Walter Anderson

Among Walter Anderson's best-loved books, An Alphabet and Robinson: The Pleasant History of an Unusual Cat are much admired by children and parents, and have long been given as special gifts emblazoned with Anderson's unique art. In that vein and long in demand is this revived edition of Anderson’s Alice, which carries the renowned artist's visual translation of Lewis Carroll's classic story, Alice’s Adventures in Wonderland. Anderson's Alice, though, is no Victorian doll as she is in the famous illustrations by Sir John Tenniel, Arthur Rackham, and elsewhere. Instead, Anderson represents Alice as an adventurer, capturing her spirit and her energy in bold lines. In Anderson's Alice: Walter Anderson Illustrates "Alice’s Adventures in Wonderland," ninety-two pen-and-ink drawings accompany the complete text of Lewis Carroll's original narrative. Anderson (1903–1965) drew them alone late at night as he recovered from an illness, and he considered them to be translations of words into visual images rather than illustrations. The story of Alice brought him comfort and inspiration, and he placed her wonderland close to his own homeland by localizing Alice's environment with backgrounds featuring the kinds of wildflowers and crabs that are native to the Gulf Coast. Walter Anderson, often intensely private within his community of Ocean Springs, Mississippi, observed and wrote about nature and produced thousands of drawings and watercolors of the plant and animal life on the Mississippi Coast. These show his strangely beautiful style and a rich and unchecked imagination. With these artistic gifts, Anderson infuses new life into Lewis Carroll's well-loved characters, who have delighted generations of children and adults.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT087876With a half-title and an errata. A variant has the final page misnumbered 88. Edinburgh: printed by Smellie. Sold in London, by C. Dilly; G. G. J. and J. Robinsons; J. Johnson; J. Murray; T. Payne; G. Nicol; J. Debrett; and J. Clarke, 1791. 2], xiv,588p.; 4

When he died in 1965, Walter Anderson left a seemingly inexhaustible store of watercolors, linoleum cuts, and fanciful drawings that cry out for a place in books. Thus comes An Alphabet. It combines his love of language and his love of pictures. Here the letters he created on linoleum blocks leap into a life of their own in eccentric shapes and spellings. They run the gamut of Anderson's imagination from Apple and Acrobat to Zebra. Each of Anderson's letters vibrates with energy, spontaneity, and surprise: O for Opossum, P for Persimmon Tree, and X for Xebec.