Susie Linfield

A lively intellectual history that explores how prominent midcentury public intellectuals approached Zionism and then the State of Israel itself and its conflicts with the Arab world In this lively intellectual history of the political Left, cultural critic Susie Linfield investigates how eight prominent twentieth-century intellectuals struggled with the philosophy of Zionism, and then with Israel and its conflicts with the Arab world. Constructed as a series of interrelated portraits that combine the personal and the political, the book includes philosophers, historians, journalists, and activists such as Hannah Arendt, Arthur Koestler, I. F. Stone, and Noam Chomsky. In their engagement with Zionism, these influential thinkers also wrestled with the twentieth century’s most crucial political dilemmas: socialism, nationalism, democracy, colonialism, terrorism, and anti-Semitism. In other words, in probing Zionism, they confronted the very nature of modernity and the often catastrophic histories of our time. By examining these leftist intellectuals, Linfield also seeks to understand how the contemporary Left has become focused on anti-Zionism and how Israel itself has moved rightward.

In "The Cruel Radiance", Susie Linfield challenges the idea that photographs of political violence exploit their subjects and pander to the voyeuristic tendencies of their viewers. Instead she argues passionately that looking at such images - and learning to see the people in them - is an ethically and politically necessary act that connects us to our modern history of violence and probes the human capacity for cruelty. Grappling with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns - and analyzing photographs from such events as the Holocaust, China's Cultural Revolution, and recent terrorist acts - Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book's concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress and asks how photography should respond to the increasingly nihilistic trajectory of modern warfare. A bracing and unsettling book, "The Cruel Radiance" convincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it - and to do that, we must begin to look.

Since the early days of photography, critics have told us that photos of political violence - of torture, mutilation, and death - are exploitative, deceitful, even pornographic. To look at these images is voyeuristic; to turn away is a gesture of respect. With "The Cruel Radiance", Susie Linfield attacks those ideas head-on, arguing passionately that viewing such photographs - and learning to see the people in them - is an ethically and politically necessary act that connects us to our modern history of violence and probes our capacity for cruelty. Contending with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns - and analyzing photographs from such events as the Holocaust, China's Cultural Revolution, and recent terrorist acts - Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book's concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress, and asks how photography has - and should - respond to the increasingly nihilistic trajectory of modern warfare. A bracing and unsettling book, "The Cruel Radiance" convincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it - and to do that, we must begin to look.