Sue Miller

A reissue of the powerful and troubling debut sensation - which spent over six months at top of the New York Times bestseller list on its original publication thirty years agoRecently divorced, Anna Dunlap has two passionate attachments: her daughter, four-year-old Molly, and her lover, Leo, the man who makes her feel beautiful - and sexual - for the first time. Swept away by happiness and passion, Anna feels she has everything she’s ever wanted. Then come the shocking charges that would threaten her new love, her new family - that force her to prove she is a good mother.

Kaasahaarav ja sügavalt puudutav romaan abielust, armastusest, perekonnast, õnnest ja kurbusest. Graham ja Annie on olnud õnnelikus ja armastavas abielus peaaegu kolmkümmend aastat. Graham on raamatupoe omanik, alati hoolitsetud välimusega ja naudinguid hindav seltskondlik mees. Annie on vaoshoitum, vaikne vaatleja, kes peab pingutama, et suuta energilise Grahamiga sammu pidada. Kui Graham - mees, kelle vitaalsus näis valitsevat kogu nende kooselu - ootamatult sureb, kaotab Annie pinna jalge alt. Keset sügavat leina saab Annie teada, et Graham ei olnud talle truu. Naine tunneb end reedetuna, mõeldes, kas ta üldse tundiski oma abikaasat. Romaan jälgib naist tema valus ja segaduses. Jälgib ka teisi, keda Grahami surm puudutas - mehe esimest naist Friedat ja nende poega Lucast ning Annie ja Grahami tütart Sarah't. See on romaan abielust ja kaotusest. Perest ja saladustest, mida üksteise eest varjatakse, ning kõikevõitvast armastusest.

‘Penetrating, intelligent, humane, funny too ... Smart and powerfully alive’ Tessa Hadley‘Superb’ Daily Mail‘A poignant page-turner, delving deep into our most intimate relationships’ Evening StandardAnnie is the great love of Graham’s life. Here they are in late middle-age, the photographer and the bookseller, so mismatched and yet so well-matched. Theirs is a happy marriage of nearly thirty years – and even the happiest of marriages, Graham tells himself, have their secrets. Then the unthinkable happens, and suddenly Annie is alone, stumbling in the dark. How much can we ever know the people who love us?‘With what exquisite truth Sue Miller writes … I was completely wrapped up in the beautifully, and often so tenderly observed rollercoaster of grief. An invaluably moving book’ Juliet Nicolson'It's absolutely wonderful - detailed, precise emotions that Miller gets down in such a tender moving way ... Devasting. Brilliant' Claire Fuller

A New York Times Notable Book - NPR Best Book of the Year - People magazine Top Ten Books of the Year - BookPage Best Book of the Year - Good Housekeeping Best Book of the Year"A sensual and perceptive novel. . . . With humor and humanity, Miller resists the simple scorned-wife story and instead crafts a revelatory tale of the complexities--and the absurdities--of love, infidelity, and grief." --O, the Oprah MagazineA brilliantly insightful novel, engrossing and haunting, about marriage, love, family, happiness and sorrow, from New York Times bestselling author Sue Miller. Graham and Annie have been married for nearly thirty years. Their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. By all appearances, they are a golden couple. Graham is a bookseller, a big, gregarious man with large appetites--curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie's comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham's son with his first wife, Frieda, works in New York. Annie and Graham's daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham's last and greatest love. When Graham suddenly dies--this man whose enormous presence has seemed to dominate their lives together--Annie is lost. What is the point of going on, she wonders, without him? Then, while she is still mourning Graham intensely, she discovers a ruinous secret, one that will spiral her into darkness and force her to question whether she ever truly knew the man who loved her.

Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as José Fajardo, Johnny Pacheco, George Castro, and Eddy Zervigón dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachachá and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugalú's development in the late 1960s with little mention of the chachachá and pachanga's popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.

Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as José Fajardo, Johnny Pacheco, George Castro, and Eddy Zervigón dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachachá and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugalú's development in the late 1960s with little mention of the chachachá and pachanga's popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.

A New York Times Book of the Year DAILY MAIL ‘BEST BOOKS OF THE YEAR TO GIFT FOR CHRISTMAS’ SUNDAY EXPRESS’ S MAGAZINE ‘WINTER WARMERS’ GOOD HOUSEKEEPING ‘BEST BOOKS OF 2020’ ONLINE 'One of the most emotionally truthful novels I have ever read' DAISY BUCHANAN ‘Almost every line glows with even-handed wisdom - a superb novel, beautifully put together’ DAILY MAIL 'An invaluably moving book' JULIET NICOLSON 'One to read first for the story and then to re-read at leisure and marvel at how real these people feel' ERIN KELLY ‘Penetrating, intelligent, humane, funny too ... Smart and powerfully alive’ TESSA HADLEY Annie is not the first love of Graham’s life but she is, he thinks, his last and greatest. Very recently, he has faltered; but he means to put it right. Here they are in marriage, in late middle age, in comfort. Mismatched, and yet so well matched: the bookseller with his appetite, his conviviality, his bigness; the photographer with her delicacy, her astuteness, her reserve. The children are offstage, grown up and scattered on either coast; Graham’s first wife, Frieda, is peaceably in their lives, but not between them. Then the unthinkable happens. Now Annie stumbles in the dark: did she know all there was to know about the man who loved her? If no marriage is without its small indiscretions, how great does a betrayal have to be to be to break it? A novel about marriage, family, secrets and love, Monogamy confirms Sue Miller’s place among the greatest writers at work in America today.

A New York Times Notable Book - NPR Best Book of the Year - People magazine Top Ten Books of the Year - BookPage Best Book of the Year - Good Housekeeping Best Book of the Year "A sensual and perceptive novel. . . . With humor and humanity, Miller resists the simple scorned-wife story and instead crafts a revelatory tale of the complexities--and the absurdities--of love, infidelity, and grief." --O, the Oprah Magazine A brilliantly insightful novel, engrossing and haunting, about marriage, love, family, happiness and sorrow, from New York Times bestselling author Sue Miller. Graham and Annie have been married for nearly thirty years. Their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. By all appearances, they are a golden couple. Graham is a bookseller, a big, gregarious man with large appetites--curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie's comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham's son with his first wife, Frieda, works in New York. Annie and Graham's daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham's last and greatest love. When Graham suddenly dies--this man whose enormous presence has seemed to dominate their lives together--Annie is lost. What is the point of going on, she wonders, without him? Then, while she is still mourning Graham intensely, she discovers a ruinous secret, one that will spiral her into darkness and force her to question whether she ever truly knew the man who loved her.

A New York Times Notable Book - NPR Best Book of the Year - People magazine Top Ten Books of the Year - BookPage Best Book of the Year - Good Housekeeping Best Book of the Year"A sensual and perceptive novel. . . . With humor and humanity, Miller resists the simple scorned-wife story and instead crafts a revelatory tale of the complexities--and the absurdities--of love, infidelity, and grief." --O, the Oprah MagazineA brilliantly insightful novel, engrossing and haunting, about marriage, love, family, happiness and sorrow, from New York Times bestselling author Sue Miller. Graham and Annie have been married for nearly thirty years. Their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. By all appearances, they are a golden couple. Graham is a bookseller, a big, gregarious man with large appetites--curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie's comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham's son with his first wife, Frieda, works in New York. Annie and Graham's daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham's last and greatest love. When Graham suddenly dies--this man whose enormous presence has seemed to dominate their lives together--Annie is lost. What is the point of going on, she wonders, without him? Then, while she is still mourning Graham intensely, she discovers a ruinous secret, one that will spiral her into darkness and force her to question whether she ever truly knew the man who loved her.