Tony Williams

This volume offers the first comprehensive survey of the cinema of Evans Chan, a New York-based playwright, author, and filmmaker whose acclaimed films include To Liv(e), The Map of Sex and Love, and Datong. In this collection of essays on Chan's documentary and feature films seven experts on cultural and film studies examine the unique blending of fictional representation, historical investigation, and critical essayism that characterize Chan's oeuvre. They discuss how Chan's work brings out the contradictory nature of the distant and recent past through his exploration of Hong Kong's rapid transformation before and after reunification with China in 1997. The volume concludes with an interview with Evans Chan on his work to date and includes two DVDs containing five of his most important films. The book will appeal to scholars and students who are interested in China and Hong Kong cinema, postcolonial studies, cultural studies, and diaspora studies.

In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics of the 1950s, and the novels of Stephen King, revealing the interdisciplinary depth of his seminal films Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half (1992). For this second edition, Williams reads Romero's Bruiser (2000) against his more recent Land of the Dead (2005) and takes a fresh look at Diary of the Dead (2007) and Survival of the Dead (2009), two overlooked films that feature Romero's greatest achievements yet.

In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics of the 1950s, and the novels of Stephen King, revealing the interdisciplinary depth of his seminal films Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half (1992). For this second edition, Williams reads Romero's Bruiser (2000) against his more recent Land of the Dead (2005) and takes a fresh look at Diary of the Dead (2007) and Survival of the Dead (2009), two overlooked films that feature Romero's greatest achievements yet.

Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It's Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s. After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.

Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It's Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s. After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.

The Midlands by is the second collection by Tony Williams, following his much-acclaimed debut The Corner of Arundel Lane and Charles Street in inimitable and lyrical style. Beginning in the Midlands themselves, with the 'unfound grave of a Mercian king under wurzels, new housing and out-of-town Asdas', his poems compose a tragi-comic paean to vanishing hinterlands and fine-tuned weirdness, to domestic relics, to dog walks, dust and phantoms. Williams' absolute delight in word play and tomfoolery belies a darker, stranger undertow between rhyme and reasoning. Strange forces are at work in the heartlands, where we find ourselves travellers in perpetual motion, stopping only to gather our disappointment at the OK Café on the A1 and wonder if our 'boots might rise from the earth and pursue' us. Tony Williams is a poet and short-story writer based in North-East England. His first full collection, The Corner of Arundel Lane and Charles Street, was published by Salt in 2009 and was shortlisted for the Aldeburgh First Collection Prize and the Portico Prize for Literature. He teaches creative writing at Northumbria University

Winner of the 2013 Saboteur Award for Best Short Story Collection Who are the stars of these brief lives? A boy who steals a trundlewheel. An astronaut. A betrayed wife. A man jealous of his lover’s chickens. Commuters. Glampers. Psychotic twins. What do they have in common? Nothing – except the funny-haha and funny-strange conditions of their lives that bring them joy or misery and make us laugh at them and pity them and love them too. What happens when you lose both your eyes to squash accidents? When you inherit a shop full of curios? When you fall for the spirit of a famous murderer? When your son’s a tramp? When the one you love is about to kill herself? Or has the Ganges delta in her bloodshot eye? When your butcher doesn’t know anything about meat? Discovering the answers to these questions will knock you sideways – and show that the more we understand about people’s oddity, the more we come to appreciate their essential humanity. In these tiny stories, written over a period of a few short months, Tony Williams pushes the limits of prose fiction, homing in on the moments that sum up lifetimes and their complicated, bittersweet emotions. Each story crams a whole world into a couple of pages – you can sneak them one at a time whenever you have a spare minute, or gobble the lot – with a cast of hundreds – in a single day.

The HR function is having to adjust itself to the implications of the globalisation of business activity. This has meant adjusting its philosophy, policies and practices to fit new organisational imperatives, as well as creating its own refashioned service delivery model. Peter Reilly and Tony Williams's Global HR explores the key issues of building an international brand, culture and talent pool, whilst contributing to business and functional transformation, drawing on examples from multinationals in telecoms, fast-moving consumer goods, manufacturing, software, services and commodities. In doing so, they offer insights into managing people and businesses that no organization can ignore.

