Timothy Wilson

The Ashmolean Museum catalogue Italian Maiolica and Europe (2017) included a range of works from Spain, France, the Netherlands, Germany, England, and Mexico, as well as Italy, to illustrate the rich history of European tin-glazed pottery. Since then, the Ashmolean has expanded its holdings of tin-glazed and related earthenwares to consolidate its position as one of the world’s most important and wide-ranging collections. Among the acquisitions described here is the only known piece of Italian maiolica made for a Tudor Englishman, a plate made for Humphrey Dethick, who caused a nationwide stir in 1602 by an apparent attempt to assassinate King James VI of Scotland. The bequest from Sidney Knafel of New York has transformed the Museum’s holdings of French faience; while important 16th-century maiolica comes from the collection of the late Airlie Holden-Hindley. Among the lustrewares included are fin-de-siècle pieces by Clément Massier and work by some of the world’s supreme contemporary masters of the technique.

For courses in Social Psychology Make research relevant through a storytelling approach Social Psychology introduces the key concepts of the field through an acclaimed storytelling approach that makes research relevant to students. Drawing upon their extensive experience as researchers and teachers, authors Elliot Aronson, Tim Wilson, and Sam Sommers present the classic studies that have driven the discipline alongside the cutting-edge research that is the future of social psychology. In addition to updated research references, the 10th Edition, Global Edition offers engaging new student-focused features that help students understand how what they’re studying is applicable to their own lives. Samples Download the detailed table of contents

This book is the culmination of nearly thirty years' work in caring for, studying, and developing the collections in this Museum by Timothy Wilson, long-time Keeper of Western Art. Wilson is well-known as a specialist in the study of European Renaissance ceramics. The Ashmolean collections have their origins in the collection of C. D. E. Fortnum (1820-1899), but have been developed further in the last quarter-century, so that they can claim to be one of the top such collections of Renaissance ceramics worldwide. This book, containing 289 catalogue entries, will completely encompass the Museum's collection of postclassical Italian pottery, including pieces from excavations. In addition it will include catalogue entries for some seventy selected pieces of pottery from France, the Low Countries, England, Spain, Portugal, Germany, and Mexico, in order to present a wide-ranging picture of the development of tin-glaze pottery from Islamic Spain through to recent times. It will also include an essay by Kelly Domoney of Cranfield University, and Elisabeth Gardner of the Ashmolean's Conservation Department, on the technical analysis and conservation history of some pieces in the collection.

Maiolica before the age of Raphael examines the origin of Italian maiolica and its evolution from c. 1350 up until 1500, a period which engendered some of the most rapid and exciting innovations in all ceramic art, before maiolica’s better known heyday in the High Renaissance. High Renaissance maiolica, produced in Italy in the orbit of Raphael and other artists, is widely known and has been extensively studied. This istoriato, or narrative, maiolica graces the collections of many of the world’s greatest museums. But not for almost 100 years has attention been focused on magnificent works that preceded it in the 14th and 15th centuries, which were at times prized by contemporary patrons more highly than precious metals. This new publication refocuses the spotlight of contemporary scholarship onto the birth of design in Italian maiolica, and its evolution from c. 1350 up until 1500. It was during this formative period that its characteristic tin-based glaze, with the pure and brilliant white surface it offered the late-medieval potter, engendered some of the most rapid and exciting innovations in all ceramic art. Potters began to decorate the surfaces of their earthenware vessels (of an increasingly varied spectrum of shapes and forms) with squirming, meticulous designs of unparalleled ingenuity and expression that incorporated multisensory influences from luxury contemporary textiles, metalwork, and exotic lustreware from Islamic Spain. Illustrating and describing in-depth over forty rare objects from the foremost centers of production that have survived in private hands, this catalogue discusses the spread and evolution of the medium, as well as the history of collecting and the changing taste for Italian pre-Renaissance pottery during the nineteenth and twentieth centuries.

The brightly colored tin-enameled earthenware called maiolica was among the major accomplishments of decorative arts in 16th-century Italy. This in-depth look at the history of maiolica, told through 140 exemplary pieces from the world-class collection at the Metropolitan Museum, offers a new perspective on a major aspect of Italian Renaissance art. Most of the works have never been published and all are newly photographed. The ceramics are featured alongside detailed descriptions of production techniques and a consideration of the social and cultural context, making this an invaluable resource for scholars and collectors. The imaginatively decorated works include an eight-figure group of the Lamentation, the largest and most ambitious piece of sculpture produced in a Renaissance maiolica workshop; pharmacy jars; bella donna plates; and more. Published by The Metropolitan Museum of Art / Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (08/29/16–02/26/17)

Redirect by Timothy D. Wilson, author of Strangers to Ourselves, whose work has been acclaimed by writers such as Malcolm Gladwell, is a groundbreaking book of psychology that shows how changing the stories we tell about ourselves can help solve our problems. Why will most self help books leave you worse off? How do youth rehabilitation programmes backfire? And how can one volunteer help the whole of society? Redirecting the stories you tell about yourself - and changing the stories others are telling about themselves - can help everyone, whether improving education and parenting skills or reducing crime, teen pregnancies, and drug and alcohol abuse. This timely book offers practical advice that has been proven to give real results. Redirect will show you exactly how you can be happier and more successful, using only the power of your own stories. Timothy D. Wilson is the Sherrell J. Aston Professor of Psychology at the University of Virginia. He is the author of Strangers to Ourselves, which was named by New York Times Magazine as one of the Best 100 Ideas of 2002, and is co-author of the bestselling Social Psychology textbook, now in its seventh edition. He lives in Charlottesville, Virginia, with his wife and two children. 'A masterpiece' Malcolm Gladwell, author of Blink'This may well be the single most important psychology book ever written' Daniel Gilbert, author of Stumbling on Happiness'A stimulating, valuable read' New Scientist'With a deft narrative touch . . . and a ferocious commitment to scientific evidence, Timothy Wilson has made a remarkable contribution to knowledge' Robert Cialdini, author of Influence

This book is an introduction to Italian Renaissance ceramics. These colourful and highly decorative wares form a distinctive and significant part of the artistic achievement of the period. The Fortnum collection in the Ashmolean Museum, Oxford, is outstanding in its quality and range. In this selection the author illustrates fine and characteristic pieces by leading artists in the major centres of production, including Florence, Siena and Urbino. The techniques and processes of Renaissance Maiolica are briefly discussed and the subject matter of each painted piece is related to the wider artistic culture of the time. Maiolica serves as a scholarly presentation of the finest pieces from a major collection, while at the same time providing a valuable general introduction to this most vivid and culturally illuminating of the 'minor arts' of Renaissance Italy. It is an expanded and updated edition of the book first published in 1989, incorporating most recent additions to the Museum's collections.