Kirjojen hintavertailu – 12 859 829 kirjaa ja 27 kauppaa

Kirjailija

Victoria Knight

Kirjat ja teokset yhdessä paikassa: 4 kirjaa, julkaisuja vuosilta 2013–2022, suosituimpiin kuuluu The Marked Ones. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

4 kirjaa

Kirjojen julkaisuvuodet: 2013–2022.

A Very Best Friend

A Very Best Friend

Victoria Knight

Trilogy Christian Publishing
2022
pokkari
But there is a friend that sticks closer than a brother. This book encourages children to develop their own relationship with Jesus. It tells the story of an eleven-year-old boy named Philip, who wants a best friend and learns that Jesus wants to be that best friend. He embarks on a journey of getting to know Jesus through conversation, prayer, dreams, and the Bible. Philip learns to hear God's voice and discovers that he is not limited by his age to do what He says in the Bible.
Prisoners on Prison Films

Prisoners on Prison Films

Jamie Bennett; Victoria Knight

Springer Nature Switzerland AG
2020
sidottu
This book explores how an audience of men serving sentences in an English prison responded to viewing five contemporary British prison films. It examines how media representations of prison vary in style and content, how film can influence public attitudes, and how this affects people in prison. The book explains the ways in which film acts as a power resource, presenting an ideological vision of criminal justice. The audience used these films to map the social terrain of prison, including issues of power and resistance; race and racism; corruption and the illicit economy; and staff-prisoner relationships, themes which are explored in the films screened. The authors argue that media consumption is one of the ways in which people in prison construct and maintain an ideal of the prisoner culture and what it is to be a ‘prisoner’. The book also reveals the ways in which audience members’ media choices and readings are part of the ongoing process of constructing their self-identity. This book illuminates the complex ways in which media consumption is an integral part of social power, cultural formation and identity construction. Recognising and engaging with audiencehood offers one potential route for supporting more progressive penal practice. This book speaks to those interested in prisons, crime, media and culture, and film studies.