Kirjojen hintavertailu – 12 859 826 kirjaa ja 27 kauppaa
Kirjailija
Ted Hughes
Kirjat ja teokset yhdessä paikassa: 68 kirjaa, julkaisuja vuosilta 1995–2026, suosituimpiin kuuluu A Ted Hughes Bestiary: Poems. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
"In a series of chapters built round poems by a number of writers including himself . . . [Ted Hughes] explores, colourfully and intensively, themes such as 'Capturing Animals', 'Wind and Weather' and 'Writing about People'. The purpose throughout is to lead on, via a discussion of the poems (which he does with riveting skill) to some direct encouragement to the children to think and write for themselves. He makes the whole venture seem enjoyable, and somehow urgent . . . ' Times Literary Supplement
"EXPAND S] OUR UNDERSTANDING OF THIS FASCINATING LITERARY CHARACTER." --STEVEN RATINER, THE WASHINGTON POST BOOK WORLD Known (with Philip Larkin) as the most distinctly English of the postwar British poets, Ted Hughes was a boundlessly curious reader and translator of poetry from other languages. This generous selection of his translations at once rounds out the publication of his major work and gives us a fresh view of his poetic achievement. In 1965, Hughes, already famous in Britain, founded the journal Modern Poetry in Translation, and a number of the translations here are of poems by his contemporaries: the Israeli Yehuda Amichai, the Hungarian J nos Pilinszky, and the Serbian Vasko Popa. At the same time, Hughes was forever in search of older precursors, whether Homer, Lorenzo de' Medici, or the authors of Sir Gawain and the Green Knight and The Tibetan Book of the Dead, and his translations of them deepen our sense of his interest in pagan ritual and esoteric religion. These two strains of his work as translator were brought together late in his career, establishing him as one of the foremost interpreters of the classics in English.
This collection brings together the poems Ted Hughes wrote for children throughout his life. They are arranged by volume, beginning with those for reading aloud to the very young, progressing to the poems in Under the North Star and What is the Truth? and ending with Season Songs, which Hughes remarked was written 'within hearing' of children. Raymond Briggs brings to the collection two hundred original drawings that capture the wit, gentleness and humanity of these poems and make this a book any reader - child and adult - will return to again and again.
Shakespeare's best as chosen by the great English poet"According to most anthologies, Shakespeare] wrote only sonnets and songs for his plays. The reason for this is the] reluctance of anthologists to break into the sacred precincts of his drama and start looting portable chunks . . . Yet when he great speeches of his plays are taken out of context they are no more difficult to understand and appropriate than those by other great poets." This clear, compact, inviting selection of Shakespeare's verse opens the door to new readers of our greatest writer and deepens lifelong readers' understanding of his work. Ted Hughes spent his life considering Shakespeare's works and drawing on them for his own poetry; his book-length account of Shakespeare's development, Shakespeare and the Goddess of Complete Being, was one of the most distinctive works of literary criticism of recent years. For this selection, Hughes deliberately took strong, relatively self-contained passages of Shakespeare's verse out of the plays and arranged them in a pattern, like beads on a string, including the best-known songs and sonnets. The result is at once a revealing sequence of Shakespeare's verse and an anthology of his greatest bits--"read in less than a minute, learned in less than five," Hughes remarks in the introduction, and always "capable of striking up a life of their own in the general experience of the reader."
This collection brings together the more than 250 children's poems Ted Hughes wrote throughout his career. They are arranged by volume, beginning with those published for younger readers and progressing to more complex and sophisticated poems that he felt were written "within hearing" of children. Throughout, Hughes reveals his instinctive grasp of a child's insatiable wonderment and sense of humor as well as his own instinctive and illuminating perspective on people and other creatures of the natural world. With drawings that capture the wit, range, and richness of these poems, acclaimed illustrator Raymond Briggs helps make this a book any reader can return to again and again for amusement, inspiration, and reassurance. Collected Poems for Children is a 2008 Bank Street - Best Children's Book of the Year.
Originally published in 1979, Moortown Diary is the updated version of Ted Hughes's acclaimed Devon farming sequence, written over a period of several years during which he was spending almost every day outside, either gardening or farming. The introduction and notes (added in 1989) sketch in the background from which these remarkable poems emerged as an improvised verse journal, sparely edited, coalescing spontaneously on the page. 'Moortown Diary keeps its eye firmly on the creatures behind the language. It's written in the style of Hughes's play translations: very swift and bright and urgent and speakable . . . Hughes strips away the protective layers - the soundproofed ears, the double-glazed eyes - that prevent us making contact with anything outside ourselves. Right now, I can't think of anything more important than that kind of poem. Because we're not just here to think about literature. We're here to try to wake up.' Alice Oswald, The Guardian'It grips your heart, and your intestines, like a vice from the first page. He makes language as physical as a bruise, and in these poems beauty and tenderness blend with violence.' John Carey, Sunday Times'The Moortown sequence includes some of Hughes's finest poems . . . They are like no other poems I have read, with a degree of intensity, sanity and grace that he has never equalled.' Anthony Thwaite, Times Literary Supplement
All the poems of a great 20th-century poet. From the astonishing debut Hawk in the Rain (1957) to Birthday Letters (1998), Ted Hughes was one of postwar literature's truly prodigious poets. This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and those children's poems that he meant for adults as well. This omnium-gatherum of Hughes's work is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.
