Suzanne Paola

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Two award-winning authors reveal everything you need to know to develop your own distinctive voice and craft compelling, creative nonfiction “Tell all the Truth but tell it Slant.”—Emily DickinsonWith these words, Dickinson offers sound advice for nonfiction writers: Tell the truth but become more than mere transcribers of daily life. Since 2003, Tell It Slant has set the standard for creative nonfiction instruction, showing writers how to move beyond mere facts and, instead, make the most of their own “slant” on the world. This revised and updated third edition offers:• New and expanded chapters on writing about identity, maintaining a productive work/life balance, and navigating the publishing industry• An anthology with diverse pieces that range from traditional essay to the graphic memoir• Expanded discussion of contemporary and emerging literary forms• New “Try It” writing exercises throughout the bookWhether planning a course or learning on your own, Tell It Slant provides everything you need to know to develop a distinctive voice and to craft compelling creative nonfiction. This book provides the basis for a complete education in nonfiction writing, wherever your classroom might be.“Tell It Slant is a valuable and comprehensive resource for nonfiction writers, filled with exhilarating examples, powerful exercises, and pure inspiration. Miller and Paola are gifted teachers and writers with endless wisdom to share and a lovely way of sharing it with struggling writers at every level.”—Dinty W. Moore, author of The Mindful Writer: Noble Truths of the Writing Life

The image of the rose winds through the book, symbol of eternity and transience, gravity and folly. We find it in the ghastly bloom of the atomic bomb, in the relic of St. Therese of Lisieux, in the wool of a cloned sheep. Its image glows silently under the Waste Isolation Projects of Yucca Mountain and New Mexico, in the U. S. Human Radiation Experiments, in the altars constructed at the schoolyard gate of the Columbine massacre. The poems -- witty, sly, sensitive, and immensely informed -- trace the spiritual inquiries of a series of linked personae adrift in bodies and a world made toxic by the residues of scientific experimentation. Paola's dramatic monologues begin and end with the same fictional narrator, a wry, cynical, cake-baking woman who, on learning of the atomic structure of all matter, begins a lifetime of questioning. At times blasphemous, at times poignant and humorous, these voices are never less than heartbreakingly human, and the words they utter chill with their honesty. The Lives of the Saints is a stark, wise, meticulously researched book by a writer whose reputation leaps forward with each publication.

The image of the rose winds through the book, symbol of eternity and transience, gravity and folly. We find it in the ghastly bloom of the atomic bomb, in the relic of St. Therese of Lisieux, in the wool of a cloned sheep. Its image glows silently under the Waste Isolation Projects of Yucca Mountain and New Mexico, in the U. S. Human Radiation Experiments, in the altars constructed at the schoolyard gate of the Columbine massacre. The poems -- witty, sly, sensitive, and immensely informed -- trace the spiritual inquiries of a series of linked personae adrift in bodies and a world made toxic by the residues of scientific experimentation. Paola's dramatic monologues begin and end with the same fictional narrator, a wry, cynical, cake-baking woman who, on learning of the atomic structure of all matter, begins a lifetime of questioning. At times blasphemous, at times poignant and humorous, these voices are never less than heartbreakingly human, and the words they utter chill with their honesty. The Lives of the Saints is a stark, wise, meticulously researched book by a writer whose reputation leaps forward with each publication.

Paola's poetry presents a series of life's bardo experiences: drug use; the refused birth of infertility; the social implications of the female body; and the afterworld of pop culture. Bardo travels to a place where ""to be human is to be part god/part sickness/always wondering which is which"".