Stephen Garton

War has shaped Australian society profoundly. When we commemorate the sacrifices of the Anzacs, we rightly celebrate their bravery, but we do not always acknowledge the complex aftermath of combat. In The Cost of War, Stephen Garton traces the experiences of Australia’s veterans, and asks what we can learn from their stories. He considers the long-term effects of war on returned servicemen and women, on their families and communities, and on Australian public life. He describes attempts to respond to the physical and psychological wounds of combat, from the first victims of shellshock during WWI to more recent understandings of post-traumatic stress disorder. And he examines the political and social repercussions of war, including debates over how we should commemorate conflict and how society should respond to the needs of veterans. When the first edition of The Cost of War appeared in 1996, it offered a ground-breaking new perspective on the Anzac experience. In this new edition, Garton again makes a compelling case for a more nuanced understanding of the individual and collective costs of war.

The phrase “Harlem in the 1920s” evokes images of the Harlem Renaissance, or of Marcus Garvey and soapbox orators haranguing crowds about politics and race. Yet the most ubiquitous feature of Harlem life between the world wars was the game of “numbers.” Thousands of wagers, usually of a dime or less, would be placed on a daily number derived from U. S. bank statistics. The rewards of “hitting the number,” a 600-to-1 payoff, tempted the ordinary men and women of the Black Metropolis with the chimera of the good life. Playing the Numbers tells the story of this illegal form of gambling and the central role it played in the lives of African Americans who flooded into Harlem in the wake of World War I. For a dozen years the “numbers game” was one of America’s rare black-owned businesses, turning over tens of millions of dollars every year. The most successful “bankers” were known as Black Kings and Queens, and they lived royally. Yet the very success of “bankers” like Stephanie St. Clair and Casper Holstein attracted Dutch Schultz, Lucky Luciano, and organized crime to the game. By the late 1930s, most of the profits were being siphoned out of Harlem. Playing the Numbers reveals a unique dimension of African American culture that made not only Harlem but New York City itself the vibrant and energizing metropolis it was. An interactive website allows readers to locate actors and events on Harlem’s streets.

"First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."