Thomas Cole

Artist and photographer Rudi Molacek has assembled, with an artist’s eye, an idiosyncratic collection of more than 300 Tibetan carpets, rugs, mats, seat-, bench- and saddle-covers. Between the 15th and the 20th centuries they were woven for both sacred and secular purposes by Tibetan nomads and villagers, and in the shadow of monastic centres across the Tibetan Plateau. The first volume presents Tibetan rugs intended for sitting, sleeping, meditation and horse riding, as well as those made to furnish the region’s prestigious temples and monasteries — an expression of the relative wealth and status of their owners. The second volume focuses on a group of so-called ‘Wangden’ rural rugs, characterised by a unique weaving technique, some of which have been the subject of an illuminating exercise in radiocarbon dating to establish the antiquity of the tradition.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T184652Northampton: printed, and sold by T. Dicey and Co. sold also by T. Burnham, and W. Birdsall, Northampton; S. Cullingworth, Daventry; and Messrs. Rivingtons, London, 1797. vi,30p.; 8

The Catskill Mountains and the Region Around - Their scenery, legends, and history is an unchanged, high-quality reprint of the original edition of 1867. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This volumes begins with a long essay on the nature and structure of Saturnian verse. This is followed by two studies of Plautus (the Menaechmi seen as a comedy of errors and the prologue of the Poenulus as an editor's conflation of several scripts). There is an essay on nine graffito epigrams from Pompeii, and an analysis of the poetic quality of the scientific passages in the De Rerum Natura. Catullus 64 is studied as an epitome of the whole age of heroes; and there are two essays on Horace (his handling of the rhetorical recusatio in the odes to Bacchus and his lyric prayers for poetic inspiration). The volume ends with an investigation into how much Ovid actually knew of the law, and how he exploited this knowledge with piquancy and inventiveness in his writings.

This book covers a wide range of subjects from Latin literature and language to textual history and criticism. E. D. Francis gives a history of the words prae and pro, as adverb, preposition and prefix. H. D. Jocelyn surveys the distribution and differing uses of quotations from Greek poetry in Cicero's prose writings and D. F. S. Thomson takes a fresh look at the manuscript tradition of Catullus. The remaining six articles deal with later authors and are divided equally between the poets and the historians: a reading of Horace's Roman Odes and their relation to the other odes in which he addressed the Roman people; a demonstration of the internal coherence of a Tibullan elegy and two Juvenal satires; a review of disputed readings in the OCT of Livy IX; an analysis of the structure of the prologues to the Annals, Histories and Agricola to cast light on Tacitus' intentions; and a critical review of Tacitus' portrait of Germanicus, generally viewed in a sympathetic light but debated by D. O. Ross.

The Metamorphoses is rarely read as history, but its immediate models were both historiographical: the Chronica of Castor of Rhodes and the De Gente Populi Romani of Marcus Terentius Varro. They determined the poem’s chronological ordering of episodes and anticipated the way it views dynastic history in the «mythical» era of Greece and Italy as both a prelude to, and a source of precedents for, Roman imperium and Roman ruler cult. Ovid’s myth-historical poem is true to the «facts» of fabularis historia transmitted in Varro and Castor in the same way realistic historical novels are true to those of vera historia, but it combines fact with fictional supplements to create its own interpretation of the period dealt with. The result is a collective Bildungsroman taking mankind from its beginnings under divine patria potestas (books 1-5) past the erotic and military adventurism of 6-13 into a period of maturity (14-15) during which a series of leaders culminating in Augustus join or supplant the gods as guarantors of the universal rule of reason and law.

Ancient metricians saw Greek verse in essentially paradigmatic terms, as a mosaic of discrete feet or phrases, each with its own name and each conforming, within a permitted range of variation, to some fixed model. The syntagmatic alternative to this view offered here represents the first attempt since the early nineteenth century to make a decisive break with inherited metrical categories and assumptions. It argues that feet and phrases, to the extent that they exist at all in Greek lyric verse, tend to be present at the level of parole rather than langue—constituting one of a number of possible ways of articulating some larger rhythmical continuum. These larger rhythmical structures, comparable to the movements of a piece of Classical Western music but allowing for a more fluid bar structure, a greater variety of basic time signatures, and more frequent modulation, are the minimal independent utterances in lyric discourse. Recognition of their existence and character allows a reduction of the bewildering multiplicity of rhythmical nomenclature to something much more simple and manageable, as well as a clearer view both of the architectonics of the Greek stanza and of the main lines of its development during the three centuries (700–400 B. C.) when rhythmical innovation and experimentation were at their height. The organization of the book is partially by genres, partially historical; its use in the study of individual passages is facilitated by a full index locorum.