Todd Brewster

A remarkable collection of over 200 stunning photographs of children--from the Civil War era to the present--that captures the ever-changing experience of childhood throughout American history. Did Americans "invent" childhood? Author Todd Brewster believes we did, or at least childhood as "a period of life cordoned off from that of full maturity, covered with a veil of protection, and subject to a program of nurture." That's the inspiration behind this rich, compelling volume of rarely seen historical images drawn from the photography collections at the Library of Congress, The Metropolitan Museum of Art, the New York Public Library, and the Magnum Photo Agency as well as dozens of other archives, flea markets, and antique shops. The result is a carefully curated paean to American youth: 200-plus photos from all parts of American history, joined by a series of deeply insightful essays on the topic of the American child. American Childhood reveals American children of all types: white, Black, gay, straight, poor, middle-class, upper class, in cities, on farms, at work, at play, lost in reverie, posing for the camera, or captured in their innocence as the lens gazes at them from afar. Some of them would go on to fame: A young Mark Twain is here. So is a juvenile Thomas Edison, Shirley Temple, Lady Gaga, Sammy Davis Jr., Truman Capote, and dozens of others. Can you see the spark of genius in the life of a child? Brewster thinks so. Still, most subjects here are unknown; in many cases a photograph may be the only public trace they have left behind. Both a powerful study of American childhood and a beautiful gallery of extraordinary photography, American Childhood is a terrific addition to an under-appreciated part of American history.

A riveting exploration of how visual media has shifted the narrative on race and reignited the push towards justice by the author of the “worthy and necessary” (The New York Times) Nobody Marc Lamont Hill and the bestselling author and acclaimed journalist Todd Brewster. With his signature “clear and courageous” (Cornel West) voice Marc Lamont Hill and New York Times bestselling author Todd Brewster weave four recent pivotal moments in America’s racial divide into their disturbing historical context—starting with the killing of George Floyd. Seen and Unseen reveals the connections between our current news headlines and social media feeds and the country’s long struggle against racism. Drawing on the powerful role of technology as a driver of history, identity, and racial consciousness, Seen and Unseen asks why, after so much video confirmation of police violence on people of color, it took the footage of George Floyd to trigger an overwhelming response of sympathy and outrage. In the vein of The New Jim Crow and Caste, Seen and Unseen incisively explores what connects our moment to the history of race in America but also what makes today different from the civil rights movements of the past and what it will ultimately take to push social justice forward.

Nobody is a powerful and eye-opening examination of the deeper meaning behind the string of deaths of unarmed citizens like Michael Brown, Eric Garner, and Freddie Gray. Unarmed citizens shot by police. Drinking water turned to poison. Mass incarcerations. We’ve heard the stories. Now public intellectual and acclaimed journalist Marc Lamont Hill offers a powerful, paradigm-shifting analysis of race and class in America, and what it means to be “Nobody.” Through on-the-ground reporting and careful research, Hill shows how some American citizens are made vulnerable, exploitable, and disposable through the machinery of unregulated capitalism, public policy, and social practice. This Nobody class, Hill argues, has emerged over time, and forces in America have worked to preserve and exploit it in ways that are both humiliating and harmful. He carefully reconsiders the details of tragic events like the deaths of Michael Brown, Sandra Bland, and Freddie Gray, and the water crisis in Flint, Michigan, and delves deeply into a host of alarming trends including mass incarceration, overly aggressive policing, broken court systems, shrinking job markets, and the privatization of public resources, showing time and again the ways the current system is designed to worsen the plight of the vulnerable.

"A masterful psychological portrait" (George Stephanopoulos) of the most critical six months in Abraham Lincoln's presidency, when he wrote the Emancipation Proclamation and changed the course of the Civil War. On July 12, 1862, Abraham Lincoln spoke for the first time of his intention to free the slaves. On January 1, 1863, Lincoln signed the Emancipation Proclamation, doing precisely that. In between, however, was a tumultuous six months, an episode during which the sixteenth president fought bitterly with his generals, disappointed his cabinet, and sank into painful bouts of clinical depression. Most surprising, the man who would be remembered as "The Great Emancipator" did not hold firm to his belief in emancipation. He agonized over the decision and was wracked by private doubts almost to the moment when he inked the decree that would change a nation. It was a great gamble, with the future of the Union, of slavery, and of the presidency itself hanging in the balance. In this compelling narrative, Todd Brewster focuses on this crucial time period to ask: was it through will or by accident, intention or coincidence, personal achievement or historical determinism that he freed the slaves? "Brewster brings elegant clarity to the tangle of conflicting ideologies, loyalties, and practicalities that pushed the proclamation forward" (Publishers Weekly), portraying the president as an imperfect man with an unshakable determination to save a country he believed in, even as the course of the Civil War remained unknown.