Victor Hugo

« Une Note sur la destruction des monuments en France, sign du m me nom que les lignes qu'on va lire, a t derni rement publi e, par hasard et avec d'innombrables fautes d'impression, dans un des recueils du jour de l'an. D'autres recueils et des journaux fort r pandus ont r p t cette Note, malheureusement avec toutes les fautes d'impression qui en d figuraient le sens. Dans cet aper u, crit en 1825, et d'ailleurs tr s incomplet, des nombreuses d vastations d' difices nationaux qui se font -la-fois, et sans qu'on y songe, sur toute la surface de la France, l'auteur se promettait de revenir souvent sur ce sujet, propos et hors de propos. Il vient aujourd'hui remplir cette promesse...

Der Roman erz hlt unter anderem die Geschichte vom missgestalteten Gl ckner Quasimodo, der sich in die sch ne Zigeunerin Esmeralda verliebt und zeichnet dabei ein buntes und vielseitiges Bild des franz sischen Sp tmittelalters mit all seinen Bev lkerungsschichten.

Victor Hugo: 1793. Das Jahr des Schreckens Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Frz. Originaltitel: Quatrevingt-treize. Geschrieben Dezember 1872 bis Juni 1873. Erstdruck: 1874. Hier in der bersetzung von Ludwig Schneegans, erschienen 1874 in drei B nden unter dem Titel Drei und neunzig bei Friedr. Wolff, Stra burg, 1874. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Georg Heinrich Sieveking, Hinrichtung Ludwigs des XVI, 1793. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

Victor Hugo: 1793. Das Jahr des Schreckens Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Frz. Originaltitel: Quatrevingt-treize. Geschrieben Dezember 1872 bis Juni 1873. Erstdruck: 1874. Hier in der bersetzung von Ludwig Schneegans, erschienen 1874 in drei B nden unter dem Titel Drei und neunzig bei Friedr. Wolff, Stra burg, 1874. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Georg Heinrich Sieveking, Hinrichtung Ludwigs des XVI, 1793. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

I slutningen af 1600-tallet redder en hjeml s dreng ved navn Gwynplaine en sp d pige under en snestorm. De m der en rejsende g gler, der kalder sig Ursus, og hans k ledyrsulv, Homo. Gwynplaines mund er blevet leml stet i et evig smil; Ursus er oprindeligt forf rdet, derefter r rt til medlidenhed, og han tager dem med sig. 15 r senere er Gwynplaine vokset til en st rk mand. Pigen, der nu hedder Dea, er blind og er vokset til en smuk og uskyldig ung kvinde. Ved at r re ved hans ansigt konkluderer Dea, at Gwynplaine er evigt glad. De forelsker sig. Ursus og hans surrogatb rn tjener til livets ophold p markeder i det sydlige England. Gwynplaine holder den nedre halvdel af sit ansigt skjult. I hver by giver Gwynplaine en sceneopf relse, hvor skarerne provokeres til latter, n r Gwynplaine afsl rer sit groteske ansigt. Den fork lede og feterede hertuginde Josiana er datter af kong James II. Hendes forlovede fort ller hende, at den eneste kur mod hendes kedsomhed er Gwynplaine. Josiana deltager i en af Gwynplaines forestillinger og bliver tiltrukket af kombinationen af hans virile fremtr den og hans ansigts deformitet. Gwynplaine v kkes af Josianas fysiske sk nhed og hovmodige opf rsel. En d dsd mt l ge afsl rer Gwynplaines sande identitet, og historien tager en overraskende vending.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING