Veronica della Dora

For more than one thousand years the monastic republic of Mount Athos has been one of the most chronicled and yet least accessible places in the Mediterranean. Difficult to reach until the last century and strictly restricted to male visitors only, the Holy Mountain of Orthodoxy has been known in the Eastern Christian world and in western Europe more through representation than through direct experience. Most writing on Athos has focused on its Byzantine history and sacred heritage. Imagining Mount Athos uncovers a set of alternative and largely unexplored perspectives, equally important in the mapping and dissemination of Athos in popular imagination. The author considers Mount Athos as the site of pre-Christian myths of Renaissance and Enlightenment scholarship, of shelter for Allied refugees during the Second World War, and of a botanical and sociological laboratory for early twentieth century scientists. Each chapter considers a different narrative channel through which Athos has entered Orthodox and western European imagination: the mythical, the utopian, the sacred, the scholarly, the geopolitical, and the scientific. Della Dora has assembled a wealth of unique textual, visual, and oral materials without ever having had the opportunity to visit this holy place. In this sense, in addition to making an important contribution to existing scholarship on Mount Athos, the book adds to current theoretical debates in cultural geography and humanities generally about the circulation of knowledge. Imagining Mount Athos's appeal is international and spans Hellenic studies, cultural geography, environmental history, cultural history, religious studies, history of cartography, and art history. The book will be of interest to scholars as well as to a general audience interested in this unique place and its fascinating history.

Most writing on Athos has focused on its Byzantine history and sacred heritage. Imagining Mount Athos uncovers a set of alternative and largely unexplored perspectives, equally important in the mapping and dissemination of Athos in popular imagination. The author considers Mount Athos as the site of pre-Christian myths of Renaissance and Enlightenment scholarship, of shelter for Allied refugees during the Second World War, and of a botanical and sociological laboratory for early-twentieth-century scientists. Each chapter considers a different narrative channel through which Athos has entered Orthodox and western European imagination: the mythical, the utopian, the sacred, the scholarly, the geopolitical, and the scientific.

Suspended between sea and sky, battered by the waves and the wind, lighthouses mark the battlelines between the elements. They guard the boundaries between the solid human world and the primordial chaos of the waters; between stability and instability; between the known and the unknown. As such, they have a strange, universal appeal that few other manmade structures possess. Engineered to draw the gaze of sailors, lighthouses have likewise long attracted the attention of soldiers and saints, artists and poets, novelists and film-makers, colonizers and migrants, and, today more than ever, heritage tourists and developers. Their evocative locations, their isolation and resilience have turned these structures into complex metaphors, magnets for stories. This book explores the rich story of the lighthouse in the human imagination.

Nature is as much an idea as a physical reality. By 'placing' nature within Byzantine culture and within the discourse of Orthodox Christian thought and practice, Landscape, Nature and the Sacred in Byzantium explores attitudes towards creation that are utterly and fascinatingly different from the modern. Drawing on Patristic writing and on Byzantine literature and art, the book develops a fresh conceptual framework for approaching Byzantine perceptions of space and the environment. It takes readers on an imaginary flight over the Earth and its varied topographies of gardens and wilderness, mountains and caves, rivers and seas, and invites them to shift from the linear time of history to the cyclical time and spaces of the sacred - the time and spaces of eternal returns and revelations.

The term mantle has inspired philosophers, geographers, and theologians, and shaped artists' and mapmakers' visual vocabularies for thousands of years. According to Veronica della Dora, mantle is the "metaphor par excellence, for it unfolds between the seen and the unseen as a threshold and as a point of tension." Featuring numerous illustrations, The Mantle of the Earth: Genealogies of a Geographical Metaphor is an intellectual history of the term mantle and its metaphorical representation in art and literature, geography and cartography. Through the history of this metaphor from antiquity to the modern day, we learn about shifting perceptions and representations of global space and of the nature of geography itself.

This volume provides a theoretically and empirically-grounded study of the significance of landscape in the experience of Christian pilgrimage across different denominations and its intersection with cultural heritage and tourism. The book focuses on pilgrimages to Meteora (Greece), Subiaco (Italy) and the Isle of Man. These are each sites of scenic beauty that boast a rich heritage associated respectively to Greek Orthodox, Roman Catholic and Ecumenical/ Protestant denominations. The study discusses different Christian theologies, practices and perspectives on the nature and the purpose of pilgrimage in these traditions. It draws on participant experiential accounts, archival research, and interviews with clergy, laity and local stakeholders. Special attention is paid to the themes of sacred space and practice, aesthetics, mobilities, embodiment and performance, emotional geographies, theology, cultural heritage, consumption and commodification, and the pilgrim-tourist continuum.

Majestic and awe-inspiring, mountains demand our attention. Through the centuries, they have both repulsed and attracted. They have been appreciated and despised as sites of divine and diabolic sublimity, as the dwellings of gods and demons, hermits and revolutionaries. Mountain encounters have defined ways of seeing. They have changed our sense of time. They have pushed the boundary between life and death. Progressively tamed, exploited, even commodified, today mountains continue to attract seekers of spiritual quietness and of extreme emotions alike, as well as weekend travellers looking for a break from the everyday. In this compelling journey through peaks both real and imaginary, Veronica della Dora explores how the history of mountains is deeply interlaced with cultural values and aesthetic tastes, with religious beliefs and scientific practices. She shows how mountains are ultimately collaborations between geology and the human imagination, and how they have helped shape our environmental consciousness and our place in the world. Magnificently illustrated, and featuring examples from five continents and beyond, Mountain offers a fascinating 12 exploration of mountains and the idea of the mountain in art and literature, science and sport, religion and myth.

Nature is as much an idea as a physical reality. By 'placing' nature within Byzantine culture and within the discourse of Orthodox Christian thought and practice, Landscape, Nature and the Sacred in Byzantium explores attitudes towards creation that are utterly and fascinatingly different from the modern. Drawing on Patristic writing and on Byzantine literature and art, the book develops a fresh conceptual framework for approaching Byzantine perceptions of space and the environment. It takes readers on an imaginary flight over the Earth and its varied topographies of gardens and wilderness, mountains and caves, rivers and seas, and invites them to shift from the linear time of history to the cyclical time and spaces of the sacred - the time and spaces of eternal returns and revelations.

This volume provides a theoretically and empirically-grounded study of the significance of landscape in the experience of Christian pilgrimage across different denominations and its intersection with cultural heritage and tourism. The book focuses on pilgrimages to Meteora (Greece), Subiaco (Italy) and the Isle of Man. These are each sites of scenic beauty that boast a rich heritage associated respectively to Greek Orthodox, Roman Catholic and Ecumenical/ Protestant denominations. The study discusses different Christian theologies, practices and perspectives on the nature and the purpose of pilgrimage in these traditions. It draws on participant experiential accounts, archival research, and interviews with clergy, laity and local stakeholders. Special attention is paid to the themes of sacred space and practice, aesthetics, mobilities, embodiment and performance, emotional geographies, theology, cultural heritage, consumption and commodification, and the pilgrim-tourist continuum.