Walter Scott

One of the BBC's '100 Novels That Shaped Our World'The Penguin English Library Edition of Ivanhoe by Walter Scott'Fight on, brave knights! Man dies, but glory lives!'Banished from England for seeking to marry against his father's wishes, Ivanhoe joins Richard the Lion Heart on a crusade in the Holy Land. On his return, his passionate desire is to be reunited with the beautiful but forbidden lady Rowena, but he soon finds himself playing a more dangerous game as he is drawn into a bitter power struggle between the noble King Richard and his evil and scheming brother John. The first of Scott's novels to address a purely English subject, Ivanhoe is set in a highly romanticized medieval world of tournaments and sieges, chivalry and adventure where dispossessed Saxons are pitted against their Norman overlords, and where the historical and fictional seamlessly merge. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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The Heart of Midlothian is the seventh of Sir Walter Scott's Waverley Novels. It was originally published in four volumes on 25 July 1818, under the title of Tales of My Landlord, 2nd series, and the author was given as "Jedediah Cleishbotham, Schoolmaster and Parish-clerk of Gandercleugh". Although the identity of the author of the Waverley Novels was well known by this time, Scott still chose to write under a pseudonym. The book was released only seven months after the highly successful Rob Roy. Scott was at the time recovering from illness, and wrote at an even more furious pace than usual. When the book was released, it more than matched the popularity of his last novel. This is Volume II. Sir Walter Scott, 1st Baronet (15 August 1771 - 21 September 1832) was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time. Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, and The Heart of Midlothian.

Waverley is an 1814 historical novel by Sir Walter Scott. Initially published anonymously as Scott's first venture into prose fiction, Waverley is often regarded as the first historical novel. It became so popular that Scott's later novels were advertised as being "by the author of Waverley". His series of works on similar themes written during the same period have become collectively known as the "Waverley Novels". Sir Walter Scott, 1st Baronet (15 August 1771 - 21 September 1832) was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time. Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, and The Heart of Midlothian.

The Heart of Midlothian is the seventh of Sir Walter Scott's Waverley Novels. It was originally published in four volumes on 25 July 1818, under the title of Tales of My Landlord, 2nd series, and the author was given as "Jedediah Cleishbotham, Schoolmaster and Parish-clerk of Gandercleugh". Although the identity of the author of the Waverley Novels was well known by this time, Scott still chose to write under a pseudonym. The book was released only seven months after the highly successful Rob Roy. Scott was at the time recovering from illness, and wrote at an even more furious pace than usual. When the book was released, it more than matched the popularity of his last novel. This is Volume I. Sir Walter Scott, 1st Baronet (15 August 1771 - 21 September 1832) was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time. Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, and The Heart of Midlothian.

Between 1829 and 1833 the first complete edition of Scott's fiction appeared, in 48 volumes issued one a month, each illustrated with two engravings, and with introductions and notes by Scott himself. The Magnum Opus, as it was familiarly called, was a project which aimed to reduce the enormous debt of over 126,000 which landed on Scott during the financial crisis of 1825-26, but it was much more than an exercise in book-making. Scott's introductions are semi-autobiographical essays in which he muses on his own art and the circumstances which gave rise to each of his works of fiction. His notes illustrate his text, sometimes with simple glosses, sometimes by quotations from historical sources, but most strikingly with further narratives which parallel rather than explain incidents and situations in the fiction. These volumes constitute the first systematic representation of Scott's contributions to his last great edition, the edition which defined the final shape of Scott's fiction for the nineteenth century. They conclude the publication of the Edinburgh Edition of the Waverley Novels, and as they include addenda and corrigenda covering the whole 28 volumes of Scott's fiction in the EEWN, they are an indispensable conclusion to the set. But above all they illustrate the parabolic imagination of the man who made the historical novel an intellectual force.

Between 1829 and 1833 the first complete edition of Scott's fiction appeared, in 48 volumes issued one a month, each illustrated with two engravings, and with introductions and notes by Scott himself. The Magnum Opus, as it was familiarly called, was a project which aimed to reduce the enormous debt of over 126,000 which landed on Scott during the financial crisis of 1825-26, but it was much more than an exercise in book-making. Scott's introductions are semi-autobiographical essays in which he muses on his own art and the circumstances which gave rise to each of his works of fiction. His notes illustrate his text, sometimes with simple glosses, sometimes by quotations from historical sources, but most strikingly with further narratives which parallel rather than explain incidents and situations in the fiction. These volumes constitute the first systematic representation of Scott's contributions to his last great edition, the edition which defined the final shape of Scott's fiction for the nineteenth century. They conclude the publication of the Edinburgh Edition of the Waverley Novels, and as they include addenda and corrigenda covering the whole 28 volumes of Scott's fiction in the EEWN, they are an indispensable conclusion to the set. But above all they illustrate the parabolic imagination of the man who made the historical novel an intellectual force.