Tremper Longman

In this first volume of a three-volume commentary on the book of Psalms, John Goldingay, a creative and respected Old Testament scholar, considers literary, historical, and grammatical dimensions of the text as well as theological implications. Goldingay writes with a scholar's eye and a pastor's heart. The resulting commentary will bring the Psalms to life for a new generation of pastors and students. In addition to the commentary on Psalms 1-41, this volume contains Goldingay's introduction to the entire book of Psalms. Also included is an extensive glossary section treating the vocabulary of Psalms 1-41, which notes how certain words are used to convey critical concepts. This is the third volume in the Baker Commentary on the Old Testament Wisdom and Psalms series.

To read Genesis intelligently, we must consider the questions, the literature, and the times in which Genesis was written. In How to Read Genesis Tremper Longman III provides a welcome guide to reading, studying, understanding, and savoring this panorama of beginnings-of both the world and of Israel. And importantly for Christian readers, we gain insight into how Genesis points to Christ and can be read in light of the gospel.

Relationships are a wonderful, mysterious, often elusive, sometimes painful part of the human experience. The most intimate of all human relationships, according to the Bible, is that between a husband and a wife. It is no surprise, therefore, that there is a book of the Bible, the Song of Songs, that focuses on this relationship. What is surprising is how little attention is given to the Song of Songs by scholars, by the church, and by readers of the Bible. With this volume Tremper Longman III unpacks for modern people what this ancient love poem says about the male-female relationship -- and, by analogy, about God's love for his people. Longman's superb study begins with a thorough introduction to the Song of Songs and its background. Longman discusses the book's title, authorship, date, literary style, language, structure, cultural milieu, and theological content. He also canvasses the long history of interpretation of the Song of Songs, a history too often characterized by repression of the text. In the commentary itself, Longman structures the Song of Songs according to its twenty-three poetic units and explains its message verse by verse. The exposition is made clearer by Longman's adoption of an anthropological approach to the text and by his frequent comparisons of the Song of Songs with other ancient Near Eastern literature. Learned yet highly accessible, innovative yet fully informed by past scholarship, this commentary shows the beautiful Song of Songs to be a timeless celebration of human love and sexuality.

Ecclesiastes is one of the most fascinating -- and hauntingly familiar -- books of the Old Testament. The sentiments of the main speaker of the book, a person given the name Qohelet, sound incredibly modern. Expressing the uncertainty and anxieties of our own age, he is driven by the question, -Where can we find meaning in the world?- But while Qohelet's question resonates with readers today, his answer is shocking. -Meaningless, - says Qohelet, -everything is meaningless.- How does this pessimistic perspective fit into the rest of biblical revelation? In this commentary Tremper Longman III addresses this question by taking a canonical-Christocentric approach to the meaning of Ecclesiastes. Longman first provides an extensive introduction to Ecclesiastes, exploring such background matters as authorship, language, genre, structure, literary style, and the book's theological message. He argues that the author of Ecclesiastes is not Solomon, as has been traditionally thought, but a writer who adopts a Solomonic persona. In the verse-by-verse commentary that follows, Longman helps clarify the confusing, sometimes contradictory message of Ecclesiastes by showing that the book should be divided into three sections -- a prologue (1:1-11), Qohelet's autobiographical speech (1:12-12:7), and an epilogue (12:8-14) -- and that the frame narrative provided by prologue and epilogue is the key to understanding the message of the book as a whole.