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Vivienne Franzmann

Kirjat ja teokset yhdessä paikassa: 8 kirjaa, julkaisuja vuosilta 2012–2021, suosituimpiin kuuluu Rebel Voices: Monologues for Women by Women. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

8 kirjaa

Kirjojen julkaisuvuodet: 2012–2021.

Rebel Voices: Monologues for Women by Women

Rebel Voices: Monologues for Women by Women

Alice Birch; Linda Brogan; Deborah Bruce; Katherine Chandler; Sarah Daniels; Suhayla El-Bushra; Sonya Hale; Katie Hims; Theresa Ikoko; Bryony Lavery; Laura Lomas; Sabrina Mahfouz; Winsome Pinnock; Danni Brown; Annie Caulfield; Lin Coghlan; Raina Dunne; Vivienne Franzmann; Jacqueline Holborough; Daisy King; Lucy Kirkwood; Rebecca Lenkiewicz; Morgan Lloyd Malcolm; Natasha Marshall; Chloe Moss; Chinoyerem Odimba; Rena Owen; Rebecca Prichard; Ursula Rani Sarma; Anna Reynolds; Somalia Seaton; Shelley Silas; Sandrine Uwayo

Methuen Drama
2019
nidottu
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women’s lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women’s theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.
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National Theatre Connections 2021: 11 Plays for Young People

National Theatre Connections 2021: 11 Plays for Young People

Miriam Battye; Mojisola Adebayo; Alison Carr; John Donnelly; Vivienne Franzmann; Hattie Naylor; Andrew Muir; Frances Poet; Silva Semerciyan; Chris Thompson

Methuen Drama
2021
muu
Each year, the National Theatre commissions ten new plays for young people to perform, bringing together some of the UK's most exciting writers with the theatre-makers of tomorrow. This 2021 pack captures the two new plays written for the 2021 festival that are perfect for schools and youth groups to perform and study. Written with flexibility in mind, these are perfect for exploration both virtually and in-person, responding to the restrictions in place due to Covid-19. It also includes National Theatre Connections 2020 anthology which features 9 plays, 8 of which are included in the 2021 festival performances. The plays included in this pack are: Find a Partner by Miriam Battye Like There’s No Tomorrow, created by the Belgrade Young Company with Justine Themen, Claire Procter and Liz Mytton Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison Carr A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .
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National Theatre Connections 2020

National Theatre Connections 2020

Mojisola Adebayo; Chris Bush; Alison Carr; John Donnelly; Vivienne Franzmann; Hattie Naylor; Andrew Muir; Frances Poet; Silva Semerciyan; Chris Thompson

Methuen Drama
2020
nidottu
National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison CarrA series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .
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The IT

The IT

Vivienne Franzmann

NICK HERN BOOKS
2021
nidottu

Halvin toimitettuna 20,90 €

'It is really small. Whatever it is. But it's here. It's definitely here.' A teenage girl has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands. It has claws. Eventually it takes over the entirety of her body. No one must know about it. She has to keep its presence, its possession of her, concealed. She pulls away from her friends. She refuses to speak, in case 'The IT' is heard. But she can't contain it forever. Sooner or later something's got to give... Presented in the style of a direct-address documentary, Vivienne Franzmann's The IT is a darkly comic state-of-the-nation play exploring adolescent mental health and the rage within. Written specifically for young people, the play formed part of the 2021 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It was named Best Play for Young Audiences at the Writers' Guild of Great Britain Awards 2023. The IT offers opportunities for a large, flexible cast of any size and mix of genders.
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Bodies

Bodies

Vivienne Franzmann

Nick Hern Books
2017
pokkari
‘We should have brought a gift.’ ‘We’ve brought a gift. It’s called twenty-two thousand pounds.’ Purchased from Russia. Developed in India. Delivered to the UK. A global transaction over nine months that offers ‘a lifetime of happiness’ for all involved. Vivienne Franzmann's play Bodies explores the human cost of surrogacy, and what we’ll overlook to get what we want. The play premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, on 5 July 2017, in a production directed by Jude Christian.
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Pests

Pests

Vivienne Franzmann

Nick Hern Books
2014
nidottu
A hard-hitting, claustrophobic drama about trying to escape your past. Pink loves Rolly. Rolly loves Pink. And Pink loves getting bombed off her face. Sisters from the same nest. Both trapped in a tiny rotting world. Both cuffed to a past that refuses to release them. One wants out. The other needs her in. Trouble is that when you complete each other, you're nothing on your own. Vivienne Franzmann's play Pests was commissioned by Clean Break in a co-production with the Royal Court Theatre, London, and the Royal Exchange Theatre, Manchester. It premiered at the Royal Exchange in March 2014, before transferring to the Royal Court and touring the UK.
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The Witness

The Witness

Vivienne Franzmann

Nick Hern Books
2012
pokkari
A dark and penetrating thriller of modern morals. Captured in an award-winning shot, Alex was rescued from Rwanda and adopted by the man behind the lens. Years later, she's back from university, returning to the Hampstead home in which she was raised. As a long-hidden secret is exposed, the distance between father and daughter stretches taut. Vivienne Franzmann's play The Witness was first performed at the Royal Court Theatre Upstairs, London, in June 2012.
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Mogadishu

Mogadishu

Vivienne Franzmann

Nick Hern Books
2012
nidottu
A gripping and urgent play about a well-meaning teacher who intervenes on behalf of a troublesome student, with terrifying consequences. When white secondary-school teacher Amanda is pushed to the ground by black student Jason, she's reluctant to report him as she knows exclusion could condemn him to a future as troubled as his past. But when Jason decides to protect himself by spinning a story of his own, Amanda is sucked into a vortex of lies in which victim becomes perpetrator. With the truth becoming less clear and more dangerous by the day, it isn't long before careers, relationships and even lives are under threat. Vivienne Franzmann's first play, Mogadishu won the Bruntwood Prize for Playwriting in 2008 and the George Devine Award in 2010. It was first produced at the Royal Exchange Theatre, Manchester, in 2011.
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