Tom Beaujour

With a Foreword by Kim Thayil of Soundgarden The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza―told by the musicians, roadies, and industry insiders who lived it. From the New York Times bestselling authors of Nothin' But A Good Time. In Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, Lollapalooza chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise - as well as the reverberations that led to a massive shift in the music industry and the culture at large. Lollapalooza features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U. S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today - cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. A nostalgic look back at 1990s music and culture, Lollapalooza traces the festival's groundbreaking origins, following the tour as it progresses through the decade, and documenting the action onstage, backstage, and behind-the-scenes in detailed and uncensored and sometimes shocking first-person accounts. This is the story of Lollapalooza and the 1990s alternative rock revolution.

Spawned in 1991 as a farewell tour for Jane's Addiction, Lollapalooza was a nomadic spectacle, stopping in more than twenty cities across North America. A sweeping success, it offered a diverse ensemble of bands, breaking the barriers of genre and uniting alternative rock, heavy metal, punk rock, hip hop, and even electronic dance music under one grand event. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organisations, and political outfits, offering a tantalising cocktail of culture, art, and activism that reached epic proportions. Echoes of its impact reverberate strongly today – cemented by annual sell-outs, an estimation of 400,000 attendees each July, and a spot among the world's largest and longest-running music festivals. It showcases the transcending power of music through the decades. Bestselling authors Tom Beaujour and Richard Bienstock draw from over two hundred author interviews with members of Jane’s Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Ice-T, Rage Against the Machine, Patti Smith, Metallica and many more to tell the no-holds-barred history of this iconic music festival.

The Explosive New York Times Bestseller A backstage pass to the wildest and loudest party in rock history--you'll feel like you were right there with us --Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated--and maybe even helped to define--a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister's "We're Not Gonna Take It," M tley Cr e's "Girls, Girls, Girls," and Guns N' Roses' "Welcome to the Jungle" are as inextricably linked to the era as Reaganomics, PAC-MAN, and E. T. From the do-or-die early days of self-financed recordings and D. I. Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, M tley Cr e, Poison, Guns N' Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era--one in which the bands and their fans went looking for nothin' but a good time...and found it.