Stephen R. Cosh

Mosaics in Britannia provides an authoritative overview of Romano-British mosaics, including how they were made and maintained, how the craft was organised, the geometric designs and the subject matter, source and significance of the figured pavements. Also considered is the mosaics’ place within the buildings they adorned, and what they tell us about the social dynamics of the residence and baths. The book ends with the fate of mosaics in the late Roman period and thereafter, including their recording upon rediscovery and their display. Although Romano-British pictorial mosaics seldom attain the artistic brilliance of those around the Mediterranean, they often have sophisticated content. Several demonstrate a good knowledge of classical literature, arguably more so than most other provinces, which is perhaps surprising to those who have assumed that Roman Britain was a backwater at the extreme edge of the Roman Empire.

The Romano-British Villa and Anglo-Saxon Cemetery at Eccles, Kent presents a study of the central and lower Medway valley during the 1st millennium AD. It takes as its focus the Eccles Roman villa and Anglo-Saxon cemetery, excavated between 1962–1976 and directed by Alec Detsicas. An account of this important villa throughout its long history is outlined, and a re-assessment of the architectural evidence which Detsicas presented, with fresh interpretations, is provided. In the middle of the 7th century, a large Anglo-Saxon cemetery was established south of the villa. It started as a typical ‘Final Phase’ cemetery but continued into the late Saxon period. The evidence from the cemetery is presented as a site report, with a burial catalogue, a discussion of the grave goods and a study of the wider aspects of mortuary practice. The monograph also includes a chapter on some fragmentary Iron Age evidence and a discussion of an Anglo-Saxon timber building and its relationship to the cemetery. The evidence from the villa and Anglo-Saxon cemetery is discussed within the context of the Medway valley, which highlights the important contribution that Eccles makes to archaeological knowledge. The significance of the area is further investigated by studies devoted to the pre-English place-names of the valley and the documentary evidence of the area during the Anglo-Saxon period. The volume concludes with a general discussion, which draws together all the strands of evidence and evaluates the significance of the Medway valley during the 1st millennium AD.

This volume brings to a triumphant conclusion this monumental project to catalogue, describe and illustrate every Romano-British mosaic. The area covered by the fourth and final volume in the corpus is one of the richest regions of Britain in economic as well as architectural and artistic terms and this is reflected in the quantity and quality of the region's mosaics, which include the largest figured mosaic ever found in Britain - the Woodchester Orpheus pavement - which was perhaps the inspiration for the other famous Orpheus mosaics of the Roman Cotswolds. At the heart of this affluent region is Cirencester, Roman Britain's second largest town, represented here by more than sixty mosaics, the second-century examples being the most exquisite in the country. There are also many fine mosaics from the region's highly ornate villas, as well as from the towns of Gloucester, Caerwent and Wroxeter. The catalogue follows the format of earlier volumes in providing an account of each mosaic's discovery and locating the mosaic within its building plan. Following the description are notable parallels and major references. Many of the illustrations are by the authors, with additional ones by Luigi Thompson, as well as photographs and historical engravings, a high proportion of the latter by Samuel Lysons whose home was in Gloucestershire where he did much of his pioneering work in archaeological excavation and illustration. Brief biographies of Lysons and all the other artists whose work grace all four volumes appear at the end of this volume. As with previous volume the work is preceded with a substantial introduction. This deals with the history and topography of the region, buildings and rooms, an assessment of regional workshops, and schemes, ending with a consideration of mosaics in relation to the end of Roman Britain.