Stephen Watt

In Shakespeare Our Contemporary (1964), Polish critic Jan Kott defines one purpose of scholarship in the humanities that summarises the chief aim of this project: ‘The writing of history and, above all, literary criticism can, and must, always be understood as an attempt to find in the past aspects of human experience that can shed light on the meaning of our own times’. That is precisely what From the ‘Troubles’ to Trumpism: Ireland and America, 1960–2023 attempts to do. Aided by the insights of Irish and Northern Irish playwrights, poets and novelists, this book uses America’s historical relationship with Ireland and Northern Ireland as a means of understanding the rise of Trumpism and assessing its potential to incite a new American ‘Troubles’. Three related aims are to demonstrate the interdependence of Ireland and the United States since the Famine in Ireland and the American Civil War in the nineteenth century; to delineate the political and economic obstacles in the latter decades of the last century that prevented this relationship from evolving into a more consequential partnership; and to identify the underappreciated leaders who played crucial roles in both the brokering of the Good Friday Agreement and the inception of a revised foreign policy.

This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George Bernard Shaw and his characters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same time, it demonstrates how Shaw’s conceptions of human subjectivity parallel those of two of his contemporaries, Sigmund Freud and Georg Simmel. In particular, this book explores how theories of so-called 'marginal economics' influence fin de siècle thought about human psychology and the sociology of the modern metropolis, particularly London.

This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George Bernard Shaw and his characters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same time, it demonstrates how Shaw’s conceptions of human subjectivity parallel those of two of his contemporaries, Sigmund Freud and Georg Simmel. In particular, this book explores how theories of so-called 'marginal economics' influence fin de siècle thought about human psychology and the sociology of the modern metropolis, particularly London.

"Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious takes its title from an essay that introduces John Patrick Shanley's Outside Mullingar, a text that marks over 150 years of the so-called "Irish play" on the New York stage. This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama. But more than this, the book reads such cultural forms as tenement fiction, Tin Pan Alley music, and melodrama as part of a larger "circum-North Atlantic" world in which texts and performers from Ireland, Europe, and America were and still are involved in a continuous cultural exchange within which stereotypes and performances of Jewishness and Irishness took center stage. For this reason, such Irish writers as James Joyce, Bernard Shaw, and Sean O'Casey played pivotal roles in the development of modern American culture, particularly as they influenced and interacted with writers like Elmer Rice, Clifford Odets, Henry Roth, and many others. Such Irish-American writers as Eugene O'Neill were similarly influenced by their interactions with Jewish-American writers like Michael Gold and Edward Dahlberg. While focusing on the modern period, this project traces a genealogy of modern drama and fiction to the nineteenth century stage in which Irish and Jewish melodrama-and the appearances of international stars in such roles as Shylock and Leah, the Forsaken-shaped the often contradictory and excessive dimensions of ethnicity that are both allosemitic and allohibernian. Borrowing a term from psychoanalytic theory, I also explore the larger dimensions of an Irish-Jewish unconscious underlying cultural production in America. The closing chapter considers more recent representations of Irish-Jewish interactions by John Banville, Brendan Behan, Norman Mailer, and Harold Pinter; and examples from a newer immigrant literature bring this discussion into the present.

Samuel Beckett is one of the most important figures in the history of Irish literature, and he continues to influence successive generations of writers. In Beckett and Contemporary Irish Writing, Stephen Watt searches for the 'Beckettian' impulse in Irish literature by tracing the Nobel Prize winner's legacy through a rich selection of contemporary novelists, poets and dramatists. Watt examines leading figures such as Paul Muldoon, Brian Friel, Marina Carr and Bernard MacLaverty, and shows how Beckett's presence, whether openly acknowledged or unstated, is always thoroughly pervasive. Moving on to an exploration of Beckett's role in the twenty-first century, the study discusses ways in which this legacy can be reshaped to deal with current concerns that extend beyond literature.

In a series of stinging analyses, this book examines the current sorry state of higher education. The second half of the volume offers "alternative futures" for the academy, visions that involve academic organizations, public outreach through the internet, faculty unionization, and campus organizing. Office Hours is a roll-up-your-sleeves look at the avoidable disaster facing the modern university.

In a series of stinging analyses, this book examines the current sorry state of higher education. The second half of the volume offers "alternative futures" for the academy, visions that involve academic organizations, public outreach through the internet, faculty unionization, and campus organizing. Office Hours is a roll-up-your-sleeves look at the avoidable disaster facing the modern university.

Know what academic freedom is? Or what it's come to mean? What's affirmative about affirmative action these days? Think you're up on the problem of sexual harassment on campus? Or know how much the university depends on part-time faculty? Academic Keywords is a witty, informed, and sometimes merciless assessment of today's campus, an increasingly corporatized institution that may have bitten off more than its administration is ready to chew. Cary Nelson and Steve Watt use the format of a dictionary to present stories and reflections on some of the most pressing issues affecting higher education in America. From the haphazard treatment of graduate students to the use and abuse of faculty (as well as abuses commited by faculty), Nelson and Watt present a compelling and, at times, enraging report on the state of the campus.

Know what academic freedom is? Or what it's come to mean? What's affirmative about affirmative action these days? Think you're up on the problem of sexual harassment on campus? Or know how much the university depends on part-time faculty? Academic Keywords is a witty, informed, and sometimes merciless assessment of today's campus, an increasingly corporatized institution that may have bitten off more than its administration is ready to chew. Cary Nelson and Steve Watt use the format of a dictionary to present stories and reflections on some of the most pressing issues affecting higher education in America. From the haphazard treatment of graduate students to the use and abuse of faculty (as well as abuses commited by faculty), Nelson and Watt present a compelling and, at times, enraging report on the state of the campus.