Valerie Smith

This compelling study explores the inextricable links between the Nobel laureate’s aesthetic practice and her political vision, through an analysis of the key texts as well as her lesser-studied works, books for children, and most recent novels. Offers provocative new insights and a refreshingly original contribution to the scholarship of one of the most important contemporary American writersAnalyzes the celebrated fiction of Morrison in relation to her critical writing about the process of reading and writing literature, the relationship between readers and writers, and the cultural contributions of African-American literatureFeatures extended analyses of Morrison’s lesser-known works, most recent novels, and books for children as well as the key texts

From the nineteenth century articulations of Sojourner Truth to contemporary thinkers like Patricia J. Williams, Black feminists have always recognized the mutual dependence of race and gender. Detailing these connections, Not Just Race, Not Just Gender explores the myriad ways race and gender shape lives and social practices. Resisting essentialist tendencies, Valerie Smith identifies black feminist theorizing as a strategy of reading rather than located in a particular subjective experience. Her intent is not to deny the validity of black women's lived experience, but rather to resist deploying a uniform model of black women's lives that actually undermines the power of black feminist thought. Whether reading race or gender in the Central Park jogger case or in contemporary media, like Livin'Large, Smith displays critical rigor that promises to change the way we think about race and gender.

In this perceptive exploration of the relationship between autobiography and fiction in African-American writing, Valerie Smith argues that black writers—from the authors of nineteenth-century slave narratives to contemporary novelists—affirm and legitimize their psychological autonomy by telling the stories of their lives. Focusing on autobiographies by Olaudah Equiano, Frederick Douglass, and Harriet Jacobs and on the fiction of James Weldon Johnson, Richard Wright, Ralph Ellison, and Toni Morrison, Smith demonstrates the ways in which the act of narrating constitutes an act of self-fashioning that must be understood in the context of the African-American experience. Hers is a fertile investigation, attuned to the differences in male and female sensibilities, and attentive to the importance of oral traditions.