Wallace Thurman

"The Blacker the Berry" is the provocative and illuminating 1929 novel by Harlem Renaissance author Wallace Thurman. The novel follows the life of Emma Lou Morgan, a young black woman with dark skin. She is born and raised by her single mother in the predominantly white community of Boise, Idaho. She often feels like an outsider, even among her family, as they are lighter skinned than she, and believes that her dark skin will keep her from marrying and having an easy life. Emma wants a better life for herself and goes to college at the University of Southern California, hopeful she will find people who will accept her. While she finds a larger black community at college, she continues to feel like an outsider and is often made to feel inferior and unwanted due to her darker skin. Emma Lou's search for love and acceptance takes her to New York and the vibrant black community of Harlem after college, but she continues to face prejudice and rejection in a world she thought would be more accepting of her. Critically acclaimed, "The Blacker the Berry" remains an unflinching and thought-provoking examination of race, prejudice, and self-acceptance. This edition is printed on premium acid-free paper.

" T]his delightful roman clef about the Harlem Renaissance reflects . . . many of the competing notions of its time -- between the masses and individuality, between art and uplift, between civilization and primitivism, between separatism and assimilation." -- Kirkus Reviews This minor classic of the Harlem Renaissance centers on the larger-than-life inhabitants of "Niggerati Manor," an apartment building modeled on the rooming house where the author once lived among other celebrated black artists and writers. Enlivened by characters based on Langston Hughes, Zora Neale Hurston, and Alain Locke, Wallace Thurman's rollicking novel satirizes the cultural confusion surrounding a golden age of African-American art and literature. Infants of the Spring was originally published in 1932 -- shortly after the author's ground-breaking novel on interracial prejudice, The Blacker the Berry, and two years before his untimely death. Thurman's elegant prose and witty characterizations offer revealing insights into conflicts within the African-American artistic community as well as the struggle to maintain artistic integrity.

"The tragedy of her life was that she was too black," declares the narrator at the start of this powerful novel of intraracial prejudice. Emma Lou Morgan lives in a world of scorn and shame, not because her skin is black, but because it's too black. No one among her family, teachers, and friends has a word of consolation or hope for the despised and rejected girl. With nothing to lose, eighteen-year-old Emma Lou leaves her home in Idaho, seeking love and acceptance on a journey that ultimately leads her to the legendary community of the Harlem Renaissance. A source of controversy upon its 1929 publication, The Blacker the Berry was the first novel to openly address color prejudice among black Americans. Author Wallace Thurman, an active member of the Harlem Renaissance, vividly recaptures the era's mood and spirit. His portrait of a young woman adrift in the city forms an enduringly relevant reflection of the search for racial, sexual, and cultural identity.

The Messenger was the third most popular magazine of the Harlem Renaissance after The Crisis andOpportunity. Unlike the other two magazines, The Messenger was not tied to a civil rights organization. Labor activist A. Philip Randolph and economist Chandler Owen started the magazine in 1917 to advance the cause of socialism to the black masses. They believed that a socialist society was the only one that would be free from racism. The socialist ideology of The Messenger "the only magazine of scientific radicalism in the world published by Negroes," was reflected in the pieces and authors published in its pages. The Messenger Reader contains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West. The Messenger Reader, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.