock 'n' roll and alternative music and repopulate it with the extraordinary Black artists and influential figures who truly steered its course from the 1930s to the present day, including vital figures Sister Rosetta Tharp, Little Richard, Jimi Hendrix, Tina Turner, Betty Davis, Poly Styrene, Bad Brains and beyond. As well as reflecting on why Black people have continued to be drawn to alternative music despite their ongoing ostracization from it by the white mainstream industry, Phillips argues that there would be no alternative music without Black artists, and that its future lies in the hands of Gen Z Black musicians experimenting with the boundaries of what punk, metal, hardcore and indie could be.

From the pages of IMPERIAL, She-Hulk is trapped on Planet Hulk In a time of galactic unrest, Jennifer Walters made a promise to her cousin, the Hulk, to watch over the world of Sakaar and its people for a few days. But it's been longer than a few days, and now She-Hulk is charged with keeping the peace on a planet at war But Jennifer is a very different Hulk than the World-Breaker who once smashed Sakaar into submission. Is she up for the task? Jen may be a trained lawyer and an Avenger, but how much help will that be in a world governed by "might makes right"? Not much when a merchant's trusted assistant is found dead, and Jen is framed for his murder Can Sakaar's justice system prevail, or is She-Hulk staring at a long-term sentence? COLLECTING: Planet She-Hulk (2025) #1-6

After 70 years, EC Comics—the notorious comics publisher that spawned TALES FROM THE CRYPT, WEIRD SCIENCE, MAD magazine, and many more—rises from the grave with its first new series of the twenty-first century! For the first time in one comprehensive collection, join us for a guided tour of the Grave-Digger’s cemetery on the edge of the endless abyss . . . where EVERY TOMBSTONE TELLS A TALE . . . and the quickest way to etch your own is through MALEVOLENCE, MALICE, and MURDER! Collecting EC’s landmark resurrection in the pages of EPITAPHS FROM THE ABYSS #1–12 in one staggeringly deluxe, oversized (7.5" × 11.5") hardcover, this terrifying tome is positively brimming with depraved intention and traumatic tension as wrought by the hands (and snapped by the necks) of serial storytellers Jason Aaron (Thor), Brian Azzarello (Joker), Corinna Bechko (Green Lantern: Earth One), Chris Condon (Ultimate Wolverine), J. Holtham (The Horizon Experiment), and Matt Kindt (BRZRKR), and realized into bloody reality by “all-slaughter” artists Charlie Adlard (The Walking Dead), Tyler Crook (Out of Alcatraz), Kano (Gotham Central), Klaus Janson (The Dark Knight Returns), Leomacs (Benjamin), Alison Sampson (Department of Truth), Andrea Sorrentino (Gideon Falls), and many more. Plus: Gouge your eyes on 50 pages of “behind-the-screams” material—including in-depth production art, character designs, and cover galleries—alongside all-new, exclusive commentaries from Eisner Award nominees Rian Hughes (The Multiversity) and Jay Stephens (Dwellings) on the painful (heh, heh) processes behind EC’s blockbuster rebirth.

The shadows of Gotham hide more than just Batman these are the untold stories of the city s broken heroes, bold outlaws, and haunted legends. This omnibus collects the complete first year of the acclaimed anthology series that dives deep into corners of Gotham City too dangerous or too personal for the spotlight. Featuring gripping tales from top-tier talent including Chip Zdarsky, Matthew Rosenberg, Vita Ayala, and Mark Russell, it showcases stories of Red Hood s painful reckoning with his past, Grifter s deadly entanglement with secret organizations, Batman s mystical team-ups, and even heartfelt moments with DC s Super-Pets. Bold, diverse, and action-packed, this is a sweeping collection of Gotham s many legends, where every vigilante has a voice, and every alley has a story. Collects Batman: Urban Legends #1-16.

A long-overdue corrective to the history of rock 'n' roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between--the people, the places, and the scenes that connect the dots--and you can't tell the history of any music scene, let alone alternative music, without the Black community. In We Were Here: A History of Black People and Alternative Music, author, journalist, and musician Stephanie Phillips, the singer and guitarist of British post punk band Big Joanie, presents readers with a revised history of rock and roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who truly steered its course. From the genre's earliest moments, Black musicians--like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s--have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix's guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s. Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? This book tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people's influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history. Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.

It's a new beginning for the web-slinging Spider-Gwen, star of page and screen - and she has a new universe to call home Welcome to New York Gwen truly becomes a Ghost-Spider when she moves full-time to the Marvel Universe -- a world where Gwen Stacy died years ago But why did she leave her home of Earth-65? Why aren't the other spiders supposed to know she's here? Why isn't she supposed to suit up? And who will get hurt when she does? COLLECTING: Spider-Gwen: The Ghost-Spider (2024) 1-5