Tanya Zack

The xenophobic attacks that started in Alexandra, Johannesburg in May 2008 before quickly spreading around the country caused an outcry across the world and raised many fundamental questions: Of what profound social malaise is xenophobia – and the violence that it inspires – a symptom? Have our economic and political choices created new forms of exclusion that fuel anger and distrust? What consequences does the emergence of xenophobia hold for the idea of an equal, non-racial society as symbolised by a democratic South Africa? On 28 May 2008 the Faculty of Humanities in the University of the Witwatersrand, Johannesburg convened an urgent colloquium that focused on searching for short and long-term solutions. Nearly twenty individuals – mostly Wits academics from a variety of disciplines, but also two student leaders, a journalist and a bishop – addressed the unfolding violence in ways that were conversant with the moment, yet rooted in scholarship and ongoing research. Go Home or Die Here emanates directly from the colloquium. It hopes to make sense of the nuances and trajectories of building a democratic society out of a deeply divided and conflictual past, in the conditions of global recession, heightening inequalities and future uncertainty. The authors hoped to pose questions that would lead both to research and to more informed, reflective forms of public action. With extensive photographs by award-winning photographer Alon Skuy, who covered the violence for The Times newspaper, the volume is passionate and engaged, and aims to stimulate reflection, debate and activism among concerned members of a broad public.

The Chaos Precinct takes readers to a corner of Johannesburg that defies the maps and rewrites the story of the city. In the heart of the inner city – where Jeppe Street thrums with life – lies a vibrant, chaotic marketplace powered by Ethiopian migrant traders and informal entrepreneurs from across the continent. Here, amid narrow alleyways and makeshift stalls, commodities flow across sub-Saharan Africa, fortunes are made and an unplanned but fiercely alive urban economy pulses with ambition. Drawing on fifteen years of immersion, Tanya Zack offers an unforgettable narrative that blends personal encounters, rich storytelling and rigorous research. She walks with traders, negotiates space with city officials and listens with humility to those often unheard – weaving a portrait of Jeppe that is both intimate and expansive. The Chaos Precinct challenges the idea of Johannesburg’s decay, instead revealing a thriving, transnational entrepôt that echoes the energy of global port cities. With lyrical prose and a clear-eyed gaze, Zack reframes how we understand migration, trade and urban life on the continent. Urgent, insightful and profoundly human, The Chaos Precinct is essential reading for anyone curious about the real engines of African cities.

A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history-from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city’s ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people’s private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg’s urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.

A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history-from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city’s ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people’s private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg’s urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.