There's no reason anymore for your kids to be scared to go to bed! Written and Illustrated by Tim and Toni Williams, Timmy's Bedtime: A Monster Bear Tale will help your children realize that there are no monsters under the bed! Says author Tim Williams, "This was a story of what I did for my daughter about forty years ago, when she was afraid of monsters under her bed. Our solution worked then, and for a few of our friends that we told our remedy to over the years." Timmy's Bedtime is only the beginning for these creative authors. Their next book is all about the origin and training of Monster Bears. Tim and Toni Williams have been married 43 years. Originally from Southern California, the couple now lives in Saint Stephen, South Carolina. He is a retired carpenter she is a small business owner operator. Publisher's website: http://www.strategicpublishinggroup.com/title/TimmysBedtime.html

Longlisted For The Portico Prize. Potter down to The Corner of Arundel Lane and Charles Street and find a strange landscape opening up before you: the city's dishevelled edge of huts and fallen fences slides towards a sullen and uncanny countryside. Elegant, intelligent, charming and accessible, these poems reinvent the pastoral for dark times. They peddle dreams and nightmares, hollow laughter, elegy and joy, and use a spectrum of forms and tones from the prosaic to the metrical, from wry cynicism to high rhetoric. Meet botanists, bastards, predators and prayers, the feckless and the dead, a lecherous Polish priest and Prospero as a game old bird, cigar in hand, mourning the proliferation of oiks like you. Pop in for a drink at the pub of the rural damned, dodge deranged farmers and deluded incomers, and make for the county town with its closed cinema and publicly-owned Scotch eggs. Find an eyeball in a wooden box. Discover the moral character of sand and gravel, play a quick hand of piquet and lie awake all night listening to the Dark shagging in the garden of a city terrace. The poems in The Corner of Arundel Lane and Charles Street are original and allusive, serious and funny. Their wit and charm plot new routes through familiar landscapes.

This 1990 film is quite different from the previous two John Woo films profiled by NHKC books-A Better Tomorrow and The Killer-being a more ambitious geopolitical drama that has been compared with The Deer Hunter and Apocalypse Now. Some critics (and

HR has sought to reposition itself as a strategic contributor to organizations. To facilitate this, it has restructured, bringing in shared services, business partners and centres of expertise, simplifying, automating and rationalising processes, and devolving some activities to managers, whilst outsourcing others. HR has yet to give sufficient attention to the capability of the function to deliver against the added value promise. This book looks at the developments that have brought HR to its present position. It sets out a vision of where HR might be headed, including a definition of its role and activities. It identifies a number of challenges that HR will have to face if it is to be effective. These include not just skills, but problems with structures and relationships with stakeholders, be they line managers or employees. The authors also highlight ways of monitoring HR performance and of demonstrating its value. It all adds up to an authoritative reference guide for all HR directors seeking to define their role and future aims, for those new to the function on the challenges they will face, and for senior executives on what they should expect the added value to be from their HR function.

In-depth study of the director of classic horror films such as Night of the Living Dead and Dawn of the Dead.

This is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models.

An efficient and cost-effective HR function is essential to the successful running of any organization. And yet for many businesses it is impossible or costly to have HR staff in every office. This is particularly true for companies who have many branches, such as banks and building societies. So what are they to do? Increasingly they are turning to shared services by creating a unit within the organization that typically undertakes personnel administration and basic operational support. This may be delivered to managers and employees through some combination of call centre, personal contact or intranet. Creating a shared services centre enables the HR function to redefine its relationship with its stakeholders. It can become more of a strategic player and make a more business-focused contribution. This book explains what shared services are and what they look like for the HR function. It describes why organizations opt for shared services and what activities are included. It sets out the relationship between shared services and the other HR activities, and between HR and line management. How To Get Best Value From HR outlines the process of introducing shared services, from identifying customer needs through designing the structure to implementation and monitoring. It also outlines the likely pitfalls and, importantly, offers possible solutions. In particular the book highlights the big design issues, including whether to outsource services, where a shared services centre should be located, how services should be delivered and organized, including through the option of e-HR. Crucially it features an extended case study of the Royal Bank of Scotland's experience of introducing HR shared services, providing a unique insight into the reality of this new way of working.