A beautiful new edition of The Iron Man, the bestselling classic by Ted Hughes. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.'Gripping . . a classic.' Phillip Pullman'A visionary tale.' Michael Morpurgo'One of the greatest of modern fairy tales.' Observer
In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature. Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.
Poems from every phase of the career of a great poet This selection of Ted Hughes's poetry, made by the author himself in 1995, includes poems from every phase of his four-decade career. Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. The volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.
When Michael Hofmann and James Lasdun's ground-breaking anthology After Ovid (also Faber) was published in 1995, Hughes's three contributions to the collective effort were nominated by most critics as outstanding. He had shown that rare translator's gift for providing not just an accurate account of the original, but one so thoroughly imbued with his own qualities that it was as if Latin and English poet were somehow the same person. Tales from Ovid, which went on to win the Whitbread Prize for Poetry, continued the project of recreation with 24 passages, including the stories of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe. In them, Hughes's supreme narrative and poetic skills combine to produce a book that stands, alongside his Crow and Gaudete, as an inspired addition to the myth-making of our time.
Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year. 'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney 'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion
Lupercal, Ted Hughes's second book, contains many of the unsettling and vivid animal poems for which Hughes is so rightly celebrated, including 'The Bull Moses', 'Hawk Roosting' and 'Pike'.
Crow was Ted Hughes's fourth book of poems for adults and a pivotal moment in his writing career. In it, he found both a structure and a persona that gave his vision a new power and coherence. A deep engagement with history, mythology and the natural world combine to forge a work of impressive and unsettling force. 'English poetry has found a new hero and nobody will be able to read or write verse now without the black shape of Crow falling across the page.' Peter Porter
A selection of work by the former Poet Laureate ranging from "The Hawk in the Rain" to "Rain-Charm for the Duchy", as well as uncollected poems from each decade of his working life. Hughes also included a group of new poems, some of which appeared later in "Birthday Letters".
'The poem we are told was originally intended as a film scenario. Ted Hughes has that sure poetic instinct that heads implacably for the particular instances rather than ideas or abstraction; he has an especial talent for evoking the visual particular . . . Ted Hughes has produced a strange bastard form that [works] because he has such an acute sense of the suggestive power of specific visual images and the ability to evoke them in words.' Oliver Lyne, Times Literary Supplement
In the years before his death at age sixty-eight in 1998, Hughes translated several classical works with great energy and ingenuity. His Tales from Ovid was called "one of the great works of our century" (Michael Hofmann, The Times, London), his Oresteia of Aeschylus is considered the difinitive version, and his Ph drewas acclaimed on stage in New York as well as London. Hughes's version of Euripides's Alcestis, the last of his translations, has the great brio of those works, and it is a powerful and moving conclusion to the great final phase of Hughes's career. Euripides was, with Aeschylus and Sophocles, one of the greatest of Greek dramatists. Alcestis tells the story of a king's grief for his wife, Alcestis, who has given her young life so that he may live. As translated by Hughes, the story has a distinctly modern sensibility while retaining the spirit of antiquity. It is a profound meditation on human mortality. Ted Hughes's last book of poems, Birthday Letters, won the Whitbread Book of the Year Prize. He was Poet Laureate to Queen Elizabeth II and lived in Devon, England until he died in 1998.
The Oresteia comprises three of the greatest plays of all time: Agamemnon, The Cheophori and The Eumenides. Concerned with the immediate aftermath of the Trojan War as it affects the accursed royal house of Atreus, it follows a singularly harrowing course, from the bloodiest domestic discord to divine intervention and reconciliation. Ted Hughes's translation was written in his most pared-down and powerfully driven verse, at once equal to Aeschylus's tragic vision and speaking directly to modern audiences and readers. The plays were first performed at the National Theatre in 1999 under the direction of Katie Mitchell.
An iron giant saves the world in this contemporary classic. A mysterious creature stalks the land, eating barbed wire and devouring tractors and plows. The farmers are mystified--and terrified. And then they glimpse him in the night: the Iron Giant, taller than a house, with glowing headlight eyes and an insatiable taste for metal. The hungry giant must be stopped at any cost. Only a young boy named Hogarth is brave enough to lead the Iron Giant to a safe home. And only Hogarth knows where to turn when a space-bat as big as Australia, hungry for every living thing on Earth, darkens the sky. First published in 1968, Ted Hughes's classic tale is a powerful tribute to peace on earth--and in all the universe. Of it Madeleine L'Engle wrote, "How grateful we should be for Ted Hughes's brilliant The Iron Giant. It speaks to all ages, and we need its message even more now." Philip Pullman called it "so gripping that when you begin to read it aloud, everyone stops to listen, young children and old people alike." Whether you think of it as a science fiction fantasy or a modern fairy tale or a tall-tale parable for today, you will never forget it.
